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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

Equipped with magnetic base that ensures perfect stability, matt black methacrylate lampshade, magnetic stem and Touch technology, portable lampTeeth- signedDavide Groppi- transforms every corner of the house and every table into a place of encounter and love and finally manages to make us consider light a fundamental ingredient of life, that which makes everything more true and profound.

The chair Z24 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The chair is a contemporary design piece, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

Elegant, essential and clean for an area outdoor outdoor repaired and from design design design architectural. The Pergola with sliding tent Nomo of brand new Pratic - is the solution that allows you to take full advantage of outdoor space ensuring protection and privacy. Minimal in lines and refined in style is a must have for those who seek comfort and intimacy in the house garden, so as to create an area living room sophisticated by the pool or simply surrounded by greenery. Equipped with 7 functions remote control, led kit for gronda has a grey finish with unique elegance that fits every environment.

Notes: Manufactured by ex (can present light signs of wear). Write us in chat for more information.

The costs of disassembly, transport and assembly are included in the price.

Founded in 1954 by Aurelio Zanotta, today Zanotta is an internationally renowned brand for its high-end furniture. A formidable brand to which the merit of having written some of the most important pages of Italian design and not and that today export the fundamental values of Made in Italy, from productive quality to promotion of culture. Floor is a modular sofa, consisting of modules of different depths that recreate in the living area a relaxing feeling of extended surface, in which the different elements are as suspended floors compared to the floor line (from here the name). In offer composition and color as from photo.

Equipped with magnetic base that ensures perfect stability, matt black methacrylate lampshade, magnetic stem and Touch technology, portable lampTeeth- signedDavide Groppi- transforms every corner of the house and every table into a place of encounter and love and finally manages to make us consider light a fundamental ingredient of life, that which makes everything more true and profound.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating leather - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Table Teti - with green and yellow shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian Zanotta. In fine gress fine china antifreeze for outdoors with double-glazed manual controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The console-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Console Quaderna- with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio in 1970 for the known brand new italian by Zanot. Today exposed to the National Museum of Modern Art in Paris is perfect for home environments and remembers with its square pattern and the plastic coating layered coffee and popular bars of the Fifties.

The symbol mirror of history design design design in Italy, versatile and subversive for home environments: Milo mirror - from silhouette reminiscent of the Venus of Milo exhibited at the Louvre - is a piece born in 1938 to honor the designer and architect Carlo Mollino in 1973 for the famous brand new italian Zanotta. From harmonic and sinuous lines, it embodies an art that crosses fantastic "bizarre, nervous, intelligent and maniacs".

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant red - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

In 1950 Max Bill - genius and multifaceted artist of the 20th century - designed Sgabillo for industrial design school Ulm: a practical and modern object, trait d'union between the functional lines of the 1950s and the values of the tradition of Bauhaus. The structure, apparently simple, is actually the result of complex craft skills: 3 layers of birch with swallow tail recess, connected to the base by a cylindrical beech rod. In 1975 Aurelio Zanotta transform Sgabillo in a furnishing accessory suitable for various uses and perfect for any room. This stool can be easily transported from room to room, thanks to the cross that becomes handle. Sgabillo, a small stool with great applications!

Pure triumph in irony Saddle sitting stool designed in 1957 by Achille and Pier Giacomo Castiglioni and produced by Zanotta in 1983. Bizarre and extravagant, this design complement is made with a real racing bicycle saddle, fixed on a pink painted steel rod (the color refers to that of the winner of the Giro d’Italia jersey), and a swinging base. The idea of the project was originally born to make more comfortable calls: at the end of the Fifties, in fact, the vast majority of telephones were installed on the wall and those who used them had to remain next to the device.

