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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Todo Modo. An inevitable on the table and in the kitchen, made of coloured glass and ideal for everyday use.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Glu Glu. An inevitable on the table and in the kitchen, made of coloured glass and ideal for everyday use.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The chair Z24 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The chair is a contemporary design piece, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

Broom - in italian "scopa" - is the name of the collection of stools designed by Philippe Starck for Emeco. “Imaginate”, he says Philippe Starck, “that there is a boy taking a humble broom and cleaning the lab and with this dust of nothing creates new magic. That's why we call him Scopa." The stools and chairs Broom are made of recycled plastic which in turn is completely recyclable; each piece is made at 75% with scrap polypropylene and at 15% with recycled wood fiber that would otherwise be discarded in the trash.

Founded in 1954 by Aurelio Zanotta, today Zanotta is an internationally renowned brand for its high-end furniture. A formidable brand to which the merit of having written some of the most important pages of Italian design and not and that today export the fundamental values of Made in Italy, from productive quality to promotion of culture. Floor is a modular sofa, consisting of modules of different depths that recreate in the living area a relaxing feeling of extended surface, in which the different elements are as suspended floors compared to the floor line (from here the name). In offer composition and color as from photo.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating leather - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Table Teti - with green and yellow shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian Zanotta. In fine gress fine china antifreeze for outdoors with double-glazed manual controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The console-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Console Quaderna- with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio in 1970 for the known brand new italian by Zanot. Today exposed to the National Museum of Modern Art in Paris is perfect for home environments and remembers with its square pattern and the plastic coating layered coffee and popular bars of the Fifties.

The symbol mirror of history design design design in Italy, versatile and subversive for home environments: Milo mirror - from silhouette reminiscent of the Venus of Milo exhibited at the Louvre - is a piece born in 1938 to honor the designer and architect Carlo Mollino in 1973 for the famous brand new italian Zanotta. From harmonic and sinuous lines, it embodies an art that crosses fantastic "bizarre, nervous, intelligent and maniacs".

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant red - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

In 1950 Max Bill - genius and multifaceted artist of the 20th century - designed Sgabillo for industrial design school Ulm: a practical and modern object, trait d'union between the functional lines of the 1950s and the values of the tradition of Bauhaus. The structure, apparently simple, is actually the result of complex craft skills: 3 layers of birch with swallow tail recess, connected to the base by a cylindrical beech rod. In 1975 Aurelio Zanotta transform Sgabillo in a furnishing accessory suitable for various uses and perfect for any room. This stool can be easily transported from room to room, thanks to the cross that becomes handle. Sgabillo, a small stool with great applications!

Pure triumph in irony Saddle sitting stool designed in 1957 by Achille and Pier Giacomo Castiglioni and produced by Zanotta in 1983. Bizarre and extravagant, this design complement is made with a real racing bicycle saddle, fixed on a pink painted steel rod (the color refers to that of the winner of the Giro d’Italia jersey), and a swinging base. The idea of the project was originally born to make more comfortable calls: at the end of the Fifties, in fact, the vast majority of telephones were installed on the wall and those who used them had to remain next to the device.

On October 29, 2020 by Sotheby’s New York a dining table designed by Carlo Mollino was sold for $6.2 million. Turin, an eclectic genius and an eccentric architect, is one of the most frequently used names in the pages of history Zanotta. It was Zanotta in fact that in the early 1980s he contributed to the statement of Mollino, producing many of his pieces. In 1990 it was the turn ofthe Royal Tables, designed by Mollino in 1948 for the offices of the Royal Insurance Mutua of Turin. A masterpiece of engineering in which a compact bone wood in which it fits with precision to others, is valued by a crystal top that almost frames it.

