Lampade da Tavolo

Marset - the lighting brand based in Barcelona and a history of more than 80 years - honours Greek mythology and its suggestions with a unique and exclusive project, made in synergy with the designer Mathias Hahn. How Theia, the greek goddess mother of the sun, of the moon and of the sunrise, also the lamp that bears her name melts lights and shadows in one body. The Theia M Black Table Lamp in fact has two faces (two semispheres, one placed horizontally and the other vertically) that intersect each other showing when the device is rotated around its central axis determining different functions; Theia can act as a direct light reading lamp or if placed towards an object or wall creates a subtle and indirect light.

Marset - the lighting brand based in Barcelona and a history of more than 80 years - honours Greek mythology and its suggestions with a unique and exclusive project, made in synergy with the designer Mathias Hahn. How Theia, the greek goddess mother of the sun, of the moon and of the sunrise, also the lamp that bears her name melts lights and shadows in one body. The Theia M Bianco Table Lamp in fact has two faces (two semispheres, one placed horizontally and the other vertically) that intersect each other showing when the device is rotated around its central axis determining different functions; Theia can act as a direct light reading lamp or if placed towards an object or wall creates a subtle and indirect light.

Marset - the lighting brand based in Barcelona and a history over 80 years long - involved the couple of designers F. Kallus and S. Schneider in a project with playful and unexpected accents. The result is Bolita - here in grey - a cutting-edge table lamp with a kinetic interface that hides its function behind the appearances of a decorative accessory, similar to a tray with a ball (flattened) in the center. But here's the surprise: the rounded surface actually houses a LED on a central axis and a superimposed glass ball that, when moved, creates an eclipse effect. Moving Bolita attenuates or increases light, an interaction that fascinates with its beautiful visual effect and that makes the process of mechanical dimming and not electronic.

Marset - the lighting brand based in Barcelona and a history over 80 years long - involved the couple of designers F. Kallus and S. Schneider in a project with playful and unexpected accents. The result is Bolita - here in white - a cutting-edge table lamp with a kinetic interface that hides its function behind the appearances of a decorative accessory, similar to a tray with a ball (flattened) in the center. But here's the surprise: the rounded surface actually houses a LED on a central axis and a superimposed glass ball that, when moved, creates an eclipse effect. Moving Bolita attenuates or increases light, an interaction that fascinates with its beautiful visual effect and that makes the process of mechanical dimming and not electronic.

Marset - the lighting brand based in Barcelona and a history over 80 years long - once again amazes its international audience with a lamp with magic suggestions. Dipping Light Green Brass (here in the portable and rechargeable version, therefore without wires) stands out for the different shades of paint that decorate with concentric centers the head of the lamp and that filter the light by attenuating its intensity. When turned off instead, the visible color layers turn the Table lamp Dipping Light Green Brass in a sculptural object similar to a colored glass sphere.

Marset - the lighting brand based in Barcelona and a history over 80 years long - once again amazes its international audience with a lamp with magic suggestions. Dipping Light White Brass Portable (here in the portable and rechargeable version, therefore without wires) stands out for the different shades of paint that decorate with concentric centers the head of the lamp and that filter the light by attenuating its intensity. When turned off instead, the visible color layers turn the Table lamp Dipping Light White Brass in a sculptural object similar to a colored glass sphere.

Marset - the lighting brand based in Barcelona and a history over 80 years long - once again amazes its international audience with a lamp with magic suggestions. Dipping Light Blue Portable Brass (here in the portable and rechargeable version, therefore without wires) stands out for the different shades of paint that decorate with concentric centers the head of the lamp and that filter the light by attenuating its intensity. When turned off instead, the visible color layers turn the Table lamp Dipping Light Blue Brass in a sculptural object similar to a colored glass sphere.

Marset - the lighting brand based in Barcelona and a history over 80 years long - once again amazes its international audience with a lamp with magic suggestions. Dipping Light Amber Portable Brass (here in the portable and rechargeable version, therefore without wires) stands out for the different shades of paint that decorate with concentric centers the head of the lamp and that filter the light by attenuating its intensity. When turned off instead, the visible color layers turn the Table lamp Portable Dipping Light Ambra Ottone in a sculptural object similar to a colored glass sphere.

Dialogue with the light of Davide Groppi begins in a tiny laboratory in the heart of Piacenza in the 1980s. He, passionate about Do It Yourself, he delights in building things with his father. A flipper, a telegraph... a lamp: any objects born only from the desire to move the hands". Since then, the young Piacenza designer designs and produces light stories that go beyond the study of the mere luminous body. Yes because this is the main feature of every creation: seduce and excite with lighting. And so is it Boom, a table lamp designed to enjoy a wonderful diffuse light without the constraint of the electric cable.

