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Broom - in italian "scopa" - is the name of the collection of stools designed by Philippe Starck for Emeco. “Imaginate”, he says Philippe Starck, “that there is a boy taking a humble broom and cleaning the lab and with this dust of nothing creates new magic. That's why we call him Scopa." The stools and chairs Broom are made of recycled plastic which in turn is completely recyclable; each piece is made at 75% with scrap polypropylene and at 15% with recycled wood fiber that would otherwise be discarded in the trash.

Turned in the Rome of the Sixties, "Sweet Life" by Federico Fellini still retains all its charm, defined by the criticism of all the splendid, fun and tragic times, moved and changing, very rich:without principle or end, so laminated, image of chaos, chaotic in appearance and calculated at the same time with a language that is tender and aggressive, descaling and deep.The inn is today a cult to frame and decorate in every home environment.

Free return within 14 days.

"The Great Beauty" Paolo Sorrentino - winner of an Oscar award and a Golden Globe Award as best foreign film - it is a film that lives on the same contradictions that tells, of baroque excesses and emotional intimacy, moments of a real surrealism as pure and crystalline essential aesthetic enjoyment, of a constant and uninterrupted crepuscularity even from the light of the day and moments of extraordinary clarity on oneself and the world.Defined by criticism an opulent film for reasoned need, but in which the director finds even, no paradoxically, the space to calm the hull of his whirlwind camera.The inn is today a cult to frame and decorate in every home environment.

Free return within 14 days.

Wonderful festivals, champagne rivers, opulence, splendor and decline:is perhaps the glistening setting of New York in the 1920s one of the things that remains more impressed than the film "The Great Gatsby" - winner of two Oscar awards and drawn from Francis Scott Fitzgerald's novel -.The inn is today a cult to frame and decorate in every home environment.

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There is an image and that does not need long descriptions:Jack and Rose, on the bow of the Titanic, who look at the horizon in front of them, while the sun is about to transmount.An image that now belongs to the collective imagination and that alone tells in the best way how much Titanic it's not a movie like another.The fashions and years pass but the 1997 James Cameron film was and remains a phenomenon as few: the inn is today a cult to frame and decorate in every home environment.

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The myth of Orpheus and the interweaving of the "Lady of the Camellias" revive in the history of Satine, a beautiful star of the cabaret, the young poet who was torn and in love, and of Toulouse-Lautrec, an extraordinary painter and deformed man.An allegory of the passage to the adult age in which you give up dreams and becomes aware that you cannot be absolute arbitrators of your destiny: Moulin Rouge! tells this story, an atypical musical inspired by La Traviata pop version.The inn?A cult to frame and decorate in every home environment.

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Everyone knows Notting Hill, even who has never seen it (who has never seen it?!).On the other hand it is one of the most famous romantic comedies of the 1990s - the years of Grunge and the Nirvana, tv series years as Friends and Sex and the city and the years of the last memorable rom com.In fact more famous than ever, a classic in short, a cult to frame and decorate in every environment of the house.

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Refreshed in Cinderella, an "adjusted" to My Lady and here's funny, beautiful modern fairytale, tender and witty, romantic and spiced, with a soundtrack that remains inside you.The macho rob Richard Gere, dismissed the creepy air, is even sympathetic:but the surprise is the young Julia Roberts, simply enchanting: sex-appeal to sell, class and a super temperament: who speaks the criticism?Of Pretty Woman, a great classic, a cult to frame and decorate in every home environment.

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Pulp Fiction by Quentin Tarantino, the work of the 90's and an exemplary combination of post-modernism and mainstream cinema.The fragmented and incaster narrative, the most efferted violence made cool, black and admiccant humor, citationism cinephile elevated to art, high and low union and taste for digression:the winning cards of a film that made epoch and inspired multiple imitations.A great classic, a cult to frame and decorate in every home environment.

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The sport of white gestures, but also white gestures.Tennis is secular, but always aimed at the American community of Anglo-Saxon origin, without engaging African Americans like other national pastimes, football or basketball for example. A winning family recounts this, the revolution of a man who has imagined, from a cottage of the small bourgeoisie of a degraded black neighborhood of Los Angeles as Compton, a radiant future for two of his daughters in the world of professional tennis.

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Everyone wants a pool.Who says the opposite mind!But often the road to the realization of this dream is interrupted because of a somewhat antipatic bureaucracy:adverse municipal regulations or lots too small. Magazzini Bracchi found the solution:one pool completely customizable - dimensions, colour, coating, optional - to be divided according to project.Unique requirements?So much for diving in this mirror of water.

Ask for free advice or a tailor-made quote.

The cabin in the garden is the only truly customizable. Thanks to artisanal care with which it is realized from the beginning to the end, the customer has the possibility to have fun and express himself completely choosing combinations and colors beyond size and single details. The configuration of the cabin therefore involves the client in person with a journey in the company of our interior designers who support customization by offering ideas and samples. Every result is a unique piece.

The cabin of the beaches of Forte dei Marmi becomes versatile furniture, able to renew the face of gardens and terraces with an original touch and offering an extra space for one pool locker room (and not) an elegant garage where to store tools and bicycles.