"A fragment of everyday life, a project of living together in a new home". If Nena - the armchair padded with Zanotta with structure in painted steel and removable cover in fabric - was the protagonist of a story, its history would be dynamic and recognizable just like her. Designed by Lanzavecchia + Wai in 2020, nena armchair is the result of careful research on comfort and refined details (see removable fabric cover thanks to the zip concealed by a rouche that outlines the elegant roundness of the back). Nena is a armchair table ideal for home and relaxation, but also for a work environment or for a restaurant.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffe Narciso Manico Giallo adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Giallo combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a nice vitamin yellow.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Narciso Manico Fumè adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Smoke combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of an elegant gray smoke.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffe Narciso Manico Verde adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Verde combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful bright green.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Narciso Manico Ambra Caraff adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Narciso Manico Ambra Caraff combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful bright amber.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffe Narciso Manico Blu adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffe Narciso Manico Blu combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful bright blue.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Narciso Manico Rosa adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Narciso Manico Rosa combines the craftsmanship of production to an original innovation proposing a large borosilicate glass body embellished with a refined pleated pattern and a modern steel cover. Complete the glam mix the handle of a beautiful glam rose.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Colored Soul. An immancable on the table and in the kitchen, made of transparent borosilicate glass and decorated with a fresh game of vertical lines with assorted colors.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of colour cups all different thanks to the Set 6 Pairs Colored Rows Soul. An immancable on the table and in the kitchen, made of transparent borosilicate glass and decorated with a fresh game of vertical lines with assorted colors.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of caffeine with all different colors thanks to the Set 6 Glasses Coffee Righe Colored Soul. An immancable on the table and in the kitchen, made of transparent borosilicate glass and decorated with a fresh game of vertical lines with assorted colors.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Soul Righe Colored ivory adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Soul Righe Colored ivory combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of ivory color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Soul Righe Colorful Green Water adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Soul Righe Colorful Green Water combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical stripes of green water color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Soul Righe Colored Amber adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Soul Righe Colored Amber combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of ivory color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Soul Righe Colored Jade adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Soul Righe Colored Jade combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of green vertical stripes.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Caraffa Soul Righe Colored Blue adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Caraffa Soul Righe Colored Blue combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of blue color.

On the table all year round or exposed on the shelves in the kitchen as a chic icon, the Soul Righe Colorful Blue adds a creative touch to equipment and fittings. Among the best sellers IVV, among the main and now very few Italian glassware that still produce in the Country, the Soul Righe Colorful Blue combines the craftsmanship of the production to an original innovation proposing a large body in transparent borosilicate glass decorated with a fresh game of vertical lines of blue color.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Unametà. An immancabile on the table and in the kitchen, made of colored glass and embellished by a graceful milk effect decoration that characterizes half of each glass.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of colour cups all different thanks to the Set 6 Coppets Unametà. An immancabile on the table and in the kitchen, made of colored glass and embellished by a graceful milk effect decoration that characterizes the half of each cup.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassware that still produce in the Country, proposes its version of glasses with colors all different thanks to the Set 6 Glasses Antigua. An immancabile on the table and in the kitchen, made of colored glass and embellished with a refined decoration stained effect.

The mix and match arrives on the table and gives the free way to harmonious contrasts. So also IVV, among the main and now very few Italian glassworks that still produce in the Country, proposes its version of colour cups all different thanks to the Set 6 Coppette Antigua. An immancabile on the table and in the kitchen, made of colored glass and embellished with a refined decoration stained effect.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game. Zanotta celebrates this important anniversary with Paolo Lomazzi creating an unlimited and numbered special edition: presents Shanghai 50, an explosion of bright and joyful colors.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The symbol of history design design design in Italy, versatile and subversive for home environments: Mirror Quaderna 467 - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio for the known brand new italian Zanotta. Inspired by the sculpture module Mirror Meter used by the architects of the group to study the effect of the continuous and potentially infinite surface. A crystal of 5 mm thickness is contained in a frame 51x15x195 cm in laminated wood Print, white color, digital print with black squares with 3 cm interasse. The mirror is grounded and secured to the wall.

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant yellow - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant white - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The centerpiece Cuculia, designed in 1985 by the famous architect and designer Alessandro Mendini, is an extraordinary example of italian design that continues to inspire. Originally produced by Zanotta in the 1980s, this iconic piece was recently remitted in production in homage to the great master. Made of glossy polyurethane, Cuculia stands out for its organic and sinuous shape. The peculiarity of this centerpiece lies in its two glossy lacquered colors: one for the containment plan and the other for the base. Cuculia is not only a functional object, but also a work of art that reflects the aesthetics and ingenuity of Mendini, celebrating its lasting contribution to the world of design.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Classic, modern, contemporary, high and low: the pots for interior, which anticipate spring bringing in a little of nature, color, are many. And it's hard to choose. Moreover, the vase, as a long-lived object and not devoid of tradition, boasts a very long history, as well as long is the history of IVV, one of the main glass companies that still produce in Italy. Founded in 1952 as Cooperative of Workers, the brand new still represents an authoritative name in the world of cristalleria linked to an craftsmanship that the whole world envy to the Country and signs Pandora, a vase vase that becomes protagonist by revolutionizing the character of a domestic corner or a house space.