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Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A soft design outside the world. Nebulona - the study armchair E-ggs for the italian brand Miniforms - enriches the family of chairs of the collection Nebula with a wide seat with rounded and enveloping shapes. The Nebulona armchair in fact reworks the comfortable lines and the typical drop armrests of the series, and reinterprets them with a round base similar to a ottoman and a rather low structure that adds new and additional softness to the piece. The Nebulona armchair is made with polyurethane padding covered with a sophisticated but cheerful Dedar Tiger Beat fabric in Papaya color.

Not only is it a chair but also a stereo. Caruso - of Paolo Cappello for the italian brand Miniforms - is the cabinet that squeezes the eye on contemporary living; in fact, it is an inviting and functional console, not only to be used as a container in which to store and expose objects or books but also as a speaker (and therefore as a case for a quality acoustic experience) thanks to the Hi-Fi system incorporated with Bluetooth 4.0 connection. Also treated to the concept also materials: caruso chair is made of fine wood with lacquered finish while the sound diffuser uses a precious and flexible ceramic, here in the particular color pumpkin.

Game, emotion, sustainability. The new contemporary expression of the design tables speaks a multifaceted language that makes them protagonists in any environment. Chap miniforms table designed by Matteo Zorzenoni, is in fact a primary object that dialogues with shape and color. Organic and primitive taste, it becomes an essential element that amazes with the decorative texture of Palladio Moro or with the transparency of the glass.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Broom - in italian "scopa" - is the name of the collection of stools designed by Philippe Starck for Emeco. “Imaginate”, he says Philippe Starck, “that there is a boy taking a humble broom and cleaning the lab and with this dust of nothing creates new magic. That's why we call him Scopa." The stools and chairs Broom are made of recycled plastic which in turn is completely recyclable; each piece is made at 75% with scrap polypropylene and at 15% with recycled wood fiber that would otherwise be discarded in the trash.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

"Every table for me is the story of a meeting, a kind of Franco territory, where we talk, we compare, a space where we can freely express ourselves, a place of contamination.". So by Gianni Cinti tells the experience of being at the table. With the service Heritage Midas for Rosenthal, the designer translates 140 years of history into space and current time: each individual complement is an eclectic game of different forms, colors and motifs of different eras and cultures, held together by a visual bracket made of refined golden tones and finely intertwined with personal memories.

Free return within 14 days.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Pietro Terzini, 1990-class architect, one of the most irreverent and beloved artistic personalities of social network and Gen Z, tells fashion from its point of view. With an acute look combined with a pinch of contemporary satire narrates the background of fashion system through works ready-made, graphics and packaging of fashion brands (some have defined it as a mix and match between Andy Warhol, the Banksy street artist and the famous Keith Haring). What? Recycling shopping bag abandoned in front of the shops of high fashion transforming them into cult works that frame provocative phrases and mirror of the present.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

Since transparency has become a sacred concept in architecture, contemporary living has taken its conclusions: the glass is beautiful and just inside and out the houses. Noteworthy is Soda Oval, the coffee table signed by the designer Yiannis Ghikas for Miniforms, and his extra-ordinary sculptural bearing. With it the home environments become spaces to look (also) through its elegant silhouette.

A design green for nothing boring. Superpop - the coffee table, bedside table and also stool signed by Paolo Cappello for Miniforms - transforms polyethylene into art, through recycling and use of color: supersustainable, superlight and supercool. "The real challenge was not only to draw a recycled plastic product that was aesthetically relevant," the designer said. A complement using the perfect recycling plastic for fresh environments indoor and lively spaces outdoor outdoor. 

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Toto is a coffee table created by Paolo Cappello and Simone Sabatti for Miniforms of all substance: 100% high temperature crushed clay, to reach the characteristic terrous color. Tototò is the ideal choice for those looking for a simple and natural furnishing accessory but of great effect, that it is to add a coffee table next to the sofa, to place a bedside table in the bedroom, or to enrich a hallway without furniture.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Classic icon - designed by Vincent Van Duysen and signed Fantini Rubinetti - is a contemporary re-interpretation of the classic tap icon, played in a subtle and refined manner on proportions. Functionality, durability, comfort were the inputs and priorities given to the project, which the designer declined with a quiet aesthetic quality that does not pursue trends or fashion.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Essential, linear and sinuous at the same time, the series Icon Deco by Fantini Rubinetti is proposed in different versions, from chrome to Nickel PVD, more classic, from Matt Gun Metal PVD to Matt Copper PVD and Matt British Gold PVD, more modern, industrial, voluntarily more material and tactile. Icona Deco is inspired by the formal details, rounds and sections of Art Deco. It combines with the extreme refinement of its geometry and its proportions rounded surfaces and planes and aesthetically different elements.

Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.

Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.

Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.

Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.

Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.

Style, tradition, elegance, refinement, luxury and high craftsmanship of glass are the features of the sophisticated collection Venice by Fans signed by designers Matteo Thun & Antonio Rodriguez, a series that masterfully declines the theme of transparency giving rise to a particular project, of strong identity: the glass is the protagonist of the new handles in molated and faceted cylindrical versions made in blue, amber, white, in transparent and matt version. The metal base of the glass body seamlessly resumes its faceted texture.