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The armchair Ruff - signed Patricia Urquiola for Moroso - inherits the comforts of the seats really designed for the places of conversation, therefore suitable for any residential or contract space and hospitality.The wide armrests stick to the sides of the seat and wrap it firmly, while having a single joint.The result is the harmonious combination of curved and straight lines - a simple geometry that creates an architectural interaction with the surrounding space.The Ruff armchair has a functional shape, while its personality does not give up being an object that inhabits the space in which it is placed.

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For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

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An object of daily use: the Mathilda chair conceived by designer by Patricia Urquiola for Moroso is a modern project in an architectural sense, in the proportional relationship between the whole and the detail. The idea is simple, perfect for the function to which it is reserved. The design, weighted and sober, from life to a refined and aesthetically beautiful complement, ideal for an area living room elegant and contemporary.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

300 pages dedicated to the picturesque oasis of Saint Tropez, inspirational destination for writers and artists - from Françoise Sagan to Matisse - published by Assouline, "very much more than a publisher, a lifestyle brand.. A linen cover, more than 200 illustrations inspired by the idyllic beaches, the elegant boutiques and the many movie stars that have lived for more than half a century the streets of the bright Mediterranean resort.

300 pages dedicated to the most hippie island of the mediterranean - Ibiza, place of escape and refreshment of artists, musicians and creatives from all over the world - published by Assouline, "very much more than a publisher, a lifestyle brand.. A silk cover and over 200 illustrations depicting the lively nightlife, peaceful retreats of yoga, wild nature and picturesque cliffs typical of the Balearic archipelago.

More than 200 pages dedicated to Gabrielle Chanelpublished byAssouline, "verymore than a publisher, a lifestyle brand.". More than 150 illustrations depict the episodes of s lifeself-inventional traordinary that revolutionized the lifestyle of its time by inventing a modern concept of luxury minimalism, raising humble fabrics such as jersey and tweed to the status of couture, giving life to a new sophisticated and discreet silhouette.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique, a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The set Jardin Sospendu - designed by Concetta Giannangeli - it includes 4 lively hanging racks and embedded in steel structures, to be mixed and matched to turn into a lush jungle the balcony of an apartment or add a colored element to a patio or a larger garden.

Notes: Manufactured by expo (can present light wear marks)

Free return within 14 days.

For over 10 years, the Italian design brand Moroso promotes the craftsmanship of the Dakar region through the M'Afrique outdoor furniture collection: a series of seats and accessories that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The chic and ironic Sunny armchair combines the simplicity of 60s beach chairs with the charm of a modern throne. The result is an unprecedented icon that pays homage to poetic and eccentric African suggestions.

Notes: Produced by expo (may show slight signs of wear)

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More than 200 pages dedicated to the Caribbean destination of aesthetics and lovers of beautiful life - St. Barthes, place of escape betweenyatch, beautiful beaches and high palm trees -published byAssouline, "very much more than a publisher, a lifestyle brand.". A silk cover and over 200 illustrations depicting a paradise of unparalleled pleasures, unforgettable evenings, natural landscapes and crystal clear waters.

More than 200 pages dedicated to the extraordinary and fascinating Paris - a unique and enchanting look on the city more chic and fashion icon par excellence- published byAssouline, "verymore than a publisher, a lifestyle brand.". A silk cover, over 280 illustrations inspired by gardens, historic villas, picturesque alleys, but also the story of 'people': photographer Oliver Pilcher did not miss to immortalize intimate scenes of families, protagonists in this wonderful city.

More than 300 pages dedicated to creations Louis Vuittonpublished byAssouline, "verymore than a publisher, a lifestyle brand.". More than 320 illustrations tell the story ofatelier parisian and creative and disruptive, as well as the cover Cartoonof Virgil Abloh-designeramerican who revolutionized the fashion concept on the catwalk and outside - the one who challengedthe traditional image of the Maison's concept of clothing.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The chaise-longue armchair Shadowy, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne.The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure S - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

Assouline, "very more than a publisher, a lifestyle brand," he publishes New York by New York, 368 pages written by Jay McInerney with over 300 illustrations.

A journey through the most important periods of this great city in all its neighborhoods, from Manhattan and Brooklyn to the Bronx and Queens to Staten Island with views on its history and development of its world-famous skyline.

This volume reveals New York through the expert eyes and iconic images of leading photographers from Edward Steichen to Peter Lindbergh, along with texts and quotes of prominent writers, including EB White, Edith Wharton, Tom Wolfe and Jay Mcinerney.

The reading of New York by New York provokes a thousand sensations, and will be appreciated by lovers of this great city for decades to come.

Assouline, "very more than a publisher, a lifestyle brand," he publishes Mosquito, 360 pages written by Jeremy Scott and Alexander Fury with more than 350 illustrations to witness a unique, provocative and bizarre style!

After he inherited Franco Moschino's eponymous fashion house, Jeremy Scott with his bold collections filled with references to the pop culture and rebel humor, revives the world of Moschino seen through the eyes of the designer.

With a treasure of images of campaigns, editorials, fashion shows, backstage photos, first rows, red carpets, parties and more, you breathe in this edition, the glam all Moschino, as only Jeremy Scott could do.

The armchair Tropical designed by designerPatricia Urquiola for Moroso is based on a real creative disguise;the frame is in fact hidden under the tubular structure of steel that wraps it completely by taking it to the different personality seats depending on the material used.The thread lap is similar to a pencil stroke, it marks a surface that is simultaneously graphic and structural, becomes constructive gesture and form of identity:playful with the plastic of the two or three-colored cords, refined if monochromatic, elegant with leather.

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Yves Saint Laurent and Pierre Bergé were world builders of an unparalleled caliber;real artists of taste who approached each interior project with imagination and rigour, creating large spaces full of personality and origin.In close collaboration with world-famous designer Jacques Grange, they created private spaces full of wonder and charm.Readers of Saint Laurent at Home published by Assouline, "much more than a publisher, a lifestyle brand" are invited to discover the savoir-faire of the couple through the most refined photographs of the interior and gardens of Château Gabriel of Yves, the dacia of Deauville, the Villa Majorelle in Marrakech.

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The wood oven Röshults opens new doors and stimulates the senses in completely new ways. This is where the real craftsmanship meets the exclusive authenticity. Light the fire, prepare pizza, bread or any culinary dish to realize the dreams of a perfect evening under the stars. The wood oven is completed with a teak bottom that gives a warm feeling suitable for every space en plein air, garden or terrace.

Free return within 14 days.

Explore the enchanting island of Sicily through the precious pages of this photographic book of Assouline. This land known for its bright colors, dream beaches, breathtaking views and typical cities is one of the pearls of our peninsula. From ancient legends to modern films, the influence of Sicily is palpable and deeply rooted in its past and present, continuing to be one of the richest treasures in the world thanks to its rich history and cultural diversity.

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A delicate blend of old and new, Jaipur is a vibrant city full of energy, color and size. With a history of maharaja, emperors and queens, the state capital of Rajasthan boasts a prestigious heritage and an estimate that continues today. But Jaipur is not only beautiful palaces and beautiful jewels. The lively bazaars, traditional handmade crafts and delicious street food truly embody the dynamic spirit of the city. Jaipur Splendor is a dazzling tour of this unique city told in the 300 pages published by Assouline,very much more than a publisher, a lifestyle brand..

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

1A dance session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.