On October 29, 2020 by Sotheby’s New York a dining table designed by Carlo Mollino was sold for $6.2 million. Turin, an eclectic genius and an eccentric architect, is one of the most frequently used names in the pages of history Zanotta. It was Zanotta in fact that in the early 1980s he contributed to the statement of Mollino, producing many of his pieces. In 1990 it was the turn ofthe Royal Tables, designed by Mollino in 1948 for the offices of the Royal Insurance Mutua of Turin. A masterpiece of engineering in which a compact bone wood in which it fits with precision to others, is valued by a crystal top that almost frames it.

"A fragment of everyday life, a project of living together in a new home". If Nena - the armchair padded with Zanotta with structure in painted steel and removable cover in fabric - was the protagonist of a story, its history would be dynamic and recognizable just like her. Designed by Lanzavecchia + Wai in 2020, nena armchair is the result of careful research on comfort and refined details (see removable fabric cover thanks to the zip concealed by a rouche that outlines the elegant roundness of the back). Nena is a armchair table ideal for home and relaxation, but also for a work environment or for a restaurant.

Moon by name and in fact. The moon table lamp of Davide Groppi is poetic, romantic, ethereal. In its perfectly spherical being, it preserves the form of a full moon that continually shows a single face. The silhouette of the sphere, on the ignition, is enriched with many nuances that belong to the world of space and the unknown. The design of the brand made in Italy "born from a dream", as we read about the official description: bring the moon into the house. The handmade surface with Japanese paper transforms each piece into a unique piece of furniture.

Dialogue with the light of Davide Groppi begins in a tiny laboratory in the heart of Piacenza in the 1980s. He, passionate about Do It Yourself, he delights in building things with his father. A flipper, a telegraph... a lamp: any objects born only from the desire to move the hands". Since then, the young Piacenza designer designs and produces light stories that go beyond the study of the mere luminous body. Yes because this is the main feature of every creation: seduce and excite with lighting. And so is it Boom, a table lamp designed to enjoy a wonderful diffuse light without the constraint of the electric cable.

Moon by name and in fact. The moon pendant lamp of Davide Groppi is poetic, romantic, ethereal. In its perfectly spherical being, it preserves the form of a full moon that continually shows a single face. The silhouette of the sphere, on the ignition, is enriched with many nuances that belong to the world of space and the unknown. The design of the brand made in Italy "born from a dream", as we read about the official description: bring the moon into the house. The handmade surface with Japanese paper transforms each piece into a unique piece of furniture.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game. Zanotta celebrates this important anniversary with Paolo Lomazzi creating an unlimited and numbered special edition: presents Shanghai 50, an explosion of bright and joyful colors.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The symbol of history design design design in Italy, versatile and subversive for home environments: Mirror Quaderna 467 - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio for the known brand new italian Zanotta. Inspired by the sculpture module Mirror Meter used by the architects of the group to study the effect of the continuous and potentially infinite surface. A crystal of 5 mm thickness is contained in a frame 51x15x195 cm in laminated wood Print, white color, digital print with black squares with 3 cm interasse. The mirror is grounded and secured to the wall.

