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Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Tokyo Folding Table wengé wood and stainless steel owes the essential design to Japanese harmony and minimalism. The double soul of this furnishing accessory - stylistic and functional - is enhanced by the refined wengé color finish. Tokyo Folding Table is a practical bar trolley or if necessary a breakfast tray.

Broom - in italian "scopa" - is the name of the collection of stools designed by Philippe Starck for Emeco. “Imaginate”, he says Philippe Starck, “that there is a boy taking a humble broom and cleaning the lab and with this dust of nothing creates new magic. That's why we call him Scopa." The stools and chairs Broom are made of recycled plastic which in turn is completely recyclable; each piece is made at 75% with scrap polypropylene and at 15% with recycled wood fiber that would otherwise be discarded in the trash.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes of the Country: perfect and good always, in pizzeria or prepared in the house garden and baked in an ovenOoni. The ovenby Karu 16, gas or coal-fired,is multifunctional: not only pizza, but also roast, bread, vegetables and much more.

Notes:In case the product is not available in prompt delivery, shipping times may extend. Contact us for more information.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes of the Country: perfect and good always, in pizzeria or prepared in the house garden and baked in an ovenOoni. The ovenKaru 12, powered by pellets,is multifunctional: not only pizza, but also roast, bread, vegetables and much more.

Notes:The product will be available from 8 January.

Put everyone in agreement, it is the secret ingredient with which to dress carefree evenings and for centuries solves the ancient question of "what do we eat tonight?". Pizza is the food for antonomasia, definitely the most recognizable and iconic among the dishes of the Country: perfect and good always, in pizzeria or prepared in the house garden and baked in an ovenOoni. The ovenCode 16, gas powered, is multifunctional: not only pizza, but also roast, bread, vegetables and much more.

Notes:In case the product is not available in prompt delivery, the delivery time will be 6-7 working days

Be Yourself!The claim Karman - italian manufacturer of indoor and outdoor lamps - expresses without filters the identity of the brand proudly displaying the thousand facets expressed by each collection.THEapplique Corrado in the black and velvet version is no exception;his story looks like an ancient legend. "As the evy wrapped around a tree, a classic chandelier takes possession of its horns, wrapping them in refined harmony to create a unique aesthetic".With a touch of irreverence, it is that unique piece able to dialogue with any style anywhere.

Be Yourself! The claim Karman - italian manufacturer of indoor and outdoor lamps - expresses without filters the identity of the brand proudly displaying the thousand facets expressed by each collection. Alibabig - eccentric and atypical also in the outdoor version - is no exception; as in a magical view, the lamp emerges from a wall or from the ground if placed on the ground. Completely made of fiberglass, it assumes a matte appearance if turned off while in light the surface turns into a translucent texture with poetic effects of transparency.

Notes:Product from ex (can present slight signs of wear)

Free return within 14 days.

A unique egg-shaped barbecue. Big Green Egg – the most original coal BBQ ever – is the perfect companion to grill, cook, smoke, ideal to transform any space into dining rooms en plein air. An Egg is more than a barbecue, it is a complete outdoor kitchen to share with friends and relatives from the palate to lovers of eating together in the name of conviviality. Immovable accessory? The Basket Conveggtor Basket for L.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Shacker stainless steel with mirror-effect polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Shacker in stainless steel with silver polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 1L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 0,400L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Teiera 0,400L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0,720L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0.540L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Bamboo Lattiera 0.250L stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Sugar 0.200 in stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design of the served by tea and coffee in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Basket Pane stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Luggage carriers stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Portatoast stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

Not only productive poles, but real laboratories where every day the quality design for table, kitchen and living takes life through extremely articulated and high-level collections, intended for both domestic and catering and hotel contexts. So Sambone - historical signature since 1856 - enhances the tradition of craftsmanship with evolutionary spirit by combining industrial technologies and sustainability. Baby Thermal Glacettes stainless steel with mirrored polishing is distinguished by the oval section that, in modern and contemporary key, proposes the organic design in full style of the 1940s.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Manipulate chaos it is timber 20x20cm characterized by a dynamic decoration so told by the author: "The fruitful impression, mixed with fear, is that we go through a path of disorder with a guiding sense that turns out at times inconsistent, constellated with a particular attention and curiosity for the unexpected forms of residues that can be metallic or paper or any other material".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Hexagon it is timber 20x20cm characterized by a dynamic decoration so told by the author: "It is said that it is creative who succeeds in his field to bring out something new capable of projecting into the future. In a certain way it creates the future, it helps to determine it. This is enough to grasp the social potential in this term. Creativity is fundamental for the present life, for the happiness of individuals and for the whole community..

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.