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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Set Red Dive Blender is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The White Dive Blender Set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Pliss signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant. Pinze included.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant. Pinze included.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

by Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to useThermal Insulating Caraffsigned Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The Brothers Fernando and Humberto Campana for the series "Blow Up" of Alessi have designed this unique and super conceptual black steel magazine holder. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.

The Brothers Fernando and Humberto Campana for the series Blow Up of Alessi have designed this unique and super conceptual steel magazine holders. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

1zMichele de Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé Verde signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Black is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Grey is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Rosso is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

With its compact and sophisticated shape, the Flos Wall lamp Bellhop Wall Up is able to enrich any environment with a diffuse light that envelops space in a cozy atmosphere. The modern design, minimal and elegant, adapts perfectly to different types of furniture, offering a delicate and versatile lighting. A touch of sophistication that fits discreetly in every corner of the house or office.

With its compact and sophisticated shape, the Flos Wall lamp Bellhop Wall Up is able to enrich any environment with a diffuse light that envelops space in a cozy atmosphere. The modern design, minimal and elegant, adapts perfectly to different types of furniture, offering a delicate and versatile lighting. A touch of sophistication that fits discreetly in every corner of the house or office.

With its compact and sophisticated shape, the Flos Wall lamp Bellhop Wall Up is able to enrich any environment with a diffuse light that envelops space in a cozy atmosphere. The modern design, minimal and elegant, adapts perfectly to different types of furniture, offering a delicate and versatile lighting. A touch of sophistication that fits discreetly in every corner of the house or office.

With its compact and sophisticated shape, the Flos Wall lamp Bellhop Wall Up is able to enrich any environment with a diffuse light that envelops space in a cozy atmosphere. The modern design, minimal and elegant, adapts perfectly to different types of furniture, offering a delicate and versatile lighting. A touch of sophistication that fits discreetly in every corner of the house or office.

With its compact and sophisticated shape, the Flos Wall lamp Bellhop Wall Up is able to enrich any environment with a diffuse light that envelops space in a cozy atmosphere. The modern design, minimal and elegant, adapts perfectly to different types of furniture, offering a delicate and versatile lighting. A touch of sophistication that fits discreetly in every corner of the house or office.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.