Living

Turned in the Rome of the Sixties, "Sweet Life" by Federico Fellini still retains all its charm, defined by the criticism of all the splendid, fun and tragic times, moved and changing, very rich:without principle or end, so laminated, image of chaos, chaotic in appearance and calculated at the same time with a language that is tender and aggressive, descaling and deep.The inn is today a cult to frame and decorate in every home environment.

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"The Great Beauty" Paolo Sorrentino - winner of an Oscar award and a Golden Globe Award as best foreign film - it is a film that lives on the same contradictions that tells, of baroque excesses and emotional intimacy, moments of a real surrealism as pure and crystalline essential aesthetic enjoyment, of a constant and uninterrupted crepuscularity even from the light of the day and moments of extraordinary clarity on oneself and the world.Defined by criticism an opulent film for reasoned need, but in which the director finds even, no paradoxically, the space to calm the hull of his whirlwind camera.The inn is today a cult to frame and decorate in every home environment.

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Wonderful festivals, champagne rivers, opulence, splendor and decline:is perhaps the glistening setting of New York in the 1920s one of the things that remains more impressed than the film "The Great Gatsby" - winner of two Oscar awards and drawn from Francis Scott Fitzgerald's novel -.The inn is today a cult to frame and decorate in every home environment.

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There is an image and that does not need long descriptions:Jack and Rose, on the bow of the Titanic, who look at the horizon in front of them, while the sun is about to transmount.An image that now belongs to the collective imagination and that alone tells in the best way how much Titanic it's not a movie like another.The fashions and years pass but the 1997 James Cameron film was and remains a phenomenon as few: the inn is today a cult to frame and decorate in every home environment.

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The myth of Orpheus and the interweaving of the "Lady of the Camellias" revive in the history of Satine, a beautiful star of the cabaret, the young poet who was torn and in love, and of Toulouse-Lautrec, an extraordinary painter and deformed man.An allegory of the passage to the adult age in which you give up dreams and becomes aware that you cannot be absolute arbitrators of your destiny: Moulin Rouge! tells this story, an atypical musical inspired by La Traviata pop version.The inn?A cult to frame and decorate in every home environment.

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Everyone knows Notting Hill, even who has never seen it (who has never seen it?!).On the other hand it is one of the most famous romantic comedies of the 1990s - the years of Grunge and the Nirvana, tv series years as Friends and Sex and the city and the years of the last memorable rom com.In fact more famous than ever, a classic in short, a cult to frame and decorate in every environment of the house.

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Refreshed in Cinderella, an "adjusted" to My Lady and here's funny, beautiful modern fairytale, tender and witty, romantic and spiced, with a soundtrack that remains inside you.The macho rob Richard Gere, dismissed the creepy air, is even sympathetic:but the surprise is the young Julia Roberts, simply enchanting: sex-appeal to sell, class and a super temperament: who speaks the criticism?Of Pretty Woman, a great classic, a cult to frame and decorate in every home environment.

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Pulp Fiction by Quentin Tarantino, the work of the 90's and an exemplary combination of post-modernism and mainstream cinema.The fragmented and incaster narrative, the most efferted violence made cool, black and admiccant humor, citationism cinephile elevated to art, high and low union and taste for digression:the winning cards of a film that made epoch and inspired multiple imitations.A great classic, a cult to frame and decorate in every home environment.

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The sport of white gestures, but also white gestures.Tennis is secular, but always aimed at the American community of Anglo-Saxon origin, without engaging African Americans like other national pastimes, football or basketball for example. A winning family recounts this, the revolution of a man who has imagined, from a cottage of the small bourgeoisie of a degraded black neighborhood of Los Angeles as Compton, a radiant future for two of his daughters in the world of professional tennis.

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In a world where communication concerns most digital content, the written word is an endangered species. For this reason the Danish product designer Simon Legal designed for Normann Copenhagen a magazine holder that enhances the word printed. Made of lacquered steel, Normann Copenhagen Magazine holder Analog Bianco is characterized by minimalist and sober nordic lines ready to complete itself through colorful magazines to store inside. The holes on the surface are inspired by computer equipment old style which brought similar holes for cooling. Little bulky and studied to make the most of the space, Normann Copenhagen Magazine holder Analog simply decorates the empty space.