In addition to the legs there is more: to be transported from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Chair Director signed by our interior and realized by our craftsmen has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant structure in wood and seat and back in refined fabric, it is a modern, light and ergonomic object.

Free return within 14 days.

1 Besides the legs there is more: to be carried from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Chair Director signed by our interior and realized by our craftsmen has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant structure in wood and seat and back in refined fabric, it is a modern, light and ergonomic object.

Free return within 14 days.

1 Besides the legs there is more: to be carried from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Chair Director signed by our interior and realized by our craftsmen has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant structure in wood and seat and back in refined fabric, it is a modern, light and ergonomic object.

Free return within 14 days.

1 Besides the legs there is more: to be carried from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Chair Director signed by our interior and realized by our craftsmen has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant structure in wood and seat and back in refined fabric, it is a modern, light and ergonomic object.

Free return within 14 days.

The cabin cabin of the beaches Forte dei Marmi becomes versatile furniture, able to renew the face of gardens and terraces with a very original touch and offering an extra space for a dressing room on the pool (and not) or for an elegant storage space in which to store tools and bicycles. Thanks to the artisanal care with which it is realized from the beginning to the end, this cabin features carefully-kept details such as the inner lining in wallpaper and boiserie in color. The article - in expo at our showroom in Forte dei Marmi - is visionable live and in offer for change of preparation.

Christmas Gifts last minute? The race against the time preceding the Feast Day is a shopping marathon. While the streets of the city are filled, in the boutique drawers and shelves are emptied by shaping the rhythm of the Advent countdown, finding the perfect idea is increasingly arduous enterprise. But here's the solution! The Magazzini Bracchi Virtual Card! 

How does it work?

1. Choose the value
2. Proceed to purchase
3. Specify the recipient's email and write a special greeting message!

Contact us for May information.

In addition to the legs there is more: to be transported from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Director chair Forte dei Marmi signed by our interior and realized by our craftsmen has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant wooden structure and seat and back in refined fabric make it a modern, light and ergonomic object.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

From 1826 with five generations of master ceramists, the Giovanni De Maio continues with immuted passion to produce ceramics and decorations of exclusive beauty, precious finishes for the world home and other environments. The creations of the brand are solutions designed to be at the service of architecture, useful to technicians, designers, architects and interior designers: research and culture of matter combine with technology generating a value that, since 1826, distinguishes the company as a reference point in the sector.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Comparison it is timber 20x20cm characterized by a dynamic decoration that appears immediately interesting, a forum for developments.

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Coffee maker it is timber 20x20cm characterized by a decoration so told by the author: "my animated coffee makers derive from observation, from the feeling of human fragility, from the richness of attitudes, gestures, behaviors. These generate sympathy when they are usual, irruptive, calm, genuine..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Geometric Voltage it is timber 20x20cm characterized by a dynamic decoration so told by the author: "i propose to seize that frantic form that combines the beautiful green sky surrounded by trees, its lights and its shadows. The fast, fast, rapid dynamism of our days, the continuous interfering in our lives of an unbroken river of news, signs and images changes our conception of things and the world..

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Method-non-Metodo it is timber 20x20cm characterized by a dynamic decoration so told by the author: "You can get armed with your own instrumental possibilities (signs, objects, silhouettes... music etc.). It is the method of non method, of i know i don't know. This means to be relaxed at a time and aimed at the unpredictable, towards that unknown which is the other, which is the encounter".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Manipulate chaos it is timber 20x20cm characterized by a dynamic decoration so told by the author: "The fruitful impression, mixed with fear, is that we go through a path of disorder with a guiding sense that turns out at times inconsistent, constellated with a particular attention and curiosity for the unexpected forms of residues that can be metallic or paper or any other material".

Connections, a collection signed by Riccardo Dalisi - architect who has always worked in the social that has combined research and teaching in the field of architecture and design, getting closer to artistic expression as the direction of his life - for Ceramics Giovanni De Maio. Hexagon it is timber 20x20cm characterized by a dynamic decoration so told by the author: "It is said that it is creative who succeeds in his field to bring out something new capable of projecting into the future. In a certain way it creates the future, it helps to determine it. This is enough to grasp the social potential in this term. Creativity is fundamental for the present life, for the happiness of individuals and for the whole community..

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

An overview to the reverse, from the sea to the coast: the domes, the supportians, the ranks, the polyphores of the lodges of churches and noble palaces, the "lamies" in casks, realized with the method of the beaten slab, the system of the times extradoxed of the houses that responded to the need to collect rainwater to be conveyed in the cisterns, the marine water, with its nuances and its movements, all this becomes inspiration for the decorations of the collection Other signed by Francesco Rizzi for Ceramics Giovanni De Maio.

To tend an ambush to the memory of the territory. Thus begins the dialogue between Cristina Celestino and Ceramics Giovanni de Maio: an attempt to remember hidden things, to bring to light indelible ornaments and signs and to transform them into new identities. Sea fragments, mineral sediments, geometric ornaments and country plots are the subjects of the collection Connections signed by the designer for the brand made in Vietri.