Home Home

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A soft design outside the world. Nebulona - the study armchair E-ggs for the italian brand Miniforms - enriches the family of chairs of the collection Nebula with a wide seat with rounded and enveloping shapes. The Nebulona armchair in fact reworks the comfortable lines and the typical drop armrests of the series, and reinterprets them with a round base similar to a ottoman and a rather low structure that adds new and additional softness to the piece. The Nebulona armchair is made with polyurethane padding covered with a sophisticated but cheerful Dedar Tiger Beat fabric in Papaya color.

Not only is it a chair but also a stereo. Caruso - of Paolo Cappello for the italian brand Miniforms - is the cabinet that squeezes the eye on contemporary living; in fact, it is an inviting and functional console, not only to be used as a container in which to store and expose objects or books but also as a speaker (and therefore as a case for a quality acoustic experience) thanks to the Hi-Fi system incorporated with Bluetooth 4.0 connection. Also treated to the concept also materials: caruso chair is made of fine wood with lacquered finish while the sound diffuser uses a precious and flexible ceramic, here in the particular color pumpkin.

Game, emotion, sustainability. The new contemporary expression of the design tables speaks a multifaceted language that makes them protagonists in any environment. Chap miniforms table designed by Matteo Zorzenoni, is in fact a primary object that dialogues with shape and color. Organic and primitive taste, it becomes an essential element that amazes with the decorative texture of Palladio Moro or with the transparency of the glass.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

I do tubular Alviette BD 13S is part of the range of excellence specifically designed and dimensioned by Antrax to optimize and improve the function of the radiator inside the bathroom environment. I do bD 13S it consists of two vertical collectors of the diameter of 35 mm, joined together by tubular elements with round section of the diameter of 13 mm, from which the name of the heated towel itself. The elements are placed in a sequence of full and empty to allow to transform the radiator body into a practical and functional “scaldasalviette”. Made of carbon stainless steel, BD 13S is also completely recyclable.

Waffle is the name anything but casual of the surprising radiator born from the genius of Piero Lissoni for Antrax with the aim of creating a high performance complement in terms of heating and sustainability but also able to decorate and complete the furniture. Made of recyclable aluminum casting, Waffle reinterprets the concept of the historic radiator in cast iron, design and touch. The material component is enriched by a natural ash wood handle that makes the radiator a functional soap warmer for the bathroom. Immediately available in the version composed of 3 heating modules, with only water supply, developed vertically.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

"Every table for me is the story of a meeting, a kind of Franco territory, where we talk, we compare, a space where we can freely express ourselves, a place of contamination.". So by Gianni Cinti tells the experience of being at the table. With the service Heritage Midas for Rosenthal, the designer translates 140 years of history into space and current time: each individual complement is an eclectic game of different forms, colors and motifs of different eras and cultures, held together by a visual bracket made of refined golden tones and finely intertwined with personal memories.

Free return within 14 days.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with a matte tone.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.