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The armchair Ruff - signed Patricia Urquiola for Moroso - inherits the comforts of the seats really designed for the places of conversation, therefore suitable for any residential or contract space and hospitality.The wide armrests stick to the sides of the seat and wrap it firmly, while having a single joint.The result is the harmonious combination of curved and straight lines - a simple geometry that creates an architectural interaction with the surrounding space.The Ruff armchair has a functional shape, while its personality does not give up being an object that inhabits the space in which it is placed.

Free return within 14 days.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Tokyo Folding Table wengé wood and stainless steel owes the essential design to Japanese harmony and minimalism. The double soul of this furnishing accessory - stylistic and functional - is enhanced by the refined wengé color finish. Tokyo Folding Table is a practical bar trolley or if necessary a breakfast tray.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

An object of daily use: the Mathilda chair conceived by designer by Patricia Urquiola for Moroso is a modern project in an architectural sense, in the proportional relationship between the whole and the detail. The idea is simple, perfect for the function to which it is reserved. The design, weighted and sober, from life to a refined and aesthetically beautiful complement, ideal for an area living room elegant and contemporary.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique, a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The set Jardin Sospendu - designed by Concetta Giannangeli - it includes 4 lively hanging racks and embedded in steel structures, to be mixed and matched to turn into a lush jungle the balcony of an apartment or add a colored element to a patio or a larger garden.

Notes: Manufactured by expo (can present light wear marks)

Free return within 14 days.

For over 10 years, the Italian design brand Moroso promotes the craftsmanship of the Dakar region through the M'Afrique outdoor furniture collection: a series of seats and accessories that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The chic and ironic Sunny armchair combines the simplicity of 60s beach chairs with the charm of a modern throne. The result is an unprecedented icon that pays homage to poetic and eccentric African suggestions.

Notes: Produced by expo (may show slight signs of wear)

Free return within 14 days.

"Every table for me is the story of a meeting, a kind of Franco territory, where we talk, we compare, a space where we can freely express ourselves, a place of contamination.". So by Gianni Cinti tells the experience of being at the table. With the service Heritage Midas for Rosenthal, the designer translates 140 years of history into space and current time: each individual complement is an eclectic game of different forms, colors and motifs of different eras and cultures, held together by a visual bracket made of refined golden tones and finely intertwined with personal memories.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The chaise-longue armchair Shadowy, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne.The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure S - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

The armchair Tropical designed by designerPatricia Urquiola for Moroso is based on a real creative disguise;the frame is in fact hidden under the tubular structure of steel that wraps it completely by taking it to the different personality seats depending on the material used.The thread lap is similar to a pencil stroke, it marks a surface that is simultaneously graphic and structural, becomes constructive gesture and form of identity:playful with the plastic of the two or three-colored cords, refined if monochromatic, elegant with leather.

Free return within 14 days.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

1A dance session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Shacker stainless steel with mirror-effect polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Shacker in stainless steel with silver polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 1L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 0,400L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 0,400L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0,720L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0.540L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0.250L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Sugar 0.200 in stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea and coffee in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Basket Pane stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Luggage carriers stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Portatoast stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Thermal Glacettes stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.