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The one between glass and light has always been a deep understanding and certainly demonstrates the experience of the famous and illustrious glassware Venini that has dedicated centuries of study to this perfect union. Among the most outstanding creations Pendant lamp Poliedri recognizable for its compositional elements, the polyhedrons, presented at the Expo in Brussels in 1958 by Ignazio Gardella, Paolo Venini and Enrico Peresutti and resumed a few years later by Carlo Scarpa for the famous cascade chandelier proposed to the expo of Turin Italy 61. These crystal blown glass elements allow to create chandeliers of always different shapes and sizes. The structure of this suspension is made of chromed metal.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A soft design outside the world. Nebulona - the study armchair E-ggs for the italian brand Miniforms - enriches the family of chairs of the collection Nebula with a wide seat with rounded and enveloping shapes. The Nebulona armchair in fact reworks the comfortable lines and the typical drop armrests of the series, and reinterprets them with a round base similar to a ottoman and a rather low structure that adds new and additional softness to the piece. The Nebulona armchair is made with polyurethane padding covered with a sophisticated but cheerful Dedar Tiger Beat fabric in Papaya color.

Not only is it a chair but also a stereo. Caruso - of Paolo Cappello for the italian brand Miniforms - is the cabinet that squeezes the eye on contemporary living; in fact, it is an inviting and functional console, not only to be used as a container in which to store and expose objects or books but also as a speaker (and therefore as a case for a quality acoustic experience) thanks to the Hi-Fi system incorporated with Bluetooth 4.0 connection. Also treated to the concept also materials: caruso chair is made of fine wood with lacquered finish while the sound diffuser uses a precious and flexible ceramic, here in the particular color pumpkin.

Game, emotion, sustainability. The new contemporary expression of the design tables speaks a multifaceted language that makes them protagonists in any environment. Chap miniforms table designed by Matteo Zorzenoni, is in fact a primary object that dialogues with shape and color. Organic and primitive taste, it becomes an essential element that amazes with the decorative texture of Palladio Moro or with the transparency of the glass.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

The bonos bench bench is a unique work of art created by the designer's inspiration Sugasawa for Qeboo. Made of polyethylene, this complement is ideal for use both internally and externally. Its versatility makes it a perfect choice for any environment, whether it be a modern living room or an elegant garden. Its resistance to UV rays and weather guarantees the maintenance of its impeccable appearance over time, without fading or ruining.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Elegant, essential and clean for an area outdoor outdoor repaired and from design design design architectural. The Pergola with sliding tent Nomo of brand new Pratic - is the solution that allows you to take full advantage of outdoor space ensuring protection and privacy. Minimal in lines and refined in style is a must have for those who seek comfort and intimacy in the house garden, so as to create an area living room sophisticated by the pool or simply surrounded by greenery. Equipped with 7 functions remote control, led kit for gronda has a grey finish with unique elegance that fits every environment.

Notes: Manufactured by ex (can present light signs of wear). Write us in chat for more information.

The costs of disassembly, transport and assembly are included in the price.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

Free return within 14 days.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

Free return within 14 days.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Cactus designed by Drocco and Mello in 1972 perfectly identical to the real-scale one, in fact, shows all the 2165 bugnes that decorate the stem and arms of the anonymous coat rack symbol of radical design.

Article in stock ✔

Free return within 14 days.

How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Cactus designed by Drocco and Mello in 1972 perfectly identical to that in real scale contains in fact all the 2165 bugnes that decorate the stem and arms of the anonymous coat rack symbol of radical design, in a pagan idol version deriving from the union of Cactus and the eggs of La Cova.

Article in stock ✔

Free return within 14 days.

How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Mini Pratone, with its 42 stems, perfectly identical to the unconventional seat which has become a reference point in the history of design.

Article in stock ✔

Free return within 14 days.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone