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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa dBasket, perfect for any kind of space outdoor outdoor.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

One of the most famous pieces of the French designer Marcel Gascoin, the dining chair C-Chair designed in 1947, it is now redesigned by Gubi in teak in its outdoor version. Designed intelligently with great attention to detail, the C-Chair has an elegant shape and at the same time a robust structure rooted in a simple, minimal and strong design language, a perfect complement to the dining room en plein air.

Known for excellent collaborations with contemporary designers and the resumption of archival pieces, the Milanese design studio GUIBI created a collection of outdoor tables with the evocative title of Atmosphere, able to synthesize thanks to a simple and sober aesthetic the unique climate typical of lunches and outdoor dinners. The Dining table by Esterno Atmosfera here in size 290x105cm presents a plan made with rhythmic and repeated slats of first quality solid teak, enclosed by a frame made with the same slats, which gives a minimalist look. The legs instead - formed by two vertical slats - use a 45° joint that creates an inverted "L" on each corner.

Rain of the first lamp "total look", the american designer Bill Curry designed O in 1971 with a single form of glass: with a glass lampshade and mouth blown and an integrated dimmable LED light source, the rechargeable lamp by Gubi will create a welcoming atmosphere and will light the most beautiful moments after sunset. With its iconic design, Obello is a perfect playful centerpiece, ideal for outdoor reading areas or lounges en plein air.

The chair Z24 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The chair is a contemporary design piece, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the floor lamp - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Founded in 1954 by Aurelio Zanotta, today Zanotta is an internationally renowned brand for its high-end furniture. A formidable brand to which the merit of having written some of the most important pages of Italian design and not and that today export the fundamental values of Made in Italy, from productive quality to promotion of culture. Floor is a modular sofa, consisting of modules of different depths that recreate in the living area a relaxing feeling of extended surface, in which the different elements are as suspended floors compared to the floor line (from here the name). In offer composition and color as from photo.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating leather - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Table Teti - with green and yellow shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian Zanotta. In fine gress fine china antifreeze for outdoors with double-glazed manual controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The console-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Console Quaderna- with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio in 1970 for the known brand new italian by Zanot. Today exposed to the National Museum of Modern Art in Paris is perfect for home environments and remembers with its square pattern and the plastic coating layered coffee and popular bars of the Fifties.

The symbol mirror of history design design design in Italy, versatile and subversive for home environments: Milo mirror - from silhouette reminiscent of the Venus of Milo exhibited at the Louvre - is a piece born in 1938 to honor the designer and architect Carlo Mollino in 1973 for the famous brand new italian Zanotta. From harmonic and sinuous lines, it embodies an art that crosses fantastic "bizarre, nervous, intelligent and maniacs".

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant red - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

In 1950 Max Bill - genius and multifaceted artist of the 20th century - designed Sgabillo for industrial design school Ulm: a practical and modern object, trait d'union between the functional lines of the 1950s and the values of the tradition of Bauhaus. The structure, apparently simple, is actually the result of complex craft skills: 3 layers of birch with swallow tail recess, connected to the base by a cylindrical beech rod. In 1975 Aurelio Zanotta transform Sgabillo in a furnishing accessory suitable for various uses and perfect for any room. This stool can be easily transported from room to room, thanks to the cross that becomes handle. Sgabillo, a small stool with great applications!

Pure triumph in irony Saddle sitting stool designed in 1957 by Achille and Pier Giacomo Castiglioni and produced by Zanotta in 1983. Bizarre and extravagant, this design complement is made with a real racing bicycle saddle, fixed on a pink painted steel rod (the color refers to that of the winner of the Giro d’Italia jersey), and a swinging base. The idea of the project was originally born to make more comfortable calls: at the end of the Fifties, in fact, the vast majority of telephones were installed on the wall and those who used them had to remain next to the device.

On October 29, 2020 by Sotheby’s New York a dining table designed by Carlo Mollino was sold for $6.2 million. Turin, an eclectic genius and an eccentric architect, is one of the most frequently used names in the pages of history Zanotta. It was Zanotta in fact that in the early 1980s he contributed to the statement of Mollino, producing many of his pieces. In 1990 it was the turn ofthe Royal Tables, designed by Mollino in 1948 for the offices of the Royal Insurance Mutua of Turin. A masterpiece of engineering in which a compact bone wood in which it fits with precision to others, is valued by a crystal top that almost frames it.

"A fragment of everyday life, a project of living together in a new home". If Nena - the armchair padded with Zanotta with structure in painted steel and removable cover in fabric - was the protagonist of a story, its history would be dynamic and recognizable just like her. Designed by Lanzavecchia + Wai in 2020, nena armchair is the result of careful research on comfort and refined details (see removable fabric cover thanks to the zip concealed by a rouche that outlines the elegant roundness of the back). Nena is a armchair table ideal for home and relaxation, but also for a work environment or for a restaurant.

