The armchair Ruff - signed Patricia Urquiola for Moroso - inherits the comforts of the seats really designed for the places of conversation, therefore suitable for any residential or contract space and hospitality.The wide armrests stick to the sides of the seat and wrap it firmly, while having a single joint.The result is the harmonious combination of curved and straight lines - a simple geometry that creates an architectural interaction with the surrounding space.The Ruff armchair has a functional shape, while its personality does not give up being an object that inhabits the space in which it is placed.
Style, craftsmanship and sustainability at the service of tailor-made furnishings: so Liu Jo Living embraces the world of the house by translating the sartorial values of the catwalk into collections of customizable upholstered and complements. Designed by Simone Cagnazzo, Cala is an armchair with sinuous and enveloping lines, able to evoke the safe embrace of a marine cove. Compact and slightly shady, it is ideal for classic or modern contexts in which to add a touch of fresh and comfortable novelty. Completely removable, Cala is here embellished with the pattern Rubelli Wobble Grid Green with his chess pattern from the '70s echo.
Broom - in italian "scopa" - is the name of the collection of stools designed by Philippe Starck for Emeco. “Imaginate”, he says Philippe Starck, “that there is a boy taking a humble broom and cleaning the lab and with this dust of nothing creates new magic. That's why we call him Scopa." The stools and chairs Broom are made of recycled plastic which in turn is completely recyclable; each piece is made at 75% with scrap polypropylene and at 15% with recycled wood fiber that would otherwise be discarded in the trash.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.
Notes: Manufactured byex(can present slight signs of wear)
An object of daily use: the Mathilda chair conceived by designerby Patricia Urquiola for Moroso is a modern project in an architectural sense, in the proportional relationship between the whole and the detail. The idea is simple, perfect for the function to which it is reserved. The design, weighted and sober, from life to a refined and aesthetically beautiful complement, ideal for an area living room elegant and contemporary.
Notes: Manufactured byex(can present slight signs of wear)
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. Each piece carries the signature - as well as artists of the calibre of Patricia Urquiola and Sebastian Herkner - of Senegalese craftsmen who finish hand from the first to the last detail.
Notes: Manufactured byex(can present slight signs of wear)
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique, a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The set Jardin Sospendu - designed by Concetta Giannangeli - it includes 4 lively hanging racks and embedded in steel structures, to be mixed and matched to turn into a lush jungle the balcony of an apartment or add a colored element to a patio or a larger garden.
Notes: Manufactured by expo (can present light wear marks)
For over 10 years, the Italian design brand Moroso promotes the craftsmanship of the Dakar region through the M'Afrique outdoor furniture collection: a series of seats and accessories that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The chic and ironic Sunny armchair combines the simplicity of 60s beach chairs with the charm of a modern throne. The result is an unprecedented icon that pays homage to poetic and eccentric African suggestions.
Notes: Produced by expo (may show slight signs of wear)
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play:Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play:Ofyrhas been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
2 Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play:Ofyrhas been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play:Ofyrhas been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Shadow, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne. The result is an unprecedented icon that omages African poetic and eccentric suggestions.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets.The chaise-longue armchair Shadowy, majestic and ironic, combines the simplicity of the 60s beach chairs to the charm of a modern throne.The result is an unprecedented icon that omages African poetic and eccentric suggestions.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furnitureMe in Africa: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Remember- here to the size XL - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure S - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
The armchair Tropical designed by designerPatricia Urquiola for Moroso is based on a real creative disguise;the frame is in fact hidden under the tubular structure of steel that wraps it completely by taking it to the different personality seats depending on the material used.The thread lap is similar to a pencil stroke, it marks a surface that is simultaneously graphic and structural, becomes constructive gesture and form of identity:playful with the plastic of the two or three-colored cords, refined if monochromatic, elegant with leather.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.
A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.
A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.
A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.
A dance step session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.
Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.
Banjoles is a coffee table of Sebastian Herkner for Moroso. The structure in painted steel and coloured braiding is obtained thanks to the manual processing of different polyethylene wires. Banjoles is a collection with bright colors and rounded geometries that fit together creating a perfect harmony. Its curved design is inspired by the courting dance of ostrich birds living in East Africa. For enchanted outdoors, from ethnic atmospheres with a pinch of Africa.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
1A dance session. The shape of the Banjooli chair is inspired by the wedding dance that the ostrich male – banjoles in language wolof – performs to court the female, widening the wings to enhance its beauty. Banjoles is a line article M’Afrique, a collection of seats imagined by designers and made by african artisans by woven the yarn used for fishing nets. Non-omologated projects for antonomasia, different and original, handcrafted products, human in recounting qualities and defects.
For over 10 years the Italian design brand Moroso promotes the craft skills of the region of Dakar through the collection of outdoor furniture M'Afrique: a series of sessions and complements that arise from the interweaving of colorful polyethylene yarns that in Africa are traditionally used for fishing nets. The armchair Husk - here to measure L - designed by Marc Thorpe, he troneggia in the space with a comfortable hug that shelters from the outside world thanks to a curtain reminiscent of the design of a harp.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.
Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.
Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.
Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.
Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.
Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.
Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design. The Grid Accessories Set Ofyr 85 expands the versatility of the brazier thanks to the practical and comfortable tools included: round grid 85, horizontal ring skewers 85 and skewers 85.
Man has always been a social creature. Already the ancestors sat around the fire telling stories. Today there are countless ways to communicate - from traditional means to cutting-edge technological devices. But when do we really feel connected to each other? Usually when food, drinks and a fire come into play: Ofyr has been designed and designed for these moments of interconnection, simple, functional and with a unique and inimitable design. Made of black painted steel and equipped with a mahogany knob that facilitates its grip, Ofyr Cover Black 100 fits the cone and plate to cover the brazier Ofyr when it is not used.
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