Sedie e Sgabelli

Philippe Starck offers us a new and personal interpretation of a traditional type of home furnishings: one chair - designed for Alessi - where the essential structure of beech wood is coupled with a metal shell with soft and organic lines. In the hands of the designer, steel reveals unexpected expressive possibilities: the seat becomes a sculptural element and is shaped on the body of the user with its sought-after ergonomics. The comfortable backrest develops in two small armrests, distinctive details of the design language of Starck

Philippe Starck offers us a new and personal interpretation of a traditional type of home furnishings: one chair - designed for Alessi - where the essential structure of beech wood is coupled with a metal shell with soft and organic lines. In the hands of the designer, steel reveals unexpected expressive possibilities: the seat becomes a sculptural element and is shaped on the body of the user with its sought-after ergonomics. The comfortable backrest develops in two small armrests, distinctive details of the design language of Starck

Philippe Starck offers us a new and personal interpretation of a traditional type of home furnishings: one chair - designed for Alessi - where the essential structure of beech wood is coupled with a metal shell with soft and organic lines. In the hands of the designer, steel reveals unexpected expressive possibilities: the seat becomes a sculptural element and is shaped on the body of the user with its sought-after ergonomics. The comfortable backrest develops in two small armrests, distinctive details of the design language of Starck

Philippe Starck offers us a new and personal interpretation of a traditional type of home furnishings: one chair - designed for Alessi - where the essential structure of beech wood is coupled with a metal shell with soft and organic lines. In the hands of the designer, steel reveals unexpected expressive possibilities: the seat becomes a sculptural element and is shaped on the body of the user with its sought-after ergonomics. The comfortable backrest develops in two small armrests, distinctive details of the design language of Starck

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant white - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant yellow - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

Baxter - always avant-garde in expressive design - exports its philosophy Made in Italy through furnishings and accessories that dress the house with functionality and character. Barret, the armchair signed by Draga & Aurel, evokes charm and allure through a soft but never trivial silhouette that combines the softness of the leather - here in blue - to a sophisticated game of vertical folds.

Sit down to believe. The chair is a real design challenge for all creatives, past and present. Not by chance, architects often try to redesign this extremely complex furnishing element in its simplicity. A concentrate of balance, stability, strength, lightness and beauty. Pure in design, enhanced by the game of coatings and finishes is Georges chair lunch created in 2015 from David Lopez Quincoces for Living Divani.

"A fragment of everyday life, a project of living together in a new home". If Nena - the armchair padded with Zanotta with structure in painted steel and removable cover in fabric - was the protagonist of a story, its history would be dynamic and recognizable just like her. Designed by Lanzavecchia + Wai in 2020, nena armchair is the result of careful research on comfort and refined details (see removable fabric cover thanks to the zip concealed by a rouche that outlines the elegant roundness of the back). Nena is a armchair table ideal for home and relaxation, but also for a work environment or for a restaurant.

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The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Polish - in the variant with coating leather - is an armchair made of polystyrene balls from the incisive style pop pop pop pop designed byby Piero Gatti, Caesar Paolini and by Franco Theodoro for by Zanot - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, which wins the Compasso D'Oro in 1972 and which is exposed to the MOMA of the Big Apple.

Broom - in italian "scopa" - is the name of the collection of stools designed by Philippe Starck for Emeco. “Imaginate”, he says Philippe Starck, “that there is a boy taking a humble broom and cleaning the lab and with this dust of nothing creates new magic. That's why we call him Scopa." The stools and chairs Broom are made of recycled plastic which in turn is completely recyclable; each piece is made at 75% with scrap polypropylene and at 15% with recycled wood fiber that would otherwise be discarded in the trash.

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Pure triumph in irony Saddle sitting stool designed in 1957 by Achille and Pier Giacomo Castiglioni and produced by Zanotta in 1983. Bizarre and extravagant, this design complement is made with a real racing bicycle saddle, fixed on a pink painted steel rod (the color refers to that of the winner of the Giro d’Italia jersey), and a swinging base. The idea of the project was originally born to make more comfortable calls: at the end of the Fifties, in fact, the vast majority of telephones were installed on the wall and those who used them had to remain next to the device.

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In 1950 Max Bill - genius and multifaceted artist of the 20th century - designed Sgabillo for industrial design school Ulm: a practical and modern object, trait d'union between the functional lines of the 1950s and the values of the tradition of Bauhaus. The structure, apparently simple, is actually the result of complex craft skills: 3 layers of birch with swallow tail recess, connected to the base by a cylindrical beech rod. In 1975 Aurelio Zanotta transform Sgabillo in a furnishing accessory suitable for various uses and perfect for any room. This stool can be easily transported from room to room, thanks to the cross that becomes handle. Sgabillo, a small stool with great applications!

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For a truly contemporary and captivating atmosphere nothing more recommended than a snack or a high table, strictly surrounded by stools. Suitable for different contexts, Form of Barstool of Normann Copenhagenis a scandinavian design icon: essential, light, precious. Designed by Simon Legald to celebrate the silhouette of a shell, this stool stands out for the particular continuity between the seat - in plastic coated walnut - and the steel legs.

Notes: Manufactured byex(can present slight signs of wear)

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For a truly contemporary and captivating atmosphere nothing more recommended than a snack or a high table, strictly surrounded by stools. Suitable for different contexts, Form of Barstool of Normann Copenhagenis a scandinavian design icon: essential, light, precious. Designed by Simon Legald to celebrate the silhouette of a shell, this stool is distinguished by the particular continuity between the seat - in walnut covered with plastic - and the legs in gold steel.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For a truly contemporary and captivating atmosphere nothing more recommended than a snack or a high table, strictly surrounded by stools. Suitable for different contexts, Form of Barstool of Normann Copenhagenis a scandinavian design icon: essential, light, precious. Designed by Simon Legald to celebrate the silhouette of a shell, this stool is distinguished by the particular continuity between the seat - in walnut covered with plastic - and the legs in gold steel.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

The boldest high stool ever. Signed Seletti Wear toilet paper and designed by Maurizio Cattelan and Tagged Ferrari, this session with the imprint pop pop pop pop and sparkling colors is part of the collection fucking. It is excellent expression of art pop pop pop pop and the design design design and voices the anticonformism of a brand new definitely futuristic. Nice, original and irreverent cry - as written 'fuckingon the backrest - this stool will give to your post lounge bar a bursting spark.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.