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The one between glass and light has always been a deep understanding and certainly demonstrates the experience of the famous and illustrious glassware Venini that has dedicated centuries of study to this perfect union. Among the most outstanding creations Pendant lamp Poliedri recognizable for its compositional elements, the polyhedrons, presented at the Expo in Brussels in 1958 by Ignazio Gardella, Paolo Venini and Enrico Peresutti and resumed a few years later by Carlo Scarpa for the famous cascade chandelier proposed to the expo of Turin Italy 61. These crystal blown glass elements allow to create chandeliers of always different shapes and sizes. The structure of this suspension is made of chromed metal.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A soft design outside the world. Nebulona - the study armchair E-ggs for the italian brand Miniforms - enriches the family of chairs of the collection Nebula with a wide seat with rounded and enveloping shapes. The Nebulona armchair in fact reworks the comfortable lines and the typical drop armrests of the series, and reinterprets them with a round base similar to a ottoman and a rather low structure that adds new and additional softness to the piece. The Nebulona armchair is made with polyurethane padding covered with a sophisticated but cheerful Dedar Tiger Beat fabric in Papaya color.

Not only is it a chair but also a stereo. Caruso - of Paolo Cappello for the italian brand Miniforms - is the cabinet that squeezes the eye on contemporary living; in fact, it is an inviting and functional console, not only to be used as a container in which to store and expose objects or books but also as a speaker (and therefore as a case for a quality acoustic experience) thanks to the Hi-Fi system incorporated with Bluetooth 4.0 connection. Also treated to the concept also materials: caruso chair is made of fine wood with lacquered finish while the sound diffuser uses a precious and flexible ceramic, here in the particular color pumpkin.

Game, emotion, sustainability. The new contemporary expression of the design tables speaks a multifaceted language that makes them protagonists in any environment. Chap miniforms table designed by Matteo Zorzenoni, is in fact a primary object that dialogues with shape and color. Organic and primitive taste, it becomes an essential element that amazes with the decorative texture of Palladio Moro or with the transparency of the glass.

It is study Livore Altherr Molina the signature hidden behind the silhoutte of I.K floor lamp Vibia Lighting. The design of this icon combines visual lightness with a high quality and a special use of materials and finishes. Available - as well as in red - also in white, dark grey, beige, blue and every color perfectly matches stays, dining rooms, bedrooms or passage areas, private but also public environments. The tilted rod makes this floor lamp a very welcome gift to those who love reading. Switch on the cable.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes of Country: perfect and good always, in pizzeria or prepared in the house garden and baked in an oven Fountain. The pizza ovenChar-Ovenit isalso barbecue: powered by coal or wood,thanks to the exclusive and innovative closed barbecue design, it is equipped with different levels of positioning of grills and a functional system of up-stage doors that allows easy management of cooking.

Notes:In case the product is not available in prompt delivery, the delivery time will be 15-20 working days

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cooked inwood oven Fog, ideal also for cooking bread, roasts and any other dish.

Notes:In case the product is not available in prompt delivery, delivery timesthey could stretch. Contact us for more information.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cookedin oven Taste 100x65, single on the market with four wheels that facilitate transportability.

Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes ofCountry: perfect and good always, in pizzeria or preparedin the house garden and cookedinovenMof 60, made of painted steel and stainless steel, equipped with chimney and rain hat.

Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.

The light officially entered a new dimension.The outdoor spaces populated by plants and flowers - are verandas, dehors, terraces or metropolitan balconies - is an atmosphere not less important than that studied for the interior.Fundamental to a well-being that draws life from nature.In the garden, accent lights become the core of warm, relaxing and fascinating environments, thanks to lamps such as Wind, created by Jordi Vilardell for Vibe and made of fiberglass, which emphasize the decorative value given by the light beams, before even the bodies that emit them.

Notes:Manufactured by expo (can present light signs of wear)

Free return within 14 days.

The light officially entered a new dimension. The outdoor spaces populated by plants and flowers - are verandas, dehors, terraces or metropolitan balconies - is an atmosphere not less important than that studied for the interior. Fundamental to a well-being that draws life from nature. In the garden, accent lights become the core of warm, relaxing and fascinating environments, thanks to lamps such as Meridiano, created by Jordi Vilardell and Meritxell for Vibe, perfect to project a comfortable light and to create a surprise bright effect playing with lights and shadows.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

Free return within 14 days.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

Free return within 14 days.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

One rechargeable lamp a LED LED signed Venini and it is immediately trend. The iconic silhouette of Ghost born from an exclusive archive prototype and brings a playful touch to the living environments. The special relationship between light and matter that has always characterized the glasswork Venini returns in this lighting line, with proposals from table and ground that re-elaborate in a suggestive way the technique Opalini dating back to the fifteenth century. The shape - which refers to the iconic Fazzoletto vase designed in 1948 - is now born of a contemporary piglio thanks to its portable use destination.

Notes: If not available in stock the 7 working days can be reabsorbed. Contact us for more information.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.