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"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The Brothers Fernando and Humberto Campana for the series "Blow Up" of Alessi have designed this unique and super conceptual black steel magazine holder. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.

The Brothers Fernando and Humberto Campana for the series Blow Up of Alessi have designed this unique and super conceptual steel magazine holders. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

The mediterranean fruit Inox Ø.21Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The fruit Mediterranean Red Ø.21cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Stainless steel Ø.25cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Red Ø.25Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Stainless steel Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Red Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll Black by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll Black he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Centre of Bark by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Centre of Bark wears a beam that recalls the knots of the bark of a tree and that allows the passage of the air allowing the fruit to stay longer. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Black Bark Centerpieceby Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Black Bark Centerpiece wears a beam that recalls the knots of the bark of a tree and that allows the passage of the air allowing the fruit to stay longer. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barknest by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barknest dresses of a traffic jam that runs along the rounded walls that embrace the content as a cozy nest. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barknest Black by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barknest Black dresses of a traffic jam that runs along the rounded walls that embrace the content as a cozy nest. A poetic and functional object suitable for both the use of container and the centerpiece.

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruitpot The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera La Stanza dell' Scirocco Bianco stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The White Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi.