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Decorative but functional, organize and mark the space in the name of versatility. Let's talk about the tables that, between circular shapes and architectural volumes, form archipelagos that freely furnish the domestic space. The spontaneity is certainly their most appreciated qualities. Never shaken by a form that is not purely voted for use, but combined with an aesthetic that favors the desire to escape. Ready to use when needed, the table Gabri signed Bolz is the perfect complement for living room or bedroom.

The padded benches represent a tribute to the moments of waiting, to those fragments of life suspended between two places. Little bulky, calibrated in the measurements, often easy to move, these seats, which would seem to speak a lost language, are becoming more real pieces of design, signed by renowned designers and realized by important companies in the industry. Among these Cabinets, born from the soft and organic lines that draw the bed of the same collection signed Bolz, and characterized by a leather base cured in detail, which wraps the comfortable seat covered in fabric.

Wraped by longiline cooking we find ourselves sending e-mail from laptop, looking series-tv from tablet or consuming a quick snack before leaving. Here is the king of the padded, his majesty sofa, it is no longer just the furniture of the reception as more a multitasking island in the center of the living room. Perfectly fulfill these young practices Sumo, the sofa signed by Piero Lissoni for Living Divani: a compact and soft solution consecrated to the reception.

Sit down to believe. The chair is a real design challenge for all creatives, past and present. Not by chance, architects often try to redesign this extremely complex furnishing element in its simplicity. A concentrate of balance, stability, strength, lightness and beauty. Pure in design, enhanced by the game of coatings and finishes is Georges chair lunch created in 2015 from David Lopez Quincoces for Living Divani.

Whether part of a walk-in closet or inside the bedroom, the designer drawers are not afraid to dare. Far from the monotonous thirst of the past, they manifest a creative evolution that is the result of an in-depth expressive research. Visible not only in the detailed study of the interior equipment and in the customization of the compartments, but also in aesthetic canons reinterpreted through an unprecedented freedom of composition. Enter the stage, minimalist and functional the drawers Oikos signed Bolz recalculating the high production quality of the brand and an amplified functionality.

Designed by Spanish David Lopez Quincoces for Living Divani - company made in Italy founded in 1969 -, the table Era has a sophisticated soul emphasized by the material with which it is realized. An ultra modern complement and at the same time a tribute to the great design design design of the past, refined and elegant: a rarefied note to be disseminated freely at home and together passepartout for the contract contract.

The house reading chairs, those maxi upholstered chairs consecrated to relaxation, are perhaps the clearest and most tangible example of what is the essence of design: necessity and practicality, on the one hand, are accompanied by that aesthetic sense made of measures, proportions and decoration, on the other. Mini Jelly, designed by Piero Lissoni for Living Divani, is the elegant swivel armchair ideal for studios and offices but also for domestic environments dedicated to sociality and reflection.

A cult for lighting lovers. The Atoll lamp 238 - designed and designed in 1977 from Vico Magistretti and winner of the Compasso D'Oro Award - is the iconic piece of the brand new italian Oluce. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor lamp that has now become archetype: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

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A cult for lighting lovers. The Atoll lamp 238 - designed and designed in 1977 from by Magistrates and winner of the Compasso D'Oro Award - is the iconic piece of the brand new italian The Oluce. Expression, anticonformism and design design design perfectly describe the art of this table or floor lamp that has now become archetype: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

Semi-transparent sculpture to be proposed throughout the year and to be exploited to offer fresh drinks to its guests in summer, the glass carafe allows to eliminate plastic bottles, adding a bright sparkle to the mise en place. If hospitality is a matter of details, it is then you - the caraffa signed glass Method - the element with which to sublimate with style the elegance of tablecloths, glasses, dishes and cutlery to give life to lunches and aperitifs in which nothing is left to chance.

Semi-transparent sculpture to be proposed throughout the year and to be exploited to offer fresh drinks to its guests in summer, the glass carafe allows to eliminate plastic bottles, adding a bright sparkle to the mise en place. If hospitality is a matter of details, it is then you - the caraffa signed glass Method - the element with which to sublimate with style the elegance of tablecloths, glasses, dishes and cutlery to give life to lunches and aperitifs in which nothing is left to chance.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with a matte tone.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.