Arrival

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating leather - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Table Teti - with green and yellow shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian Zanotta. In fine gress fine china antifreeze for outdoors with double-glazed manual controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The symbol mirror of history design design design in Italy, versatile and subversive for home environments: Milo mirror - from silhouette reminiscent of the Venus of Milo exhibited at the Louvre - is a piece born in 1938 to honor the designer and architect Carlo Mollino in 1973 for the famous brand new italian Zanotta. From harmonic and sinuous lines, it embodies an art that crosses fantastic "bizarre, nervous, intelligent and maniacs".

The table-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Zeus coffee table - from green, blue and brown shades - is a piece of art with a classic and decided style conceived by the famous brand new italian by Zanot. In fine gres fine china antifreeze for outdoors with double manual glazed with controlled thickness, from a processing of thirty-six hours to 1250°C is perfect for home environments.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Ashes Black Tinto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The console-symbol of the history of design design design in Italy. A versatile and subversive table for home environments: Console Quaderna- with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio in 1970 for the known brand new italian by Zanot. Today exposed to the National Museum of Modern Art in Paris is perfect for home environments and remembers with its square pattern and the plastic coating layered coffee and popular bars of the Fifties.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Polish - in the variant with coating leather - is an armchair made of polystyrene balls from the incisive style pop pop pop pop designed byby Piero Gatti, Caesar Paolini and by Franco Theodoro for by Zanot - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, which wins the Compasso D'Oro in 1972 and which is exposed to the MOMA of the Big Apple.

Chair-simbol, icon of the design design design danish. A formal, versatile and historic seat for all home environments: CH24 Wishbone - in the variant beech and natural rope - is a chair of other times that refers to a classic style created in 1949 by by Hans J. Wegner for Carl Hansen and Søn- known brand new scandinavian: work of long working hours by the master craftsmen of the brand, essential in forms and ergonomic in performance, is archetype of quality and beauty.

Chair-simbol, icon of the design design design danish. A formal, versatile and historic seat for all home environments: CH24 Wishbone - in the variant beech and natural rope - is a chair of other times that refers to a classic style created in 1949 by by Hans J. Wegner for Carl Hansen and Søn- known brand new scandinavian: work of long working hours by the master craftsmen of the brand, essential in forms and ergonomic in performance, is archetype of quality and beauty.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant red - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

On October 29, 2020 by Sotheby’s New York a dining table designed by Carlo Mollino was sold for $6.2 million. Turin, an eclectic genius and an eccentric architect, is one of the most frequently used names in the pages of history Zanotta. It was Zanotta in fact that in the early 1980s he contributed to the statement of Mollino, producing many of his pieces. In 1990 it was the turn ofthe Royal Tables, designed by Mollino in 1948 for the offices of the Royal Insurance Mutua of Turin. A masterpiece of engineering in which a compact bone wood in which it fits with precision to others, is valued by a crystal top that almost frames it.

"A fragment of everyday life, a project of living together in a new home". If Nena - the armchair padded with Zanotta with structure in painted steel and removable cover in fabric - was the protagonist of a story, its history would be dynamic and recognizable just like her. Designed by Lanzavecchia + Wai in 2020, nena armchair is the result of careful research on comfort and refined details (see removable fabric cover thanks to the zip concealed by a rouche that outlines the elegant roundness of the back). Nena is a armchair table ideal for home and relaxation, but also for a work environment or for a restaurant.

Founded in 1954 by Aurelio Zanotta, today Zanotta is an internationally renowned brand for its high-end furniture. A formidable brand to which the merit of having written some of the most important pages of Italian design and not and that today export the fundamental values of Made in Italy, from productive quality to promotion of culture. Floor is a modular sofa, consisting of modules of different depths that recreate in the living area a relaxing feeling of extended surface, in which the different elements are as suspended floors compared to the floor line (from here the name). In offer composition and color as from photo.