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant yellow - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant white - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The centerpiece Cuculia, designed in 1985 by the famous architect and designer Alessandro Mendini, is an extraordinary example of italian design that continues to inspire. Originally produced by Zanotta in the 1980s, this iconic piece was recently remitted in production in homage to the great master. Made of glossy polyurethane, Cuculia stands out for its organic and sinuous shape. The peculiarity of this centerpiece lies in its two glossy lacquered colors: one for the containment plan and the other for the base. Cuculia is not only a functional object, but also a work of art that reflects the aesthetics and ingenuity of Mendini, celebrating its lasting contribution to the world of design.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time: Transience is a floral carpet of great visual and emotional impact. Each of the four "quadrants" of this round complement represents one of the seasons with the relative flowering (or scarnification) of the branches of the trees. Hand-written in Nepal with wool and bamboo silk threads, the artifact is a poetic tribute to the four seasons.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Upsidedown n.1 is a minimal carpet, a real conceptual game: the carpet simply... is not there! We realize it for that only twisted corner, which makes the piece appear as turned on the contrary.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Zeppelin is a wool carpet contemporary and colorful that is inspired by the powerful hard rock of the 1970s, decade of which the British band Led Zeppelin was authoritative spokesman. His hypnotic symmetry conquers the eye of the observer and exhorts him to get lost in a game of depth that seem to have no end.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. City Milan is a carpet in hand knotted wool characterized a truly unique pattern conceived by Peter Rakin, a purely contemporary taste, on which you can even insert a red sign, to identify your home.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Pietro Derossi draws the pattern pattern of a carpet modern that is a tribute to one of the greatest poets of contemporary age, the Italian Giacomo Leopardi. On the fleece of the wool artifact, the first stanzas of poetry are carved in relief "The evening of the feast day", written in 1820. A carpet for lovers of poetry and deep emotions that he can give.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Pietro Derossi draws the pattern pattern of a carpet modern that is a tribute to one of the greatest poets of contemporary age, the Italian Giacomo Leopardi. On the fleece of the wool artifact, the first stanzas of poetry are carved in relief "The evening of the feast day", written in 1820. A carpet for lovers of poetry and deep emotions that he can give.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Antonella Negri draws the pattern of a contemporary carpet - Running shoes - photographing the streets of New York from above. A overlap of lines from different thicknesses and colours recreates the typical square map of the city centre of the famous American city. At the edge of the building, liquid fringes ideally continue the roads beyond the surface of the sink.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Matali Crasset draws the pattern of a carpet contemporary - Borderline - which represents, both in color and in form, a felt homage to nature. The fringes of the artifact recall the vitality of the natural world and the richness of its forms of life.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Hypno is a carpet round with a strong contemporary character. The pattern is characterized by a series of concentric rings of different radius and different color, which all contribute together to express a hypnotic, almost magical effect. The carpet is made of wool by skilled Indian artisans, expert masters in the art of tafting.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Pom is one of the most sublime masterpieces born from the creative genius of Matali Crasset. The protagonist of the woolen artifact is a joyful pompon of hat. A red point with long fringes that gives color, warmth and uniqueness to the environment that hosts it.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Pom is one of the most sublime masterpieces born from the creative genius of Matali Crasset. The protagonist of the woolen artifact is a joyful pompon of hat. A red point with long fringes that gives color, warmth and uniqueness to the environment that hosts it.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. With the carpet Colomychus Chernobilis the study Lanzavecchia + Wai pays tribute to the land marred by the first nuclear disaster. the basic pattern designed by Olivia Lee faithfully shows the divine proportions of the golden section, thus emphasizing the asymmetry of mutations in the insect which, however, still retains an unequivocal imperfect beauty.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Giulio Iacchetti gives soul and color to a geometric carpet with a strong visual and emotional impact: Country, a warm tribute to Afghanistan, a land without peace, because it is continually shocked and upset by the atrocities of war. A wool artifact that has a repetitive pattern and recalls the typical colors of the landscapes of Central Asia.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Savage Flowers: Blossom is a carpet floral of a touching delicacy. The production technique is amazing, since the field flowers are as if they had been laid on the floor of the sink and there attached with a red tape of banana silk. A carpet that is a real picture. An exciting artifact for the delicate poetry it expresses.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Blood red is the dominant color in the pattern of this carpet contemporary - Almost Red. And it is not a case, because this wool artifact wants to recall the blood and sacredness represented by it in the different cultures of the world and in the civilizations of all ages. An exciting carpet, with a deep sense; a complement that, thanks to the play of shades and small inserts of white color, wants to look like an impregnated fabric of the precious vital liquid.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. A multitude of colorful leaves fall from the trees and draws the pattern of a fascinating contemporary carpet: Falling Leaves. The accumulated foliage gives rise to a unequal mantle not only in coloring, but also in form, which opens in the sink of the real holes. A handmade woolen carpet in Nepal, whose pattern is inspired by flags traditionally found in the mountains of that country.