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The armchair Ruff - signed Patricia Urquiola for Moroso - inherits the comforts of the seats really designed for the places of conversation, therefore suitable for any residential or contract space and hospitality.The wide armrests stick to the sides of the seat and wrap it firmly, while having a single joint.The result is the harmonious combination of curved and straight lines - a simple geometry that creates an architectural interaction with the surrounding space.The Ruff armchair has a functional shape, while its personality does not give up being an object that inhabits the space in which it is placed.

Free return within 14 days.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Todo Modo. An inevitable on the table and in the kitchen, made of coloured glass and ideal for everyday use.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Glu Glu. An inevitable on the table and in the kitchen, made of coloured glass and ideal for everyday use.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

An object of daily use: the Mathilda chair conceived by designer by Patricia Urquiola for Moroso is a modern project in an architectural sense, in the proportional relationship between the whole and the detail. The idea is simple, perfect for the function to which it is reserved. The design, weighted and sober, from life to a refined and aesthetically beautiful complement, ideal for an area living room elegant and contemporary.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique, a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The set Jardin Sospendu - designed by Concetta Giannangeli - it includes 4 lively hanging racks and embedded in steel structures, to be mixed and matched to turn into a lush jungle the balcony of an apartment or add a colored element to a patio or a larger garden.

Notes: Manufactured by expo (can present light wear marks)

Free return within 14 days.

For over 10 years, the Italian design brand Moroso promotes the craftsmanship of the Dakar region through the M'Afrique outdoor furniture collection: a series of seats and accessories that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The chic and ironic Sunny armchair combines the simplicity of 60s beach chairs with the charm of a modern throne. The result is an unprecedented icon that pays homage to poetic and eccentric African suggestions.

Notes: Produced by expo (may show slight signs of wear)

Free return within 14 days.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Polish - in the variant with coating leather - is an armchair made of polystyrene balls from the incisive style pop pop pop pop designed byby Piero Gatti, Caesar Paolini and by Franco Theodoro for by Zanot - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, which wins the Compasso D'Oro in 1972 and which is exposed to the MOMA of the Big Apple.

Chair-simbol, icon of the design design design danish. A formal, versatile and historic seat for all home environments: CH24 Wishbone - in the variant beech and natural rope - is a chair of other times that refers to a classic style created in 1949 by by Hans J. Wegner for Carl Hansen and Søn- known brand new scandinavian: work of long working hours by the master craftsmen of the brand, essential in forms and ergonomic in performance, is archetype of quality and beauty.

Chair-simbol, icon of the design design design danish. A formal, versatile and historic seat for all home environments: CH24 Wishbone - in the variant beech and natural rope - is a chair of other times that refers to a classic style created in 1949 by by Hans J. Wegner for Carl Hansen and Søn- known brand new scandinavian: work of long working hours by the master craftsmen of the brand, essential in forms and ergonomic in performance, is archetype of quality and beauty.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The chaise-longue armchair Shadowy, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne.The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure S - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

The armchair Tropical designed by designerPatricia Urquiola for Moroso is based on a real creative disguise;the frame is in fact hidden under the tubular structure of steel that wraps it completely by taking it to the different personality seats depending on the material used.The thread lap is similar to a pencil stroke, it marks a surface that is simultaneously graphic and structural, becomes constructive gesture and form of identity:playful with the plastic of the two or three-colored cords, refined if monochromatic, elegant with leather.

Free return within 14 days.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffe Narciso Manico Giallo adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Giallo combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a nice vitamin yellow.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Narciso Manico Fumè adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Smoke combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of an elegant gray smoke.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffe Narciso Manico Verde adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Verde combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful bright green.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Narciso Manico Ambra Caraff adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Narciso Manico Ambra Caraff combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful bright amber.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffe Narciso Manico Blu adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Blu combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful bright blue.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Narciso Manico Rosa adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Narciso Manico Rosa combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful glam rose.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Colored Soul. An immancable on the table and in the kitchen, made of transparent borosilicate glass and decorated with a fresh game of vertical lines with assorted colors.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of colour cups all different thanks to the Set 6 Pairs Colored Rows Soul. An immancable on the table and in the kitchen, made of transparent borosilicate glass and decorated with a fresh game of vertical lines with assorted colors.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of caffeine with all different colors thanks to the Set 6 Glasses Coffee Righe Colored Soul. An immancable on the table and in the kitchen, made of transparent borosilicate glass and decorated with a fresh game of vertical lines with assorted colors.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Soul Righe Colored ivory adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Soul Righe Colored ivory combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of ivory color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Soul Righe Colorful Green Water adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Soul Righe Colorful Green Water combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical stripes of green water color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Soul Righe Colored Amber adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Soul Righe Colored Amber combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of ivory color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Soul Righe Colored Jade adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Soul Righe Colored Jade combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of green vertical stripes.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Soul Righe Colored Blue adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Soul Righe Colored Blue combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of blue color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Soul Righe Colorful Blue adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Soul Righe Colorful Blue combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of blue color.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Unametà. An immancabile on the table and in the kitchen, made of colored glass and embellished by a graceful milk effect decoration that characterizes half of each glass.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of colour cups all different thanks to the Set 6 Coppets Unametà. An immancabile on the table and in the kitchen, made of colored glass and embellished by a graceful milk effect decoration that characterizes the half of each cup.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Antigua. An immancabile on the table and in the kitchen, made of colored glass and embellished with a refined decoration stained effect.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of colour cups all different thanks to the Set 6 Coppette Antigua. An immancabile on the table and in the kitchen, made of colored glass and embellished with a refined decoration stained effect.

1A dance session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.