Pure triumph in irony Saddle sitting stool designed in 1957 by Achille and Pier Giacomo Castiglioni and produced by Zanotta in 1983. Bizarre and extravagant, this design complement is made with a real racing bicycle saddle, fixed on a pink painted steel rod (the color refers to that of the winner of the Giro d’Italia jersey), and a swinging base. The idea of the project was originally born to make more comfortable calls: at the end of the Fifties, in fact, the vast majority of telephones were installed on the wall and those who used them had to remain next to the device.

In 1950 Max Bill - genius and multifaceted artist of the 20th century - designed Sgabillo for industrial design school Ulm: a practical and modern object, trait d'union between the functional lines of the 1950s and the values of the tradition of Bauhaus. The structure, apparently simple, is actually the result of complex craft skills: 3 layers of birch with swallow tail recess, connected to the base by a cylindrical beech rod. In 1975 Aurelio Zanotta transform Sgabillo in a furnishing accessory suitable for various uses and perfect for any room. This stool can be easily transported from room to room, thanks to the cross that becomes handle. Sgabillo, a small stool with great applications!

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game. Zanotta celebrates this important anniversary with Paolo Lomazzi creating an unlimited and numbered special edition: presents Shanghai 50, an explosion of bright and joyful colors.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sparkling Ash Tinto Rovere - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The dress-symbol of the history of design design design in Italy, versatile and subversive for home environments: Clothes rack Sciangai Sciangai Frassino Tinto Amaranto - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by designers De Pas, D'Urbino and Lomazzi in 1973 for the known brand new italian Zanotta. Winner of the Compasso D'Oro Award in 1979 is perfect for home environments and remembers - with its reason - the famous and homonymous Chinese table game.

The symbol of history design design design in Italy, versatile and subversive for home environments: Mirror Quaderna 467 - with rigorous and geometric shapes - is a piece of art with avant-garde style conceived by Superstudio for the known brand new italian Zanotta. Inspired by the sculpture module Mirror Meter used by the architects of the group to study the effect of the continuous and potentially infinite surface. A crystal of 5 mm thickness is contained in a frame 51x15x195 cm in laminated wood Print, white color, digital print with black squares with 3 cm interasse. The mirror is grounded and secured to the wall.

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant orange - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant yellow - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant white - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The stool-symbol of the design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Mezzadro - in the color variant black - is a stool with an incisive style pop pop pop designed in 1957 by Achille and Pier Giacomo Castiglioni for Zanotta - known brand new italian: the two designers decide not to conform to the canon instead to present one of the most famous sessions ever.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

The chair Z24 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The chair is a contemporary design piece, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

The Carpet Quaderna of Zanotta, designed by Superstudio and Christian Toraldo of France, is an example of minimalist and geometric design. With its white and black square pattern, it recalls a strict and neat grid. Made of 100% wool, this carpet fits perfectly with modern spaces, offering a touch of elegance and refinement. Ideal for contemporary environments, the Carpet Quaderna combines aesthetics and functionality in a timeless design.

The Carpet Quaderna of Zanotta, designed by Superstudio and Christian Toraldo of France, is an example of minimalist and geometric design. With its white and black square pattern, it recalls a strict and neat grid. Made of 100% wool, this carpet fits perfectly with modern spaces, offering a touch of elegance and refinement. Ideal for contemporary environments, the Carpet Quaderna combines aesthetics and functionality in a timeless design.

Elegant and functional, Aster it is zanotta clothes that combines refined design and practicality. Featuring a metal structure with wooden details, this furnishing accessory is perfectly suited to any environment, from home to office. Its essential and modern line offers a touch of class without sacrificing solidity. Perfect for those looking for style and practicality, Aster is the ideal accessory to organize your space with elegance.

Elegant and functional, Aster it is zanotta clothes that combines refined design and practicality. Featuring a metal structure with wooden details, this furnishing accessory is perfectly suited to any environment, from home to office. Its essential and modern line offers a touch of class without sacrificing solidity. Perfect for those looking for style and practicality, Aster is the ideal accessory to organize your space with elegance.

