"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Bellhop is one of the most iconic projects Edward Barber & Jay Osgerby for Flos; initially born as a portable, compact and coloured lamp has evolved over time in a wide range of lighting solutions with ground, wall and exterior applications, up to the recent reinterpretation of its design using glass, a material that allows new aesthetic possibilities and also techniques: Bellhop Glass.
English GB
