At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofadBasket, perfect for any kind of space outdoor outdoor.
One of the most famous pieces of the French designer Marcel Gascoin, the dining chair C-Chair designed in 1947, it is now redesigned by Gubi in teak in its outdoor version. Designed intelligently with great attention to detail, the C-Chair has an elegant shape and at the same time a robust structure rooted in a simple, minimal and strong design language, a perfect complement to the dining room en plein air.
Known for excellent collaborations with contemporary designers and the resumption of archival pieces, the Milanese design studio GUIBI created a collection of outdoor tables with the evocative title of Atmosphere, able to synthesize thanks to a simple and sober aesthetic the unique climate typical of lunches and outdoor dinners. The Dining table by Esterno Atmosfera here in size 290x105cm presents a plan made with rhythmic and repeated slats of first quality solid teak, enclosed by a frame made with the same slats, which gives a minimalist look. The legs instead - formed by two vertical slats - use a 45° joint that creates an inverted "L" on each corner.
Rain of the first lamp "total look", the american designer Bill Curry designed O in 1971 with a single form of glass: with a glass lampshade and mouth blown and an integrated dimmable LED light source, the rechargeable lamp by Gubi will create a welcoming atmosphere and will light the most beautiful moments after sunset. With its iconic design, Obello is a perfect playful centerpiece, ideal for outdoor reading areas or lounges en plein air.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the floor lamp - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes of Country: perfect and good always, in pizzeria or prepared in the house garden and baked in an oven Fountain. The pizza ovenChar-Ovenit isalso barbecue: powered by coal or wood,thanks to the exclusive and innovative closed barbecue design, it is equipped with different levels of positioning of grills and a functional system of up-stage doors that allows easy management of cooking.
Notes:In case the product is not available in prompt delivery, the delivery time will be 15-20 working days
Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cooked inwood oven Fog, ideal also for cooking bread, roasts and any other dish.
Notes:In case the product is not available in prompt delivery, delivery timesthey could stretch. Contact us for more information.
Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cookedin oven Taste 100x65, single on the market with four wheels that facilitate transportability.
Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.
Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cookedinovenMof 60, made of painted steel and stainless steel, equipped with chimney and rain hat.
Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.
Inspired by Italy and produced in Great Britain, the ovenDelivita combines an exceptional line, modern technology with authentic cooking. Handmade in Yorkshire using materials of the best quality and offers maximum performance with minimal effort. Thanks to its design, it is eco-friendly, uses less wood to cook, retains heat and promotes a uniform distribution of heat, enhances flavors and offers maximum efficiency.
Inspired by Italy and produced in Great Britain, theovenDelivitacombines an exceptional line, modern technology with authentic cooking. Handmade in Yorkshire using materials of the best quality and offers maximum performance with minimal effort. Thanks to its design, it is eco-friendly, uses less wood to cook, retains heat and promotes a uniform distribution of heat, enhances flavors and offers maximum efficiency.
Inspired by Italy and produced in Great Britain, the ovenDelivita combines an exceptional line, modern technology with authentic cooking. Handmade in Yorkshire using materials of the best quality and offers maximum performance with minimal effort. Thanks to its design, it is eco-friendly, uses less wood to cook, retains heat and promotes a uniform distribution of heat, enhances flavors and offers maximum efficiency.
Award Winner Barbecue Award 2012, Lotus Grill it works in charcoal, it is ventilated (with a patent that adopts 4 AA batteries) and allows to obtain in only 4 minutes a hot grill ready to cook vegetables, meat and fish. The special design ensures that meat fat does not slide directly onto the charcoal, thus avoiding the spread of smoke and annoying smells and ensuring a low-fat cooking.
Award WinnerBarbecue Award 2012,Lotus Grillit works in charcoal, it is ventilated (with a patent that adopts 4 AA batteries) and allows to obtain in only 4 minutes a hot grill ready to cook vegetables, meat and fish. The special design ensures that meat fat does not slide directly onto the charcoal, thus avoiding the spread of smoke and annoying smells and ensuring a low-fat cooking.
