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The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

Synthesis of expressivity, form and function, lamp Snoopy produced by Flos since 1967 it is a nice tribute to the character created by cartoonist Charles M. Schulz. Designed by brothers Castiglioni, is composed of a black painted metal reflector, a thick glass plate and a white marble base with an innovative dimmer for the time that regulates the intensity of light. A description so technical and neutral makes us lose its main ingredient: irony.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Set Red Dive Blender is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The White Dive Blender Set is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Pliss signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant. Pinze included.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant. Pinze included.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

The iconicity of high fashion plywood fabrics dresses the series of small appliances designed by Michele De Lucchi: Plissé gives the home a touch of refined lightness. Iconic piece of the signed series Alessi is the toaster, born from the combination of two materials that make it extremely durable - thermoplastic resin and 18/10 stainless steel - a small architecture, functional and at the same time elegant.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1,7lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The kettle Plissé 1lt is versatile and easy to use: a safety device interrupts the power supply with an insufficient quantity or in the absence of water and the bottom, thermally isolated, also allows after the boiling to support the kettle on any floor without any risk. The power base is included in the package.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

by Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to useThermal Insulating Caraffsigned Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant red - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Michele De Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Capuchinator Plissé signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Designed by Achille Castiglioni on the occasion of the opening Flosshowoom in Turin in 1972, Bulb is a bulb lamp, partially satined to limit the reverb, housed on a lampholder with built-in switch and supported on a coil as an aluminum base, useful for coiling the excess cable. Pure and ironic as the total work of master Castiglioni, Lampadina is today one of the historical pieces of lighting design.

Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.

Mayday is a term used to ask for help during wars. The term comes from a pronunciation error: the English pilots who flew over France in the First World War, failing to correctly say the expression "venez m’aider" (come to help me), replaced it with a more Anglophone, "Mayday". Mayday is also the name of the lamp that the designer Kostantin Grcic has designed for Flos in 1999 with the goal of "can be useful whenever you need light". The lamp Flos it is inspired by work, in fact also called emergency, that with a hook can be positioned everywhere.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

Synthesis of expressivity, form and function, lamp Snoopy produced by Flos since 1967 it is a nice tribute to the character created by cartoonist Charles M. Schulz. Designed by brothers Castiglioni, is composed of a black painted metal reflector, a thick glass plate and a white marble base with an innovative dimmer for the time that regulates the intensity of light. A description so technical and neutral makes us lose its main ingredient: irony.

Synthesis of expressivity, form and function, lamp Snoopy produced by Flos since 1967 it is a nice tribute to the character created by cartoonist Charles M. Schulz. Designed by brothers Castiglioni, is composed of a black painted metal reflector, a thick glass plate and a white marble base with an innovative dimmer for the time that regulates the intensity of light. A description so technical and neutral makes us lose its main ingredient: irony.

Designed by Tobia Scarpa for Flos - Made in Italy lighting brand par excellence - lamp Gold sheet wall is designed to diffuse a direct, indirect or partially diffused light.

An essential but elegant lamp, sinuous and adaptable to any wall or ceiling.

The construction material is steel, cut, folded and powder coated.

Designed by Tobia Scarpa for Flos - Made in Italy lighting brand par excellence - lamp Chrome Sheet wall is designed to diffuse a direct, indirect or partially diffused light.

An essential but elegant lamp, sinuous and adaptable to any wall or ceiling.

The construction material is steel, cut, folded and powder coated.

Designed by Tobia Scarpa for Flos - Made in Italy lighting brand par excellence - lamp Black Sheet wall is designed to diffuse a direct, indirect or partially diffused light.

An essential but elegant lamp, sinuous and adaptable to any wall or ceiling.

The construction material is steel, cut, folded and powder coated.

Designed by Tobia Scarpa for Flos - Made in Italy lighting brand par excellence - lamp Black Nickel Sheet wall is designed to diffuse a direct, indirect or partially diffused light.

An essential but elegant lamp, sinuous and adaptable to any wall or ceiling.

The construction material is steel, cut, folded and powder coated.

Designed by Tobia Scarpa for Flos - Made in Italy lighting brand par excellence - lamp White sheet wall is designed to diffuse a direct, indirect or partially diffused light.

An essential but elegant lamp, sinuous and adaptable to any wall or ceiling.

The construction material is steel, cut, folded and powder coated.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The last creation of Michele De Lucchi for Alessi and the now iconic line Pliss is a delicious concentrate of "plissettuature" the art of folds with which to shape the fabric and give life to masterpieces. Coffee maker Plissé Nera it is therefore a sartorial object in which elegance is combined with functionality to offer generous amounts of aromatic and light coffee since the morning. Thanks to the sculptural and contemporary design at the same time, this filtered coffee machine perfectly fits any home environment, but it is also ideal for precious coffee breaks in the office.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.

1zMichele de Lucchi combines his two greatest passions - crafts and sculpture - in a carafe that, dressed in a refined drapery, is already a timeless icon. In light and easy to use Thermal insulating cap Plissé Verde signed Alessi, geometric lines coincide and a careful composition of the elements summarize technical needs, high performance and the elegance of a dress of tailoring.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Black is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Grey is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

Household appliances, once anonymous and off, are now kitchen trophies to be proudly shown. To confirm this trend - first among all - the line Plissé signed Michele De Lucchi for Alessi, a collection with plissette texture designed to last over time. The Diving mixer Plissé Rosso is versatile and easy to use, a real small domestic architecture, functional and at the same time elegant.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.