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At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.

Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The Brothers Fernando and Humberto Campana for the series "Blow Up" of Alessi have designed this unique and super conceptual black steel magazine holder. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.

The Brothers Fernando and Humberto Campana for the series Blow Up of Alessi have designed this unique and super conceptual steel magazine holders. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

The mediterranean fruit Inox Ø.21Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The fruit Mediterranean Red Ø.21cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Stainless steel Ø.25cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Red Ø.25Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Stainless steel Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Red Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll Black by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll Black he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.