The lamp Céramique Down was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Down was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Down was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Up was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Up was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Up was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

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The lamp Céramique Side was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Side was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

The lamp Céramique Side was designed by Ronan Bouroullec for Flos, pure expression of a material, the union of the hands of a designer who knows how to create visual poetry and the "savoir fair" of a company that knows how to translate it into an object. The iconic ceramic body of the lamp is characterized by a lead-free lacquered crystalline finish that completes its handmade surface. With a sustainable design and attention to detail, this collection enhances the beauty of ceramics and promotes energy efficiency.

There are table lamps that, with their presence, can transform the soul of the environment, or a specific angle. They are icons that have entered the history of design. One of them: Miss Ktable lamp signed Flos that, thanks to its elegant design has become unmistakable. Its light has that almost magical power to give character to space – soft or bold, focused or diffuse – almost with the same attitude of the landlord.

There are table lamps that, with their presence, can transform the soul of the environment, or a specific angle. They are icons that have entered the history of design. One of them: Miss Ktable lamp signed Flos that, thanks to its elegant design has become unmistakable. Its light has that almost magical power to give character to space – soft or bold, focused or diffuse – almost with the same attitude of the landlord.

There are table lamps that, with their presence, can transform the soul of the environment, or a specific angle. They are icons that have entered the history of design. One of them: Miss Ktable lamp signed Flos that, thanks to its elegant design has become unmistakable. Its light has that almost magical power to give character to space – soft or bold, focused or diffuse – almost with the same attitude of the landlord.

There are table lamps that, with their presence, can transform the soul of the environment, or a specific angle. They are icons that have entered the history of design. One of them: Miss K table lamp signed Flos that, thanks to its elegant design has become unmistakable. Its light has that almost magical power to give character to space – soft or bold, focused or diffuse – almost with the same attitude of the landlord.

My Disc is a vertical suspension lamp, designed to ensure a uniform light facing down. Minimalist, like all the pieces designed by Michael Anastassiades, has all the charm of minimalist design with integrated the most advanced technology. Ideal for environments with low ceiling, for dining rooms, living rooms, or offices, the elegance of the disc contrasts to the linearity of the stem will create an elegant and dynamic effect, enhancing the purity of the shape thanks also to the matt white color. My Disc signed FLOS is a vertical suspension lamp, designed to ensure a uniform light facing down.

Go-Ball Table 1 is signed diffused light table lamp Flos. Diffuser composed of an embossed opaline glass, blown to the mouth, with an external acid finish and a threaded die cast aluminium alloy, with galvanic finish, "lodine chromatation". High thickness steel base, steel tubular stem and diffuser support in die-cast aluminium alloy, all painted in liquid grey colour. On the cable is the electronic dimmer that allows the step adjustment of the light intensity. A project Jasper Morrison. 

Go-Ball Table 1 is signed diffused light table lamp Flos. Diffuser composed of an embossed opaline glass, blown to the mouth, with an external acid finish and a threaded die cast aluminium alloy, with galvanic finish, "lodine chromatation". High thickness steel base, steel tubular stem and diffuser support in die-cast aluminium alloy, all painted in liquid grey colour. On the cable is the electronic dimmer that allows the step adjustment of the light intensity. A project Jasper Morrison. 

Kelvin Edge, lamp Flos became a true cult of contemporary design, was designed in 2010 by Antonio Citterio. Minimal style, linear and the possibility to have different types of supports. on the surface of the head is equipped with the Soft Touch sensor that allows to select both the desired light intensity and the color temperature, warm or cold depending on the needs, with a 3-step dimmer function, with a color temperature range from 2700 to 3200 kelvin degrees.

Kelvin Edge, lamp Flos became a true cult of contemporary design, was designed in 2010 by Antonio Citterio. Minimal style, linear and the possibility to have different types of supports. on the surface of the head is equipped with the Soft Touch sensor that allows to select both the desired light intensity and the color temperature, warm or cold depending on the needs, with a 3-step dimmer function, with a color temperature range from 2700 to 3200 kelvin degrees.

In 1958 Gino Sarfatti he designed a chandelier capable of reinterpreting the tradition of Murano chandeliers, reducing the embellishments to a more essential form. Today - 65 years later - la Suspension lamp 2097 is between best seller of Flos, company of lighting made in Italy par excellence, thanks to an avant-garde aesthetic never out of fashion for the new generations. The Suspension lamp 2097 - here in the version 18 bulbs - replaces refractories and pendants with cables and bulbs that from functional elements become the decorative protagonists of the project, supported by a central steel tube with radial arms.

In 1958 Gino Sarfatti he designed a chandelier capable of reinterpreting the tradition of Murano chandeliers, reducing the embellishments to a more essential form. Today - 65 years later - la Suspension lamp 2097 is between best seller of Flos, company of lighting made in Italy par excellence, thanks to an avant-garde aesthetic never out of fashion for the new generations. The Suspension lamp 2097 - here in the version 18 bulbs - replaces refractories and pendants with cables and bulbs that from functional elements become the decorative protagonists of the project, supported by a central steel tube with radial arms.

In 1958 Gino Sarfatti he designed a chandelier capable of reinterpreting the tradition of Murano chandeliers, reducing the embellishments to a more essential form. Today - 65 years later - la Suspension lamp 2097 is between best seller of Flos, company of lighting made in Italy par excellence, thanks to an avant-garde aesthetic never out of fashion for the new generations. The Suspension lamp 2097 - here in the version 18 bulbs - replaces refractories and pendants with cables and bulbs that from functional elements become the decorative protagonists of the project, supported by a central steel tube with radial arms.

In 1958 Gino Sarfatti he designed a chandelier capable of reinterpreting the tradition of Murano chandeliers, reducing the embellishments to a more essential form. Today - 65 years later - la Suspension lamp 2097 is between best seller of Flos, company of lighting made in Italy par excellence, thanks to an avant-garde aesthetic never out of fashion for the new generations. The Suspension lamp 2097 - here in the version 18 bulbs - replaces refractories and pendants with cables and bulbs that from functional elements become the decorative protagonists of the project, supported by a central steel tube with radial arms.

In 1958 Gino Sarfatti he designed a chandelier capable of reinterpreting the tradition of Murano chandeliers, reducing the embellishments to a more essential form. Today - 65 years later - la Suspension lamp 2097 is between best seller of Flos, company of lighting made in Italy par excellence, thanks to an avant-garde aesthetic never out of fashion for the new generations. The Suspension lamp 2097 - here in the version 18 bulbs - replaces refractories and pendants with cables and bulbs that from functional elements become the decorative protagonists of the project, supported by a central steel tube with radial arms.

In 1958 Gino Sarfatti he designed a chandelier capable of reinterpreting the tradition of Murano chandeliers, reducing the embellishments to a more essential form. Today - 65 years later - la Suspension lamp 2097 is between best seller of Flos, company of lighting made in Italy par excellence, thanks to an avant-garde aesthetic never out of fashion for the new generations. The Suspension lamp 2097 - here in the version 18 bulbs - replaces refractories and pendants with cables and bulbs that from functional elements become the decorative protagonists of the project, supported by a central steel tube with radial arms.