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The decoration lined with clean and unmistakable design characterizes the collection of glasses and jugs Groove by KnIndustrie. The name Groove, from the english "scanalatura" indicates the detail that embellishes with elegance the very thin borosilicate glass. A glass that plasters with all kinds of dishes, perfect for every put in place. 

A small work of art that the Icelandic designer Sigurjón Pálsson has designed for Normann Copenhagen: Shorebird is a wooden decoration with the shape of a bird that with a simple and striped silhouette manages to hit anyone who looks at it. The small details - such as the variations in the thickness of the body, in the length of the neck and the positioning of the legs and the beak - give each of the birds of the collection a unique personality and almost real motives; Shorebird great facing down has artistocratic ways, Shorebird average is alert and active while Shorebird small is sociable and cheerful. Depending on tastes, you can create real flocks, even of different colors or place one or more Shorebird among other complements.

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In the French wicker tray Salon Tray a traditional refinement meets clean and contemporary lines: classic material and modern design blend to create a new elegance dictated by a clean and linear look giving rise to an aesthetically beautiful and at the same time functional object, to be used as a tray for drinks and snacks or as pure decoration in the living room or in the bedroom.

Free return within 14 days.

A small work of art that the Icelandic designer Sigurjón Pálsson has designed for Normann Copenhagen: Shorebird is a wooden decoration with the shape of a bird that with a simple and striped silhouette manages to hit anyone who looks at it. The small details - such as the variations in the thickness of the body, in the length of the neck and the positioning of the legs and the beak - give each of the birds of the collection a unique personality and almost real motives; Shorebird great facing down has artistocratic ways, Shorebird average is alert and active while Shorebird small is sociable and cheerful. Depending on tastes, you can create real flocks, even of different colors or place one or more Shorebird among other complements.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

A small work of art that the Icelandic designer Sigurjón Pálsson has designed for Normann Copenhagen: Shorebird is a wooden decoration with the shape of a bird that with a simple and striped silhouette manages to hit anyone who looks at it. The small details - such as the variations in the thickness of the body, in the length of the neck and the positioning of the legs and the beak - give each of the birds of the collection a unique personality and almost real motives; Shorebird great facing down has artistocratic ways, Shorebird average is alert and active while Shorebird small is sociable and cheerful. Depending on tastes, you can create real flocks, even of different colors or place one or more Shorebird among other complements.

Free return within 14 days.

A small work of art that the Icelandic designer Sigurjón Pálsson has designed for Normann Copenhagen: Shorebird is a wooden decoration with the shape of a bird that with a simple and striped silhouette manages to hit anyone who looks at it. The small details - such as the variations in the thickness of the body, in the length of the neck and the positioning of the legs and the beak - give each of the birds of the collection a unique personality and almost real motives; Shorebird great facing down has artistocratic ways, Shorebird average is alert and active while Shorebird small is sociable and cheerful. Depending on tastes, you can create real flocks, even of different colors or place one or more Shorebird among other complements.

Free return within 14 days.

A small work of art that the Icelandic designer Sigurjón Pálsson has designed for Normann Copenhagen: Shorebird is a wooden decoration with the shape of a bird that with a simple and striped silhouette manages to hit anyone who looks at it. The small details - such as the variations in the thickness of the body, in the length of the neck and the positioning of the legs and the beak - give each of the birds of the collection a unique personality and almost real motives; Shorebird great facing down has artistocratic ways, Shorebird average is alert and active while Shorebird small is sociable and cheerful. Depending on tastes, you can create real flocks, even of different colors or place one or more Shorebird among other complements.

Free return within 14 days.

A small work of art that the Icelandic designer Sigurjón Pálsson has designed for Normann Copenhagen: Shorebird is a wooden decoration with the shape of a bird that with a simple and striped silhouette manages to hit anyone who looks at it. The small details - such as the variations in the thickness of the body, in the length of the neck and the positioning of the legs and the beak - give each of the birds of the collection a unique personality and almost real motives; Shorebird great facing down has artistocratic ways, Shorebird average is alert and active while Shorebird small is sociable and cheerful. Depending on tastes, you can create real flocks, even of different colors or place one or more Shorebird among other complements.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

Little Bird is the name of the special decorations designed by Jan Christian Delfs for Normann Copenhagen, famous for the simple but emotional design in which they mix purity, abstraction, minimalism and sweetness. Each bird of the collection is turned into wood and has as its only detail the fine beak but small variations in the design allow to Little Bird show a different personality for each of the six sizes available. Being a collector's item, Little Bird can be purchased individually so that the flock can grow without limits of taste and number.

