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Lisa is the warmer Cordivari for its clean design, the quality of its finishes and unparalleled reliability, and harmonizes perfectly with the most exclusive bathroom environments. The quality of construction, the cleaning of welds and the excellent coating process, guarantee a high thermal performance. The amount of pipes in the photo could only be indicative.

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How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Cactus designed by Drocco and Mello in 1972 perfectly identical to the real-scale one, in fact, shows all the 2165 bugnes that decorate the stem and arms of the anonymous coat rack symbol of radical design.

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How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Cactus designed by Drocco and Mello in 1972 perfectly identical to that in real scale contains in fact all the 2165 bugnes that decorate the stem and arms of the anonymous coat rack symbol of radical design, in a pagan idol version deriving from the union of Cactus and the eggs of La Cova.

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How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Mini Pratone, with its 42 stems, perfectly identical to the unconventional seat which has become a reference point in the history of design.

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From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Manipulate chaos it is timber 20x20cm characterized by a dynamic decoration so told by the author: "The fruitful impression, mixed with fear, is that we go through a path of disorder with a guiding sense that turns out at times inconsistent, constellated with a particular attention and curiosity for the unexpected forms of residues that can be metallic or paper or any other material".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Hexagon it is timber 20x20cm characterized by a dynamic decoration so told by the author: "It is said that it is creative who succeeds in his field to bring out something new capable of projecting into the future. In a certain way it creates the future, it helps to determine it. This is enough to grasp the social potential in this term. Creativity is fundamental for the present life, for the happiness of individuals and for the whole community..

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.