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It is study Livore Altherr Molina the signature hidden behind the silhoutte of I.K floor lamp Vibia Lighting. The design of this icon combines visual lightness with a high quality and a special use of materials and finishes. Available - as well as in red - also in white, dark grey, beige, blue and every color perfectly matches stays, dining rooms, bedrooms or passage areas, private but also public environments. The tilted rod makes this floor lamp a very welcome gift to those who love reading. Switch on the cable.

The light officially entered a new dimension.The outdoor spaces populated by plants and flowers - are verandas, dehors, terraces or metropolitan balconies - is an atmosphere not less important than that studied for the interior.Fundamental to a well-being that draws life from nature.In the garden, accent lights become the core of warm, relaxing and fascinating environments, thanks to lamps such as Wind, created by Jordi Vilardell for Vibe and made of fiberglass, which emphasize the decorative value given by the light beams, before even the bodies that emit them.

Notes:Manufactured by expo (can present light signs of wear)

Free return within 14 days.

The light officially entered a new dimension. The outdoor spaces populated by plants and flowers - are verandas, dehors, terraces or metropolitan balconies - is an atmosphere not less important than that studied for the interior. Fundamental to a well-being that draws life from nature. In the garden, accent lights become the core of warm, relaxing and fascinating environments, thanks to lamps such as Meridiano, created by Jordi Vilardell and Meritxell for Vibe, perfect to project a comfortable light and to create a surprise bright effect playing with lights and shadows.

Written is the 5mm extra-clear crystal mirror Glas Italia, unique and recognizable thanks to the artistic and ironic gesture that decorates it. The mirroring surface is in fact characterized by a very special reason with which the free hand brushes are reproduced on a neutral background. The mirror - here to measure 80x180cm - can be hung in all four positions.

"Every table for me is the story of a meeting, a kind of Franco territory, where we talk, we compare, a space where we can freely express ourselves, a place of contamination.". So by Gianni Cinti tells the experience of being at the table. With the service Heritage Midas for Rosenthal, the designer translates 140 years of history into space and current time: each individual complement is an eclectic game of different forms, colors and motifs of different eras and cultures, held together by a visual bracket made of refined golden tones and finely intertwined with personal memories.

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Transparent Speaker is a revolutionary speaker that offers a truly unique sound experience. Designed thinking of simplicity and elegance, it has a truly original transparent design that fits perfectly into any room while providing an unparalleled audio experience. Made of aluminium and tempered glass will attract everyone's attention in each house.

Notes: If not available in stock, re-absorbable in about 2 weeks. Contact us for more information.

Free return within 14 days.

Transparent Speaker Small is a revolutionary speaker that offers a truly unique sound experience. Designed thinking of simplicity and elegance, it has a truly original transparent design that fits perfectly into any room while providing an unparalleled audio experience. Made of aluminium and tempered glass will attract everyone's attention in each house.

Transparent Speaker is a revolutionary speaker that offers a truly unique sound experience. Designed thinking of simplicity and elegance, it has a truly original transparent design that fits perfectly into any room while providing an unparalleled audio experience. Made of aluminium and tempered glass will attract everyone's attention in each house.

Notes: If not available in stock, re-absorbable in about 2 weeks. Contact us for more information.

Free return within 14 days.

In addition to the legs there is more: to be transported from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Director Chair Plates 1961 Forte dei Marmi signed Plates 1961 - Made in Forte dei Marmi - and made by artisanally has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant wooden structure and seat and back in refined fabric make it a modern, light and ergonomic object.

Symbol of vanity, the mirror is the furnishing accessory to which no one can give up. Declined in a series of geometries with the most diverse forms, between large rectangles and more minute rounds, suggests provisions and installations of particular value for each of the rooms of the house. Furnishing with mirrors, in fact, is a simple and fast way to embellish the home environment of reflections, to amplify the perception of space and to find the right rhythm of full and empty along walls and surfaces. Perfect is the mirror Andromeda, designed by Nanda Vigo in 1974, and now re-released in contemporary version from Glas Italia.

The film director Piastri 1961, emblem of the craft design of Forte dei Marmi, combines elegance and functionality. Made with a solid wooden structure and a seat in refined fabric offers the right balance between comfort and lightness. Suitable for outdoors and interiors, this chair fits perfectly into contexts such as gardens, terraces and informal environments, adding a classy touch without frills. A timeless furnishing accessory that fully embodies the unique and discreet style of the Tuscan village.

18 Besides the legs there is more: to be transported from one apartment to another or to be placed next to the table, maybe in the second houses to the sea or in the mountains, the Director chair Forte dei Marmi signed Plates 1961 - Made in Forte dei Marmi - and made by artisanally has a simple and clean design enriched with a contemporary tone thanks to the composition materials: an elegant wooden structure and seat and back in refined fabric make it a modern, light and ergonomic object.

The Director chair Milan signed Plates 1961, produced by the historical company Made in Forte dei Marmi, it is not only a functional chair, but also a versatile and refined element. Perfect to be transported from one apartment to another or to be placed next to long tables, it is ideal for second houses at the sea or in the mountains. The simple design combined with the use of quality materials such as wood frame and fabric seat, gives the chair a modern, light and ergonomic touch.

The film director Piastri is an example of design design design essential and functional. Crafted with a solid wood structure, it offers a seat and a back in refined fabric that enhances comfort and lightness. Perfect for those looking for versatile furniture and sober style, this chair easily adapts to different environments, both internal and external, and is ideal for those who appreciate quality and elegance without excess.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with a matte tone.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Uncovered, presented by the brand at Salone del Mobile in the 2022 edition, represents a fascinating tribute to sculptural primitivism, with a strong accent on anthropomorphic traits. This collection, curated by the British polyhedra artist Faye Too Good, is an expression of creativity and innovation in the field of ceramic design.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Guadeloupe, submitted by Bethan Laura Wood in 2016, represents an enchanting meeting between past and future, where the artistic legacy of Bitossi is reinterpreted through a contemporary lens. Bethan Laura Wood revisits the ceramic tradition with a modern eye, combining a decorative aesthetic with a distinctive color palette, in line with the unique style of Bitossi.