Free return within 14 days.

In a world where communication concerns most digital content, the written word is an endangered species. For this reason the Danish product designer Simon Legal designed for Normann Copenhagen a magazine holder that enhances the word printed. Made of lacquered steel, Normann Copenhagen Analog Black magazine holder is characterized by minimalist and sober nordic lines ready to complete through colorful magazines, to be placed inside. The holes that decorate the surface are inspired by computer equipment old style which brought similar holes for cooling. Little bulky and studied to make the most of the space, Normann Copenhagen Magazine holder Analog simply decorates the empty space.

Free return within 14 days.

Spreads light, warmth and fun when darkness falls: Normann Copenhagen Lantern Light House White is a decorative accessory that escapes a unique definition and surprises for the many uses. Designed by designer duo HolmbäckNordentoft for Normann Copenhagen, it presents itself as an iconic candle lantern that inherits the typical lines of the archetypal of the nordic house to which color, style, humor and the popular idea of nest and family are added. Normann Copenhagen Lantern Light House White powder coated steel is like a special bright welcome in the night.

Free return within 14 days.

Spreads light, warmth and fun when darkness falls: Normann Copenhagen Lantern Light House Black is a decorative accessory that escapes a unique definition and surprises for the many uses. Designed by designer duo HolmbäckNordentoft for Normann Copenhagen, it presents itself as an iconic candle lantern that inherits the typical lines of the archetypal of the nordic house to which color, style, humor and the popular idea of nest and family are added. Normann Copenhagen Lantern Light House Black powder coated steel is like a special bright welcome in the night.

Free return within 14 days.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

1Bitossi Ceramiche is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal. The protagonist of this change is the collaboration with the architect Ettore Sottsass that gave life to complements that are true works of art.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Wave, created by Muller Van Severen, is in fact a sublime fusion of historical inspiration and contemporary creativity. Drawing on historical collections to the iconic vessels of Ettore Sottsass and the fascinating shades of Aldo Londi's blue, this series of sculpture vases represents a journey through time and space, transforming everyday objects into pure poetry in movement.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Equilibrium, designed by Emiliano Salci and Britt Moran in 2016 and updated in 2017 with new chromatic proposals, it is an exquisite example of how modern design can draw from the rich history of ceramic art to create something completely new and exciting.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Arkitectura of Aldo Londi is an extraordinary example of how art and design can merge to create unique and contemporary ceramic pieces. Built during the period in which the sculptor was artistic director of the brand, from the mid 1950s to the 1980s, this collection is characterized by its artistic representation of animal figures, including fish, birds and cats.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with opac tone

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collection Revolver, created by graphic designer Christoph Radl, is a fascinating example of how graphic art can inspire and influence ceramic design. This collection stands out for its bold game of engraved bands, alternating in a harmony of warm colors such as yellow and bright orange, interspersed with thin lines of a chocolate with a matte tone.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the twentieth century the company of Montelupo Fiorentino has introduced an extraordinary stylistic and formal renewal: the Collection Clay of the duo Formafantasyma is a celebration of ceramic matter in its purest and authentic appearance. The name Clay ( clay) perfectly reflects the essence of the project, where raw material plays a fundamental role in the creative process.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: the collaboration of Duccio Maria Gambi the brand represents an exciting journey into the world of regeneration and sustainability in ceramic design. Started with the intention of giving new life to waste materials, in particular ceramic fragments, this collaboration is an extraordinary example of how art and design can contribute to environmental sustainability.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.

Bitossi Ceramics is an excellence of Made in Italy of florentine origin, place of ancient ceramic tradition, where over the centuries the Bitossi were furnaces, sculptors and painters but above all master ceramists. In the course of the 20th century the company of Montelupo Fiorentino introduced an extraordinary stylistic and formal renewal: collection designed by Pierre Marie for Bitossi in 2020 is a fascinating fusion of contemporary style and homage to tradition. Marie, known for her spectacular eye and her ability to reinterpret historical elements in a modern way, has created a unique decorative language for this collection, with details inspired by antiquity and the natural world.