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The armchair Ruff - signed Patricia Urquiola for Moroso - inherits the comforts of the seats really designed for the places of conversation, therefore suitable for any residential or contract space and hospitality.The wide armrests stick to the sides of the seat and wrap it firmly, while having a single joint.The result is the harmonious combination of curved and straight lines - a simple geometry that creates an architectural interaction with the surrounding space.The Ruff armchair has a functional shape, while its personality does not give up being an object that inhabits the space in which it is placed.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

An object of daily use: the Mathilda chair conceived by designer by Patricia Urquiola for Moroso is a modern project in an architectural sense, in the proportional relationship between the whole and the detail. The idea is simple, perfect for the function to which it is reserved. The design, weighted and sober, from life to a refined and aesthetically beautiful complement, ideal for an area living room elegant and contemporary.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.

Notes: Manufactured byex(can present slight signs of wear)

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique, a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The set Jardin Sospendu - designed by Concetta Giannangeli - it includes 4 lively hanging racks and embedded in steel structures, to be mixed and matched to turn into a lush jungle the balcony of an apartment or add a colored element to a patio or a larger garden.

Notes: Manufactured by expo (can present light wear marks)

Free return within 14 days.

For over 10 years, the Italian design brand Moroso promotes the craftsmanship of the Dakar region through the M'Afrique outdoor furniture collection: a series of seats and accessories that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The chic and ironic Sunny armchair combines the simplicity of 60s beach chairs with the charm of a modern throne. The result is an unprecedented icon that pays homage to poetic and eccentric African suggestions.

Notes: Produced by expo (may show slight signs of wear)

Free return within 14 days.

Inspired by Italy and produced in Great Britain, the oven Delivita combines an exceptional line, modern technology with authentic cooking. Handmade in Yorkshire using materials of the best quality and offers maximum performance with minimal effort. Thanks to its design, it is eco-friendly, uses less wood to cook, retains heat and promotes a uniform distribution of heat, enhances flavors and offers maximum efficiency.

Free return within 14 days.

Inspired by Italy and produced in Great Britain, theovenDelivitacombines an exceptional line, modern technology with authentic cooking. Handmade in Yorkshire using materials of the best quality and offers maximum performance with minimal effort. Thanks to its design, it is eco-friendly, uses less wood to cook, retains heat and promotes a uniform distribution of heat, enhances flavors and offers maximum efficiency.

Free return within 14 days.

Inspired by Italy and produced in Great Britain, the oven Delivita combines an exceptional line, modern technology with authentic cooking. Handmade in Yorkshire using materials of the best quality and offers maximum performance with minimal effort. Thanks to its design, it is eco-friendly, uses less wood to cook, retains heat and promotes a uniform distribution of heat, enhances flavors and offers maximum efficiency.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The chaise-longue armchair Shadowy, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne.The result is an unprecedented icon that omages African poetic and eccentric suggestions.

Free return within 14 days.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure S - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

The armchair Tropical designed by designerPatricia Urquiola for Moroso is based on a real creative disguise;the frame is in fact hidden under the tubular structure of steel that wraps it completely by taking it to the different personality seats depending on the material used.The thread lap is similar to a pencil stroke, it marks a surface that is simultaneously graphic and structural, becomes constructive gesture and form of identity:playful with the plastic of the two or three-colored cords, refined if monochromatic, elegant with leather.

Free return within 14 days.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

1A dance session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.

For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Manipulate chaos it is timber 20x20cm characterized by a dynamic decoration so told by the author: "The fruitful impression, mixed with fear, is that we go through a path of disorder with a guiding sense that turns out at times inconsistent, constellated with a particular attention and curiosity for the unexpected forms of residues that can be metallic or paper or any other material".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Hexagon it is timber 20x20cm characterized by a dynamic decoration so told by the author: "It is said that it is creative who succeeds in his field to bring out something new capable of projecting into the future. In a certain way it creates the future, it helps to determine it. This is enough to grasp the social potential in this term. Creativity is fundamental for the present life, for the happiness of individuals and for the whole community..

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.