The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant yellow - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant white - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).