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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Set Red Dive Blender is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The White Dive Blender Set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Pliss signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant. Pinze included.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant. Pinze included.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

by Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to useThermal Insulating Caraffsigned Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.

Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The mediterranean fruit Inox Ø.21Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The fruit Mediterranean Red Ø.21cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Stainless steel Ø.25cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Red Ø.25Cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Stainless steel Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

The Fmediterranean Red Ø.29cm made of stainless steel and designed by the designer Emma Silvestris and from LPWK Studio for Alessi -the famous brand whose design objects have always an exciting and surprising connotation, often countercurrent, ironic and iconic - brings to the table the light and essential shapes that populate the seabeds, a real homage to coral and its beauty. An indispensable accessory, functional and aesthetically beautiful, in short, a truly unique decorative element.

1zMichele de Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé Verde signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Black is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Grey is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Rosso is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Barkroll Black by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Barkroll Black he dresses up a perforation that recalls the knots of the bark of a tree while the structure itself with the concave and elongated shape resembles that of a trunk. A poetic and functional object that reminds us that the paper comes from the trees.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Centre of Bark by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Centre of Bark wears a beam that recalls the knots of the bark of a tree and that allows the passage of the air allowing the fruit to stay longer. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Black Bark Centerpieceby Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Black Bark Centerpiece wears a beam that recalls the knots of the bark of a tree and that allows the passage of the air allowing the fruit to stay longer. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barknest by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barknest dresses of a traffic jam that runs along the rounded walls that embrace the content as a cozy nest. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barknest Black by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barknest Black dresses of a traffic jam that runs along the rounded walls that embrace the content as a cozy nest. A poetic and functional object suitable for both the use of container and the centerpiece.

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruitpot The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera La Stanza dell' Scirocco Bianco stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The White Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.