Elegant and functional, Aster it is zanotta clothes that combines refined design and practicality. Featuring a metal structure with wooden details, this furnishing accessory is perfectly suited to any environment, from home to office. Its essential and modern line offers a touch of class without sacrificing solidity. Perfect for those looking for style and practicality, Aster is the ideal accessory to organize your space with elegance.

Other, a great classic: i do zanotta stool designed by De Pas D’Urbino Lomazzi with effective simplicity, starting from the stools seen so many times in architecture studies. A structure consisting of three natural beech legs, joined by a red painted metal cruise, deliberately exhibited, as well as clearly visible results the threaded support that holds the circular seat and allows easy adjustment in height.

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The idea of this zanotta table - Man - part of the desire to revisit the design of an archetype of late nineteenth century belonging to the type of folding outdoor tables - a classic of the action of Achille Castiglioni, that often has collected with curiosity these objects, those to which the friend Munari would give the Compasso d’Oro to Ignoti - here designed in a material of his own time to facilitate the smoothness on the painted structure (without ruining it with the use), and the detail of a hole on the floor that adds to the already planned possibility of folding also that of the appender (to wall, through a special hook).

The holders Zanotta Chichibio is an elegant and functional furnishing accessory, designed in 1932 by Gino Levi Montalcini and Giuseppe Pagano Pogatschnig. Made with high quality materials, it has a metal structure and laminate shelves, which combines aesthetics and practicality. Chichibio stands out for its minimalist design and versatility, ideal for modern and contemporary environments. Perfect for organizing small objects, it is a refined and stylish solution for any kind of space.

Once again, an empirical object whose shape corresponds perfectly to the function: a stable base from the limited footprint, a thin vertical rod with a knob to hold it at the top end, an ideal circular support plan as a table. Light and easy to move, worthy heir of the jewel of balance and elegance Cicognino by Franco Albini, Served is part of a very extended family of signed objects Zanotta, all born from ashtrays and umbrellas designed by brothers Castiglioni expressly for the furnishings of the brewery/restaurant Splügen Bräu in Milan in 1961.

Once again, an empirical object whose shape corresponds perfectly to the function: a stable base from the limited footprint, a thin vertical rod with a knob to hold it at the top end, an ideal circular support plan as a table. Light and easy to move, worthy heir of the jewel of balance and elegance Cicognino by Franco Albini, Served is part of a very extended family of signed objects Zanotta, all born from ashtrays and umbrellas designed by brothers Castiglioni expressly for the furnishings of the brewery/restaurant Splügen Bräu in Milan in 1961.

Toi is an original table-completion, designed by Salvatore Indriolo for Zanotta, where technology is placed at the service of functionality. It is a complement with timeless forms that, thanks to an invisible mechanism, allows the rotation of its support plan to unravel under it a large empty compartment pockets, suitable for all the small objects that are part of our house”.

Toi is an original table-completion, designed by Salvatore Indriolo for Zanotta, where technology is placed at the service of functionality. It is a complement with timeless forms that, thanks to an invisible mechanism, allows the rotation of its support plan to unravel under it a large empty compartment pockets, suitable for all the small objects that are part of our house”.

Toi is an original table-completion, designed by Salvatore Indriolo for Zanotta, where technology is placed at the service of functionality. It is a complement with timeless forms that, thanks to an invisible mechanism, allows the rotation of its support plan to unravel under it a large empty compartment pockets, suitable for all the small objects that are part of our house”.

After the indisputable results between criticism and market reached with Tonietta, Enzo Mari and Eleonora Zanotta (daughter of Aurelio, to the management of the company after the death of his father in 1991) they set as a new goal to build a dictionary of durable objects, measured in the forms and expressly dedicated to a precise function. Among these Museum, l'wall coat hangers, a masterpiece of delicacy and geometric harmony.

After the indisputable results between criticism and market reached with Tonietta, Enzo Mari and Eleonora Zanotta (daughter of Aurelio, to the management of the company after the death of his father in 1991) they set as a new goal to build a dictionary of durable objects, measured in the forms and expressly dedicated to a precise function. Among these Museum, l'wall coat hangers, a masterpiece of delicacy and geometric harmony.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.