Home Home

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Tokyo Folding Table wengé wood and stainless steel owes the essential design to Japanese harmony and minimalism. The double soul of this furnishing accessory - stylistic and functional - is enhanced by the refined wengé color finish. Tokyo Folding Table is a practical bar trolley or if necessary a breakfast tray.

300 pages dedicated to the picturesque oasis of Saint Tropez, inspirational destination for writers and artists - from Françoise Sagan to Matisse - published by Assouline, "very much more than a publisher, a lifestyle brand.. A linen cover, more than 200 illustrations inspired by the idyllic beaches, the elegant boutiques and the many movie stars that have lived for more than half a century the streets of the bright Mediterranean resort.

300 pages dedicated to the most hippie island of the mediterranean - Ibiza, place of escape and refreshment of artists, musicians and creatives from all over the world - published by Assouline, "very much more than a publisher, a lifestyle brand.. A silk cover and over 200 illustrations depicting the lively nightlife, peaceful retreats of yoga, wild nature and picturesque cliffs typical of the Balearic archipelago.

More than 200 pages dedicated to Gabrielle Chanelpublished byAssouline, "verymore than a publisher, a lifestyle brand.". More than 150 illustrations depict the episodes of s lifeself-inventional traordinary that revolutionized the lifestyle of its time by inventing a modern concept of luxury minimalism, raising humble fabrics such as jersey and tweed to the status of couture, giving life to a new sophisticated and discreet silhouette.

"Every table for me is the story of a meeting, a kind of Franco territory, where we talk, we compare, a space where we can freely express ourselves, a place of contamination.". So by Gianni Cinti tells the experience of being at the table. With the service Heritage Midas for Rosenthal, the designer translates 140 years of history into space and current time: each individual complement is an eclectic game of different forms, colors and motifs of different eras and cultures, held together by a visual bracket made of refined golden tones and finely intertwined with personal memories.

Free return within 14 days.

More than 200 pages dedicated to the Caribbean destination of aesthetics and lovers of beautiful life - St. Barthes, place of escape betweenyatch, beautiful beaches and high palm trees -published byAssouline, "very much more than a publisher, a lifestyle brand.". A silk cover and over 200 illustrations depicting a paradise of unparalleled pleasures, unforgettable evenings, natural landscapes and crystal clear waters.

More than 200 pages dedicated to the extraordinary and fascinating Paris - a unique and enchanting look on the city more chic and fashion icon par excellence- published byAssouline, "verymore than a publisher, a lifestyle brand.". A silk cover, over 280 illustrations inspired by gardens, historic villas, picturesque alleys, but also the story of 'people': photographer Oliver Pilcher did not miss to immortalize intimate scenes of families, protagonists in this wonderful city.

More than 300 pages dedicated to creations Louis Vuittonpublished byAssouline, "verymore than a publisher, a lifestyle brand.". More than 320 illustrations tell the story ofatelier parisian and creative and disruptive, as well as the cover Cartoonof Virgil Abloh-designeramerican who revolutionized the fashion concept on the catwalk and outside - the one who challengedthe traditional image of the Maison's concept of clothing.

Assouline, "very more than a publisher, a lifestyle brand," he publishes New York by New York, 368 pages written by Jay McInerney with over 300 illustrations.

A journey through the most important periods of this great city in all its neighborhoods, from Manhattan and Brooklyn to the Bronx and Queens to Staten Island with views on its history and development of its world-famous skyline.

This volume reveals New York through the expert eyes and iconic images of leading photographers from Edward Steichen to Peter Lindbergh, along with texts and quotes of prominent writers, including EB White, Edith Wharton, Tom Wolfe and Jay Mcinerney.

The reading of New York by New York provokes a thousand sensations, and will be appreciated by lovers of this great city for decades to come.

Assouline, "very more than a publisher, a lifestyle brand," he publishes Mosquito, 360 pages written by Jeremy Scott and Alexander Fury with more than 350 illustrations to witness a unique, provocative and bizarre style!

After he inherited Franco Moschino's eponymous fashion house, Jeremy Scott with his bold collections filled with references to the pop culture and rebel humor, revives the world of Moschino seen through the eyes of the designer.

With a treasure of images of campaigns, editorials, fashion shows, backstage photos, first rows, red carpets, parties and more, you breathe in this edition, the glam all Moschino, as only Jeremy Scott could do.

Yves Saint Laurent and Pierre Bergé were world builders of an unparalleled caliber;real artists of taste who approached each interior project with imagination and rigour, creating large spaces full of personality and origin.In close collaboration with world-famous designer Jacques Grange, they created private spaces full of wonder and charm.Readers of Saint Laurent at Home published by Assouline, "much more than a publisher, a lifestyle brand" are invited to discover the savoir-faire of the couple through the most refined photographs of the interior and gardens of Château Gabriel of Yves, the dacia of Deauville, the Villa Majorelle in Marrakech.

Free return within 14 days.

Explore the enchanting island of Sicily through the precious pages of this photographic book of Assouline. This land known for its bright colors, dream beaches, breathtaking views and typical cities is one of the pearls of our peninsula. From ancient legends to modern films, the influence of Sicily is palpable and deeply rooted in its past and present, continuing to be one of the richest treasures in the world thanks to its rich history and cultural diversity.

Free return within 14 days.

A delicate blend of old and new, Jaipur is a vibrant city full of energy, color and size. With a history of maharaja, emperors and queens, the state capital of Rajasthan boasts a prestigious heritage and an estimate that continues today. But Jaipur is not only beautiful palaces and beautiful jewels. The lively bazaars, traditional handmade crafts and delicious street food truly embody the dynamic spirit of the city. Jaipur Splendor is a dazzling tour of this unique city told in the 300 pages published by Assouline,very much more than a publisher, a lifestyle brand..

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Shacker stainless steel with mirror-effect polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Shacker in stainless steel with silver polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 1L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 0,400L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 0,400L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0,720L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0.540L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0.250L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Sugar 0.200 in stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea and coffee in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Basket Pane stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Luggage carriers stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Portatoast stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Thermal Glacettes stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Manipulate chaos it is timber 20x20cm characterized by a dynamic decoration so told by the author: "The fruitful impression, mixed with fear, is that we go through a path of disorder with a guiding sense that turns out at times inconsistent, constellated with a particular attention and curiosity for the unexpected forms of residues that can be metallic or paper or any other material".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Hexagon it is timber 20x20cm characterized by a dynamic decoration so told by the author: "It is said that it is creative who succeeds in his field to bring out something new capable of projecting into the future. In a certain way it creates the future, it helps to determine it. This is enough to grasp the social potential in this term. Creativity is fundamental for the present life, for the happiness of individuals and for the whole community..