The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designersDe Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.
Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.
Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the outdoor lamp that the designer Kostantin Grcic has designed for Flos in 2000 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.
Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.
Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
The mediterranean fruit InoxØ.21Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.
The fruit Mediterranean Red Ø.21cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.
The Fmediterranean Stainless steel Ø.25cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.
The Fmediterranean Red Ø.25Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.
The Fmediterranean Stainless steel Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.
The Fmediterranean Red Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.
Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.
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