How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Cactus designed by Drocco and Mello in 1972 perfectly identical to the real-scale one, in fact, shows all the 2165 bugnes that decorate the stem and arms of the anonymous coat rack symbol of radical design.

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How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Cactus designed by Drocco and Mello in 1972 perfectly identical to that in real scale contains in fact all the 2165 bugnes that decorate the stem and arms of the anonymous coat rack symbol of radical design, in a pagan idol version deriving from the union of Cactus and the eggs of La Cova.

Article in stock ✔

Free return within 14 days.

How to magic icons Gufram they regret giving life to Guframini: from the most important museums in the world, in scale 1:8, they now arrive directly in the perfect spaces on the shelves of the library or to enrich the table of the living room by breaking with their pop and irreverent originality. Between these Mini Pratone, with its 42 stems, perfectly identical to the unconventional seat which has become a reference point in the history of design.

Article in stock ✔

Free return within 14 days.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the armchair - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the pouf - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

Made to date only as exclusive pieces for private customers, furnishings Bohemian 72, conceived for the first time in the spring of 1972 to popularize the house terrace by designer Gabriella Crespi, seamlessly combine the possibilities of decoration and function between interior and exterior, bringing home comfort en plein air. Among these, certainly, the sofa - now produced serially from Gubi - characterized by materials that combine strength and flexibility, the warmth of pasty tones and the ability to be crossed by light.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant basketball armchair, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa dBasket, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa Basketball, perfect for any kind of space outdoor outdoor.

At first glance, anyone familiar with the work of Joe Colombo would be surprised by the collection Basketball by Gubi. For those who know well the designer known for his futuristic style, his love for technology and his affinity for synthetic materials, a collection of furniture in rattan it might seem like a significant distancing from the norm. Looking carefully, however, the distinctive features of the classic Colombo become clear: organic lines, a decidedly modernist aesthetic and a highly innovative approach to the chosen material distinguish the elegant sofa dBasket, perfect for any kind of space outdoor outdoor.

The debut piece of Danish talent Mathia Steen Rasmussen is an amazing game of craftsmanship, comfort and sustainability. Designed by the designer originally as a lounge chair to be used for meditation at home, MR01 Initial - signed Gubi -, combination of wood and rope, is a simple and flexible seat that gives a sense of lightness and at the same time connection with the soil.

The debut piece of Danish talent Mathia Steen Rasmussen is an amazing game of craftsmanship, comfort and sustainability. Designed by the designer originally as a lounge chair to be used for meditation at home, MR01 Initial - signed Gubi -, combination of wood and rope, is a simple and flexible seat that gives a sense of lightness and at the same time connection with the soil.

One of the most famous pieces of the French designer Marcel Gascoin, the C-Chair dining chair designed in 1947, is now redesigned by Gubi in version outdoor lounge chair: F-Chair. With the almost homonymous chair it shares the tapered back legs but stands out for the more relaxed inclination and the paddle-shaped armrests. An elegant and yet simple element perfect for the living room en plein air.

The portable version of the lamp lamp lamp table Seine designed Space Copenhagen for Gubi brings the evocative magic of design both in the interior and in the exterior spaces. Inspired by the play of light and water, it is characterized by a mouth-blown sanded glass lampshade and brass base, Seine is the perfect complement to create a welcoming atmosphere and illuminate the most beautiful moments after sunset.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game. Zanotta celebrates this important anniversary with Paolo Lomazzi creating an unlimited and numbered special edition: presents Shanghai 50, an explosion of bright and joyful colors.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The symbol of history design design design in Italy, versatile and subversive for home environments: Mirror Quaderna 467 - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio for the known brand new italian Zanotta. Inspired by the sculpture module Mirror Meter used by the architects of the group to study the effect of the continuous and potentially infinite surface. A crystal of 5 mm thickness is contained in a frame 51x15x195 cm in laminated wood Print, white color, digital print with black squares with 3 cm interasse. The mirror is grounded and secured to the wall.

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant yellow - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant white - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The decision Zanotta to re-edit some historical pieces of Alessandro Mendini represents an exciting rediscovery of the heritage of italian design. Through a meticulous collaboration between Zanotta and the designers and heirs, supported by the craftsmanship of experts, it was possible to bring back in life iconic pieces that marked an era. In particular, the reproduction of three vessels in dealbata ceramics is a tribute to the timeless creativity of Mendini. These objects are not only simple vases, but real works of art that combine aesthetics and functionality.

The centerpiece Cuculia, designed in 1985 by the famous architect and designer Alessandro Mendini, is an extraordinary example of italian design that continues to inspire. Originally produced by Zanotta in the 1980s, this iconic piece was recently remitted in production in homage to the great master. Made of glossy polyurethane, Cuculia stands out for its organic and sinuous shape. The peculiarity of this centerpiece lies in its two glossy lacquered colors: one for the containment plan and the other for the base. Cuculia is not only a functional object, but also a work of art that reflects the aesthetics and ingenuity of Mendini, celebrating its lasting contribution to the world of design.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.