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Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A soft design outside the world. Nebulona - the study armchair E-ggs for the italian brand Miniforms - enriches the family of chairs of the collection Nebula with a wide seat with rounded and enveloping shapes. The Nebulona armchair in fact reworks the comfortable lines and the typical drop armrests of the series, and reinterprets them with a round base similar to a ottoman and a rather low structure that adds new and additional softness to the piece. The Nebulona armchair is made with polyurethane padding covered with a sophisticated but cheerful Dedar Tiger Beat fabric in Papaya color.

Not only is it a chair but also a stereo. Caruso - of Paolo Cappello for the italian brand Miniforms - is the cabinet that squeezes the eye on contemporary living; in fact, it is an inviting and functional console, not only to be used as a container in which to store and expose objects or books but also as a speaker (and therefore as a case for a quality acoustic experience) thanks to the Hi-Fi system incorporated with Bluetooth 4.0 connection. Also treated to the concept also materials: caruso chair is made of fine wood with lacquered finish while the sound diffuser uses a precious and flexible ceramic, here in the particular color pumpkin.

Game, emotion, sustainability. The new contemporary expression of the design tables speaks a multifaceted language that makes them protagonists in any environment. Chap miniforms table designed by Matteo Zorzenoni, is in fact a primary object that dialogues with shape and color. Organic and primitive taste, it becomes an essential element that amazes with the decorative texture of Palladio Moro or with the transparency of the glass.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

The wood oven Röshults opens new doors and stimulates the senses in completely new ways. This is where the real craftsmanship meets the exclusive authenticity. Light the fire, prepare pizza, bread or any culinary dish to realize the dreams of a perfect evening under the stars. The wood oven is completed with a teak bottom that gives a warm feeling suitable for every space en plein air, garden or terrace.

Free return within 14 days.

The line Black takes its name from the original foundry of Cast Iron Lodge. Like the whole collection Black, also the pan is characterized by a finish triple, pretreated with three layers of natural oil for a natural and non-stick finish ready to use for an exceptional taste and simplified cleaning. The pots Black are resistant and suitable for any stove, oven, grill or free flame. The lightweight slim cast iron design is designed to lift, carry and handle the pots easily. The handles and counter handles have been stretched and raised, so as to stay away from the heat.

Free return within 14 days.

The line Black takes its name from the original foundry of Cast Iron Lodge. Like the whole collection Black, also the plate 25,4x50,8cm is characterized by a finish triple, pretreated with three layers of natural oil for a natural and non-stick finish ready to use for an exceptional taste and simplified cleaning. Light and handy, has a smooth surface and low side walls with raised handles. The very large cooking area is suitable for two stoves.

Free return within 14 days.

The line Black takes its name from the original foundry of Cast Iron Lodge. Like the whole collection Black, also the pan is characterized by a finish triple, pretreated with three layers of natural oil for a natural and non-stick finish ready to use for an exceptional taste and simplified cleaning. The pots Black are resistant and suitable for any stove, oven, grill or free flame. The lightweight slim cast iron design is designed to lift, carry and handle the pots easily. The handles and counter handles have been stretched and raised, so as to stay away from the heat.

Free return within 14 days.

Contemporary taste and ancient balance; Bonacina, icon of design made in Italy, for four generations has made exclusive furnishings, the result of careful selection and synonymous with extreme craftsmanship quality. Perfectly consistent with the sinuous style of the company and its famous use of junch and midolline, the eva armchair is part of the masterpieces signed by great masters. Designed by Giovanni Travasa in 1965, the eva armchair is a curved flexible tape, made using a variety of rattans, and forged to adapt to human anatomy. A timeless furniture that escapes time, the declaration of style or belonging.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".