Moon by name and in fact. The moon table lamp of Davide Groppi is poetic, romantic, ethereal. In its perfectly spherical being, it preserves the form of a full moon that continually shows a single face. The silhouette of the sphere, on the ignition, is enriched with many nuances that belong to the world of space and the unknown. The design of the brand made in Italy "born from a dream", as we read about the official description: bring the moon into the house. The handmade surface with Japanese paper transforms each piece into a unique piece of furniture.

A cult for lighting lovers. The Cobra lamp - designed and designed in 1968 by Elio Martinelli - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

A cult for lighting lovers. The Cobra lamp - designed and designed in 1968 by Elio Martinelli - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

In 1969, the Italian architect Mario Bellini presented for the first time Chiara, a table lamp realized by a single “sheet” plate folded on itself, as a polished stainless steel coat. The rest is history. Among the iconic lamps Flos, Chiara - after more than fifty years - is still an elegant and unique complement of lighting in her design.

In 1969, the Italian architect Mario Bellini presented for the first time Chiara, a table lamp realized by a single “sheet” plate folded on itself, as a polished stainless steel coat. The rest is history. Among the iconic lamps Flos, Chiara - after more than fifty years - is still an elegant and unique complement of lighting in her design.

In 1969, the Italian architect Mario Bellini presented for the first time Chiara, a table lamp realized by a single “sheet” plate folded on itself, as a polished stainless steel coat. The rest is history. Among the iconic lamps Flos, Chiara - after more than fifty years - is still an elegant and unique complement of lighting in her design.

"A lamp for millenniums and generation Z, a flexible lighting tool that adapts to the multilayer approach of the house that is defining its generation (and those that will follow)". Thus describes Bilboquet Philippe Malouin, the author. The signed table lamp Flos - whose head connects to the body through a shiny magnetic ball that allows to use it in a wide variety of different configurations - was conceived in his studio and with his friends from all over East London.

"A lamp for millenniums and generation Z, a flexible lighting tool that adapts to the multilayer approach of the house that is defining its generation (and those that will follow)". Thus describes Bilboquet Philippe Malouin, the author. The signed table lamp Flos - whose head connects to the body through a shiny magnetic ball that allows to use it in a wide variety of different configurations - was conceived in his studio and with his friends from all over East London.

"A lamp for millenniums and generation Z, a flexible lighting tool that adapts to the multilayer approach of the house that is defining its generation (and those that will follow)". Thus describes Bilboquet Philippe Malouin, the author. The signed table lamp Flos - whose head connects to the body through a shiny magnetic ball that allows to use it in a wide variety of different configurations - was conceived in his studio and with his friends from all over East London.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T2 table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T2 table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T2 table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T1 High table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T1 High table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T1 High table lamp for Flos.

Designed by Michael Anastassiades for Flos - Made in Italy lighting brand par excellence - lamp table IC Light T1 Low is designed to emanate a diffuse light.

Elegant and refined, adds a touch of class to any environment.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T1 Low table lamp for Flos.

A brass stem with satin finish. And at the top or bottom, a glass sphere facing the outside, in a delicate game of balance at the end of an oblique wand. Apparently unstable, the opalescent sphere seems to want to slip away, as if it were the tool of the number of a juggler in which ball and wand reach a magical balance. From an idea of the Cypriot designer Michael Anastassiades was born the elegant iC Lights T1 Low table lamp for Flos.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Notes: If not available in stock, re-absorbable in about 2-3 weeks. Contact us for more information.

Free return within 14 days.

Synthesis of expressivity, form and function, lamp Snoopy produced by Flos since 1967 it is a nice tribute to the character created by cartoonist Charles M. Schulz. Designed by brothers Castiglioni, is composed of a black painted metal reflector, a thick glass plate and a white marble base with an innovative dimmer for the time that regulates the intensity of light. A description so technical and neutral makes us lose its main ingredient: irony.

Synthesis of expressivity, form and function, lamp Snoopy produced by Flos since 1967 it is a nice tribute to the character created by cartoonist Charles M. Schulz. Designed by brothers Castiglioni, is composed of a black painted metal reflector, a thick glass plate and a white marble base with an innovative dimmer for the time that regulates the intensity of light. A description so technical and neutral makes us lose its main ingredient: irony.

Synthesis of expressivity, form and function, lamp Snoopy produced by Flos since 1967 it is a nice tribute to the character created by cartoonist Charles M. Schulz. Designed by brothers Castiglioni, is composed of a black painted metal reflector, a thick glass plate and a white marble base with an innovative dimmer for the time that regulates the intensity of light. A description so technical and neutral makes us lose its main ingredient: irony.