Award WinnerBarbecue Award 2012,Lotus Grillit works in charcoal, it is ventilated (with a patent that adopts 4 AA batteries) and allows to obtain in only 4 minutes a hot grill ready to cook vegetables, meat and fish. The special design ensures that meat fat does not slide directly onto the charcoal, thus avoiding the spread of smoke and annoying smells and ensuring a low-fat cooking.
Award WinnerBarbecue Award 2012,Lotus Grillit works in charcoal, it is ventilated (with a patent that adopts 4 AA batteries) and allows to obtain in only 4 minutes a hot grill ready to cook vegetables, meat and fish. The special design ensures that meat fat does not slide directly onto the charcoal, thus avoiding the spread of smoke and annoying smells and ensuring a low-fat cooking.
The line Black takes its name from the original foundry of Cast Iron Lodge. Like the whole collection Black, also the pan is characterized by a finish triple, pretreated with three layers of natural oil for a natural and non-stick finish ready to use for an exceptional taste and simplified cleaning. The pots Black are resistant and suitable for any stove, oven, grill or free flame. The lightweight slim cast iron design is designed to lift, carry and handle the pots easily. The handles and counter handles have been stretched and raised, so as to stay away from the heat.
The line Black takes its name from the original foundry of Cast Iron Lodge. Like the whole collection Black, also the plate 25,4x50,8cm is characterized by a finish triple, pretreated with three layers of natural oil for a natural and non-stick finish ready to use for an exceptional taste and simplified cleaning. Light and handy, has a smooth surface and low side walls with raised handles. The very large cooking area is suitable for two stoves.
The line Black takes its name from the original foundry of Cast Iron Lodge. Like the whole collection Black, also the pan is characterized by a finish triple, pretreated with three layers of natural oil for a natural and non-stick finish ready to use for an exceptional taste and simplified cleaning. The pots Black are resistant and suitable for any stove, oven, grill or free flame. The lightweight slim cast iron design is designed to lift, carry and handle the pots easily. The handles and counter handles have been stretched and raised, so as to stay away from the heat.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.
At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.
At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.
At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.
At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofadBasket, perfect for any kind of space outdoor outdoor.
At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofaBasketball, perfect for any kind of space outdoor outdoor.
At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofadBasket, perfect for any kind of space outdoor outdoor.
The debut piece of Danish talent Mathia Steen Rasmussen is an amazing game of craftsmanship, comfort and sustainability. Designed by the designer originally as a lounge chair to be used for meditation at home, MR01 Initial - signed Gubi -, combination of wood and rope, is a simple and flexible seat that gives a sense of lightness and at the same time connection with the soil.
The debut piece of Danish talent Mathia Steen Rasmussen is an amazing game of craftsmanship, comfort and sustainability. Designed by the designer originally as a lounge chair to be used for meditation at home, MR01 Initial - signed Gubi -, combination of wood and rope, is a simple and flexible seat that gives a sense of lightness and at the same time connection with the soil.
One of the most famous pieces of the French designer Marcel Gascoin, the C-Chair dining chair designed in 1947, is now redesigned by Gubi in version outdoor lounge chair: F-Chair. With the almost homonymous chair it shares the tapered back legs but stands out for the more relaxed inclination and the paddle-shaped armrests. An elegant and yet simple element perfect for the living room en plein air.
The portable version of the lamp lamp lamp table Seine designed Space Copenhagen for Gubi brings the evocative magic of design both in the interior and in the exterior spaces. Inspired by the play of light and water, it is characterized by a mouth-blown sanded glass lampshade and brass base, Seine is the perfect complement to create a welcoming atmosphere and illuminate the most beautiful moments after sunset.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.
Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.
Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..
Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..
Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".
Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Manipulate chaos it is timber 20x20cm characterized by a dynamic decoration so told by the author: "The fruitful impression, mixed with fear, is that we go through a path of disorder with a guiding sense that turns out at times inconsistent, constellated with a particular attention and curiosity for the unexpected forms of residues that can be metallic or paper or any other material".
Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Hexagon it is timber 20x20cm characterized by a dynamic decoration so told by the author: "It is said that it is creative who succeeds in his field to bring out something new capable of projecting into the future. In a certain way it creates the future, it helps to determine it. This is enough to grasp the social potential in this term. Creativity is fundamental for the present life, for the happiness of individuals and for the whole community..
An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.
An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.
An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.
An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.
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