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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

Designed by BIG-GAME for AlessiPortaroto Mattina, colored and not bulky, has a minimal design and a series of details specially designed to enhance its functionality. Among the indispensable in the kitchen, the porter has long begun to look frequently on the table becoming protagonist and offering an excellent and practical alternative to paper napkins, often very light and less resistant than the kitchen paper.

A lift from the essential lines that contains careful attention to functional aspects. Dedicated to fans of cuisine who love not only to prepare but also to present their own creations. A special item to serve cakes, sweets, biscuits but also fruit or cheese signed Alessi, the now known brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

A multipurpose object designed to accompany a daily gesture: the consumption of bread. Box for Pane Red - designed by BIG-GAME for Alessi - it is a bread box that combines simple and essential lines with maximum practicality. The container in colored steel is in fact equipped with a lid ready to turn into a comfortable bamboo wood cutting board on which to slice the bread.

A multipurpose object designed to accompany a daily gesture: the consumption of bread. Box for Pane Light Grey - designed by BIG-GAME for Alessi - it is a bread box that combines simple and essential lines with maximum practicality. The container in colored steel is in fact equipped with a lid ready to turn into a comfortable bamboo wood cutting board on which to slice the bread.

A multipurpose object designed to accompany a daily gesture: the consumption of bread. Box for Pans Morning Dark Grey - designed by BIG-GAME for Alessi - it is a bread box that combines simple and essential lines with maximum practicality. The container in colored steel is in fact equipped with a lid ready to turn into a comfortable bamboo wood cutting board on which to slice the bread.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

Designed by BIG-GAME for AlessiPortaroto Mattina, colored and not bulky, has a minimal design and a series of details specially designed to enhance its functionality. Among the indispensable in the kitchen, the porter has long begun to look frequently on the table becoming protagonist and offering an excellent and practical alternative to paper napkins, often very light and less resistant than the kitchen paper.

Designed by BIG-GAME for AlessiPortaroto Mattina, colored and not bulky, has a minimal design and a series of details specially designed to enhance its functionality. Among the indispensable in the kitchen, the porter has long begun to look frequently on the table becoming protagonist and offering an excellent and practical alternative to paper napkins, often very light and less resistant than the kitchen paper.

A lift from the essential lines that contains careful attention to functional aspects. Dedicated to fans of cuisine who love not only to prepare but also to present their own creations. A special item to serve cakes, sweets, biscuits but also fruit or cheese signed Alessi, the now known brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic.

A timeless object of the table and kitchen, designed to accompany a daily gesture like that of spreading good butter to the right consistency over a crisp slice of bread. Morning Grey Hot is the simple lined bureaucrat, designed by BIG-GAME for Alessi which manufactures design objects from 1921. The Matte Button Warm Grey is a container with useful cover to serve butter at breakfast, lunch, dinner and give an easy chic touch to the mise en place. All in porcelain and stainless steel 18/10 powder coated for a long duration over time.

A timeless object of the table and kitchen, designed to accompany a daily gesture like that of spreading good butter to the right consistency over a crisp slice of bread. Red Morning is the simple lined bureaucrat, designed by BIG-GAME for Alessi which manufactures design objects from 1921. The Red Morning Burrier is a container with useful cover to serve butter at breakfast, lunch, dinner and give an easy chic touch to the mise en place. All in porcelain and stainless steel 18/10 powder coated for a long duration over time.

A timeless object of the table and kitchen, designed to accompany a daily gesture like that of spreading good butter to the right consistency over a crisp slice of bread. Dark Grey Morning is the simple lined bureaucrat, designed by BIG-GAME for Alessi which manufactures design objects from 1921. The Butterfly Morning Dark Grey is a container with useful cover to serve butter at breakfast, lunch, dinner and give an easy chic touch to the mise en place. All in porcelain and stainless steel 18/10 powder coated for a long duration over time.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

No Rugs reinterprets the ancient wisdom of carpet art in the vision of the most innovative designers. The result? Unique and exciting, authentic museum works that make the history of the luxury carpet and increase value over time. Matali Crasset draws the pattern of a carpet contemporary - Borderline - which represents, both in color and in form, a felt homage to nature. The fringes of the artifact recall the vitality of the natural world and the richness of its forms of life.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

Toi is an original table-completion, designed by Salvatore Indriolo for Zanotta, where technology is placed at the service of functionality. It is a complement with timeless forms that, thanks to an invisible mechanism, allows the rotation of its support plan to unravel under it a large empty compartment pockets, suitable for all the small objects that are part of our house”.

Toi is an original table-completion, designed by Salvatore Indriolo for Zanotta, where technology is placed at the service of functionality. It is a complement with timeless forms that, thanks to an invisible mechanism, allows the rotation of its support plan to unravel under it a large empty compartment pockets, suitable for all the small objects that are part of our house”.