List of products by brand Zanotta

The armchair Gomma signed Zanotta it is not only an example of good design, but also a reflection of the cultural and social context of the 1970s, a period in which design was exploring new frontiers and breaking with the conventions of the past. This revolutionary approach has contributed to make the Gomma armchair a lasting symbol of modern design, able to evoke the dynamism and optimism of that era.

Elegant and functional, Aster it is zanotta clothes that combines refined design and practicality. Featuring a metal structure with wooden details, this furnishing accessory is perfectly suited to any environment, from home to office. Its essential and modern line offers a touch of class without sacrificing solidity. Perfect for those looking for style and practicality, Aster is the ideal accessory to organize your space with elegance.

After the indisputable results between criticism and market reached with Tonietta, Enzo Mari and Eleonora Zanotta (daughter of Aurelio, to the management of the company after the death of his father in 1991) they set as a new goal to build a dictionary of durable objects, measured in the forms and expressly dedicated to a precise function. Among these Museum, l'wall coat hangers, a masterpiece of delicacy and geometric harmony.

After the indisputable results between criticism and market reached with Tonietta, Enzo Mari and Eleonora Zanotta (daughter of Aurelio, to the management of the company after the death of his father in 1991) they set as a new goal to build a dictionary of durable objects, measured in the forms and expressly dedicated to a precise function. Among these Museum, l'wall coat hangers, a masterpiece of delicacy and geometric harmony.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

The bedside table Z24 728 of Zanotta, designed by the talented designer duo Muller Van Severen, is the result of an intriguing fusion of functionality and sculptural aesthetics. The inspiration of designers, derived from their shared passion for art, architecture and experimentation with innovative materials, has created a furniture that goes beyond its practical function. The bedside table is a piece of contemporary design, made of MDF and wood, for a fascinating aesthetic that plays on the movement combined with the matt finish, which fills the spaces with its original presence, as well as with its undisputed quality and robustness.

Karelia: production returns armchair - signed Zanotta -anti-conformist pop icon of the sixties furniture and symbol of freedom. One of the first armchairs without structure, made entirely of polyurethane foam. The soft wave surface draws inspiration from the designer’s homeland, the Republic of Carelia in Finland with coves and bays.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The symbol mirror of history design design design in Italy, versatile and subversive for home environments: Milo mirror - from silhouette reminiscent of the Venus of Milo exhibited at the Louvre - is a piece born in 1938 to honor the designer and architect Carlo Mollino in 1973 for the famous brand new italian Zanotta. From harmonic and sinuous lines, it embodies an art that crosses fantastic "bizarre, nervous, intelligent and maniacs".

Craft skills and fine materials combine with the expert creative research of Swiss Atelier Oï who sign for the known brand new italian Zanotta the collection of mirrors Rapunzel, iconic for the edge in woven leatherWhen Zanotta asked us to draw this collection of mirrors, which took the playful name of “Raperonzolo”, we had the opportunity to immerse ourselves in a path that taught us a lot about this enterprise. Zanotta has a special savoir-faire: we refer to that set of qualities that allow us to live between tradition and modernity, combining craftsmanship with the technological skills of a contemporary design industry, and to do so with that hint of irony and courage that can make the difference».

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

I do mirror Sosia of Ugo La Pietra for Zanotta becomes a manifesto of the architect's imagination, a canvas on which objects, buildings and three-dimensional works come to life, crowded on the edge, creating a dynamic and intriguing framework for the viewer. This profusion of signs and forms recalls the atmosphere of the "utopian research" of radical architecture, in which experimentation and innovation were at the center of creative practice. Made with extra clear crystal bisellated and decorated with digital print, the Sosia mirror is not only a functional tool to observe its image, but a work of art that transforms the surrounding space into a world full of imagination.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

It is 1983 when Achille Castiglioni imagines a subtle, dynamic presence in its composition, flexible in its complex overall design, destined to welcome the flat plants in their respective pots, supported (as if they were premorous hands) by circular plates arranged rhythmically along the height of the structure, while horizontally every element is free to rotate of 120 degrees, so as to better organize the arrangement of plants of different dimensions, in this small domestic "vertical jar", towards an optimal encounter with. That's how it was born Tree, the iconic portavasi removable signed Zanotta.

On October 29, 2020 by Sotheby’s New York a dining table designed by Carlo Mollino was sold for $6.2 million. Turin, an eclectic genius and an eccentric architect, is one of the most frequently used names in the pages of history Zanotta. It was Zanotta in fact that in the early 1980s he contributed to the statement of Mollino, producing many of his pieces. In 1990 it was the turn ofthe Royal Tables, designed by Mollino in 1948 for the offices of the Royal Insurance Mutua of Turin. A masterpiece of engineering in which a compact bone wood in which it fits with precision to others, is valued by a crystal top that almost frames it.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating leather - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.

The sack-symbol of design design design of the last fifty years in Italy. An informal, versatile and subversive seat for home environments: Sacco - in the variant with coating vip fabric - is an armchair made of polystyrene balls with an incisive style pop pop pop designed by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta - known brand new italian: the three young designers decide not to conform to the canon instead to present the most famous destructured armchair ever, that wins the Compasso D'Oro in 1972 and that is exposed to the MOMA of the Big Apple.