Lampade da Tavolo

Dialogue with the light of Davide Groppi begins in a tiny laboratory in the heart of Piacenza in the 1980s. He, passionate about Do It Yourself, he delights in building things with his father. A flipper, a telegraph... a lamp: any objects born only from the desire to move the hands". Since then, the young Piacenza designer designs and produces light stories that go beyond the study of the mere luminous body. Yes because this is the main feature of every creation: seduce and excite with lighting. And so is it Boom, a table lamp designed to enjoy a wonderful diffuse light without the constraint of the electric cable.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. One among many, Edison The Petit signed Fatboy. 

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Moon by name and in fact. The moon table lamp of Davide Groppi is poetic, romantic, ethereal. In its perfectly spherical being, it preserves the form of a full moon that continually shows a single face. The silhouette of the sphere, on the ignition, is enriched with many nuances that belong to the world of space and the unknown. The design of the brand made in Italy "born from a dream", as we read about the official description: bring the moon into the house. The handmade surface with Japanese paper transforms each piece into a unique piece of furniture.

A cult for lighting lovers. The Cobra lamp - designed and designed in 1968 by Elio Martinelli - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

A cult for lighting lovers. The Cobra lamp - designed and designed in 1968 by Elio Martinelli - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

Designed by the French designer Philippe Starck for Flos - Made in Italy lighting brand par excellence - Bon Jour, the table lamp available in different colors, is synthesis of tradition and innovation. A simple and elegant design for a truly unique accessory-detail, perfect for every home environment.

In 1969, the Italian architect Mario Bellini presented for the first time Chiara, a table lamp realized by a single “sheet” plate folded on itself, as a polished stainless steel coat. The rest is history. Among the iconic lamps Flos, Chiara - after more than fifty years - is still an elegant and unique complement of lighting in her design.

In 1969, the Italian architect Mario Bellini presented for the first time Chiara, a table lamp realized by a single “sheet” plate folded on itself, as a polished stainless steel coat. The rest is history. Among the iconic lamps Flos, Chiara - after more than fifty years - is still an elegant and unique complement of lighting in her design.

In 1969, the Italian architect Mario Bellini presented for the first time Chiara, a table lamp realized by a single “sheet” plate folded on itself, as a polished stainless steel coat. The rest is history. Among the iconic lamps Flos, Chiara - after more than fifty years - is still an elegant and unique complement of lighting in her design.

"A lamp for millenniums and generation Z, a flexible lighting tool that adapts to the multilayer approach of the house that is defining its generation (and those that will follow)". Thus describes Bilboquet Philippe Malouin, the author. The signed table lamp Flos - whose head connects to the body through a shiny magnetic ball that allows to use it in a wide variety of different configurations - was conceived in his studio and with his friends from all over East London.

"A lamp for millenniums and generation Z, a flexible lighting tool that adapts to the multilayer approach of the house that is defining its generation (and those that will follow)". Thus describes Bilboquet Philippe Malouin, the author. The signed table lamp Flos - whose head connects to the body through a shiny magnetic ball that allows to use it in a wide variety of different configurations - was conceived in his studio and with his friends from all over East London.

"A lamp for millenniums and generation Z, a flexible lighting tool that adapts to the multilayer approach of the house that is defining its generation (and those that will follow)". Thus describes Bilboquet Philippe Malouin, the author. The signed table lamp Flos - whose head connects to the body through a shiny magnetic ball that allows to use it in a wide variety of different configurations - was conceived in his studio and with his friends from all over East London.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T2 table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T2 table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T2 table lamp for Flos.