Designed by the French designer Philippe Starck for Flos - Made in Italy lighting brand par excellence - Bonjour, the table lamp available in different colors, is synthesis of tradition and innovation. A simple and elegant design for a truly unique accessory-detail, perfect for every home environment.

Designed by the French designer Philippe Starck for Flos - Made in Italy lighting brand par excellence - Bon Jour, the table lamp available in different colors, is synthesis of tradition and innovation. A simple and elegant design for a truly unique accessory-detail, perfect for every home environment.

Designed by the French designer Philippe Starck for Flos - Made in Italy lighting brand par excellence - Bon Jour, the table lamp available in different colors, is synthesis of tradition and innovation. A simple and elegant design for a truly unique accessory-detail, perfect for every home environment.

Designed by French designer Philippe Starck for Flos - Made in Italy lighting brand par excellence - Bon Jour, the table lamp available in different colors, is synthesis of tradition and innovation.A simple and elegant design for a truly unique accessory-detail, perfect for every home environment.

Notes:If not available in stock, re-absorbable in about 2-3 weeks.Contact us for more information.

Free return within 14 days.

Designed by French designer Philippe Starck for Flos - Made in Italy lighting brand par excellence - Bon Jour, the table lamp available in different colors, is synthesis of tradition and innovation.A simple and elegant design for a truly unique accessory-detail, perfect for every home environment.

Notes:If not available in stock, re-absorbable in about 2-3 weeks.Contact us for more information.

Free return within 14 days.

Designed by brothers Castiglioni in 1952 for Flos gatto lamp was designed more to not make shadows than to generate light. Made of cocoon, it produces a milky, ovate luminosity, a soft and soft light, recalls the oriental lumens in rice paper. The name Cat? Due to his "nature", to his encumbrance: a presence that is silent and looks with curiosity.

Designed by brothers Castiglioni in 1952 for Flos gatto lamp Small was designed more to not make shadows than to generate light. Made of cocoon, it produces a milky, ovate luminosity, a soft and soft light, recalls the oriental lumens in rice paper. The name Cat? Due to his "nature", to his encumbrance: a presence that is silent and looks with curiosity.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely thought against lobsolescence.

Notes:If not available in stock, re-absorbable in about 2-3 weeks.Contact us for more information.

Free return within 14 days.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely thought against lobsolescence.

Notes:If not available in stock, re-absorbable in about 2-3 weeks.Contact us for more information.

Free return within 14 days.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely thought against lobsolescence.

Notes:If not available in stock, re-absorbable in about 2-3 weeks.Contact us for more information.

Free return within 14 days.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely thought against lobsolescence.

Notes:If not available in stock, re-absorbable in about 2-3 weeks.Contact us for more information.

Free return within 14 days.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.

Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.

Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.

Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.

Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

A functional element and a declination of shapes that squeezes the eye even to design design design. The Apollo D2it is table lamp made of brass designed by antoniolupi found in its structure a presence that gives elegance and exclusivity to the spaces thanks to precious materials: the organicity of the lines, able to express lightness and solidity at the same time, combine with the harmonious sphere. A unique light source for a look look no time.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

A cult for lighting lovers. The Atoll lamp 238 - designed and designed in 1977 from by Magistrates and winner of the Compasso D'Oro Award - is the iconic piece of the brand new italian The Oluce. Expression, anticonformism and design design design perfectly describe the art of this table or floor lamp that has now become archetype: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

A cult for lighting lovers. The Atoll lamp 238 - designed and designed in 1977 from Vico Magistretti and winner of the Compasso D'Oro Award - is the iconic piece of the brand new italian Oluce. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor lamp that has now become archetype: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

Free return within 14 days.

A cult for lighting lovers. The Cobra lamp - designed and designed in 1968 by Elio Martinelli - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

A cult for lighting lovers. The Pipistrel lamp - designed and designed by Gae Aulenti - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor lamp adjustable in height: versatile for every environment and characteristic for those who do not accept banality, with its corrugated lampholder reminds - for the purpose - the shape of the wings of a bat.

Free return within 14 days.

A cult for lighting lovers. The Pipistrel lamp - designed and designed by Gae Aulenti - is the iconic piece of the brand new italian Martinelli. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor lamp adjustable in height: versatile for every environment and characteristic for those who do not accept banality, with its corrugated lampholder reminds - for the purpose - the shape of the wings of a bat.

Free return within 14 days.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

Designed by Achilles and Pier Giacomo Castiglioni in 1962, Archery was the first product of industrial design to be protected by copyright. With the rigor of its lines and the attention in the use of materials, the most famous floor lamp to the mono is the hybrid, with a vocation to the suspension, which has established new rules in the interaction between table and illuminating luminaire, leaving it from the fixed position to the ceiling.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. One among many, Edison The Petit signed Fatboy. 

Free return within 14 days.