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At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa dBasket, perfect for any kind of space outdoor outdoor.

One of the most famous pieces of the French designer Marcel Gascoin, the dining chair C-Chair designed in 1947, it is now redesigned by Gubi in teak in its outdoor version. Designed intelligently with great attention to detail, the C-Chair has an elegant shape and at the same time a robust structure rooted in a simple, minimal and strong design language, a perfect complement to the dining room en plein air.

Known for excellent collaborations with contemporary designers and the resumption of archival pieces, the Milanese design studio GUIBI created a collection of outdoor tables with the evocative title of Atmosphere, able to synthesize thanks to a simple and sober aesthetic the unique climate typical of lunches and outdoor dinners. The Dining table by Esterno Atmosfera here in size 290x105cm presents a plan made with rhythmic and repeated slats of first quality solid teak, enclosed by a frame made with the same slats, which gives a minimalist look. The legs instead - formed by two vertical slats - use a 45° joint that creates an inverted "L" on each corner.

Rain of the first lamp "total look", the american designer Bill Curry designed O in 1971 with a single form of glass: with a glass lampshade and mouth blown and an integrated dimmable LED light source, the rechargeable lamp by Gubi will create a welcoming atmosphere and will light the most beautiful moments after sunset. With its iconic design, Obello is a perfect playful centerpiece, ideal for outdoor reading areas or lounges en plein air.

It is study Livore Altherr Molina the signature hidden behind the silhoutte of I.K floor lamp Vibia Lighting. The design of this icon combines visual lightness with a high quality and a special use of materials and finishes. Available - as well as in red - also in white, dark grey, beige, blue and every color perfectly matches stays, dining rooms, bedrooms or passage areas, private but also public environments. The tilted rod makes this floor lamp a very welcome gift to those who love reading. Switch on the cable.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the floor lamp - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes of Country: perfect and good always, in pizzeria or prepared in the house garden and baked in an oven Fountain. The pizza ovenChar-Ovenit isalso barbecue: powered by coal or wood,thanks to the exclusive and innovative closed barbecue design, it is equipped with different levels of positioning of grills and a functional system of up-stage doors that allows easy management of cooking.

Notes:In case the product is not available in prompt delivery, the delivery time will be 15-20 working days

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cooked inwood oven Fog, ideal also for cooking bread, roasts and any other dish.

Notes:In case the product is not available in prompt delivery, delivery timesthey could stretch. Contact us for more information.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cookedin oven Taste 100x65, single on the market with four wheels that facilitate transportability.

Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cookedinovenMof 60, made of painted steel and stainless steel, equipped with chimney and rain hat.

Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.

The light officially entered a new dimension.The outdoor spaces populated by plants and flowers - are verandas, dehors, terraces or metropolitan balconies - is an atmosphere not less important than that studied for the interior.Fundamental to a well-being that draws life from nature.In the garden, accent lights become the core of warm, relaxing and fascinating environments, thanks to lamps such as Wind, created by Jordi Vilardell for Vibe and made of fiberglass, which emphasize the decorative value given by the light beams, before even the bodies that emit them.

Notes:Manufactured by expo (can present light signs of wear)

Free return within 14 days.

The light officially entered a new dimension. The outdoor spaces populated by plants and flowers - are verandas, dehors, terraces or metropolitan balconies - is an atmosphere not less important than that studied for the interior. Fundamental to a well-being that draws life from nature. In the garden, accent lights become the core of warm, relaxing and fascinating environments, thanks to lamps such as Meridiano, created by Jordi Vilardell and Meritxell for Vibe, perfect to project a comfortable light and to create a surprise bright effect playing with lights and shadows.

A cult for lighting lovers. The Atoll lamp 238 - designed and designed in 1977 from Vico Magistretti and winner of the Compasso D'Oro Award - is the iconic piece of the brand new italian Oluce. Expression, anticonformism and design design design perfectly describe the art of this table lamp or floor lamp that has now become archetype: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

Free return within 14 days.

A cult for lighting lovers. The Atoll lamp 238 - designed and designed in 1977 from by Magistrates and winner of the Compasso D'Oro Award - is the iconic piece of the brand new italian The Oluce. Expression, anticonformism and design design design perfectly describe the art of this table or floor lamp that has now become archetype: versatile for every environment and characteristic for those who do not accept banality, with its lampholder reminds - to the point - the shape of the head of a cobra ready to attack.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa dBasket, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa Basketball, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa dBasket, perfect for any kind of space outdoor outdoor.

The debut piece of Danish talent Mathia Steen Rasmussen is an amazing game of craftsmanship, comfort and sustainability. Designed by the designer originally as a lounge chair to be used for meditation at home, MR01 Initial - signed Gubi -, combination of wood and rope, is a simple and flexible seat that gives a sense of lightness and at the same time connection with the soil.

The debut piece of Danish talent Mathia Steen Rasmussen is an amazing game of craftsmanship, comfort and sustainability. Designed by the designer originally as a lounge chair to be used for meditation at home, MR01 Initial - signed Gubi -, combination of wood and rope, is a simple and flexible seat that gives a sense of lightness and at the same time connection with the soil.

One of the most famous pieces of the French designer Marcel Gascoin, the C-Chair dining chair designed in 1947, is now redesigned by Gubi in version outdoor lounge chair: F-Chair. With the almost homonymous chair it shares the tapered back legs but stands out for the more relaxed inclination and the paddle-shaped armrests. An elegant and yet simple element perfect for the living room en plein air.

The portable version of the lamp lamp lamp table Seine designed Space Copenhagen for Gubi brings the evocative magic of design both in the interior and in the exterior spaces. Inspired by the play of light and water, it is characterized by a mouth-blown sanded glass lampshade and brass base, Seine is the perfect complement to create a welcoming atmosphere and illuminate the most beautiful moments after sunset.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.