"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Designed by Edward Barber and Jay Osgerby for Flos - Made in Italy lighting brand par excellence - Tab Floor is a direct light floor lamp with adjustable head. With a practical look and a particular design, it is made of painted die-cast aluminium, it is specially designed to avoid the Multi Shadow effect or both the shadow and glare.
Designed by Edward Barber and Jay Osgerby for Flos - Made in Italy lighting brand par excellence - Tab Floor is a direct light floor lamp with adjustable head. With a practical look and a particular design, it is made of painted die-cast aluminium, it is specially designed to avoid the Multi Shadow effect or both the shadow and glare.
Designed by Edward Barber and Jay Osgerby for Flos - Made in Italy lighting brand par excellence - Tab Floor is a direct light floor lamp with adjustable head. With a practical look and a particular design, it is made of painted die-cast aluminium, it is specially designed to avoid the Multi Shadow effect or both the shadow and glare.
The Brothers Fernando and Humberto Campana for the series Blow Up of Alessi have designed this unique and super conceptual steel magazine holders. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.
The Brothers Fernando and Humberto Campana for the series "Blow Up" of Alessi have designed this unique and super conceptual black steel magazine holder. The concept behind the creation of these objects is that the forms of the latter are outlined through the game of the full and empty generated by the steel sticks assembled almost randomly, a recognizable theme here as in many of the projects of Brazilian designers. What do you mean? A piece that should not be missing in the waiting rooms of every distinct and tasteful environment.
Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.
Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.
Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.
After the indisputable results between criticism and market reached with Tonietta, Enzo Mari and Eleonora Zanotta (daughter of Aurelio, to the management of the company after the death of his father in 1991) they set as a new goal to build a dictionary of durable objects, measured in the forms and expressly dedicated to a precise function. Among these Museum, l'wall coat hangers, a masterpiece of delicacy and geometric harmony.
After the indisputable results between criticism and market reached with Tonietta, Enzo Mari and Eleonora Zanotta (daughter of Aurelio, to the management of the company after the death of his father in 1991) they set as a new goal to build a dictionary of durable objects, measured in the forms and expressly dedicated to a precise function. Among these Museum, l'wall coat hangers, a masterpiece of delicacy and geometric harmony.
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