"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
"We consider it the Mercedes of the lamps. A successful symbol: perhaps because it resembles a classical column. Certainly we were not thinking about prestige when we designed it. We wanted to get a surface that was cold.. So Achille and Pier Giacomo Castiglioni told Taccia, classical and refined lamp, now among the timeless icons signed Flos.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
At the restaurant, in a co-working space, in the library or at home. From the bedside table to the reading corner, to the home office, on the terrace. The passion for the play of lamps in unplugged version begins from their perpetual motion, to continue in a fun and elegant aesthetic, marked by the pragmatism of multifunctionality. Bellhop, the rechargeable lamp designed by Edward Barber and Jay Osgerby now signed icon Flos (despite its young age), it offers an exceptionally high quality of light, in perfect balance between atmosphere and functionality.
Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.
Tatoutable lamp from retro traits and a little exotic conceived by Patricia Urquiola for Flos, draws inspiration from classical armours, especially those of ancient Japan. The design concept - dynamic, light, flexible, lies in the repetition of four identical elements, interlaced each other to form a unified dome: this form spreads direct light up or down or through the perforated shell.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Generous proportions and soft shapes for Gustave of Flos, cordless lamp designed by Vincent Van Duysen, perfect synthesis between the most innovative optical-luminous technology and exceptional engineering, developed to respond to the discretionary purpose of Flos for this project: to create the first portable lamp of the market with consciousness of circular design, ecological and sincerely designed against lobsolescence.
Designed by Edward Barber and Jay Osgerby for Flos - Made in Italy lighting brand par excellence - Tab Floor is a direct light floor lamp with adjustable head. With a practical look and a particular design, it is made of painted die-cast aluminium, it is specially designed to avoid the Multi Shadow effect or both the shadow and glare.
Designed by Edward Barber and Jay Osgerby for Flos - Made in Italy lighting brand par excellence - Tab Floor is a direct light floor lamp with adjustable head. With a practical look and a particular design, it is made of painted die-cast aluminium, it is specially designed to avoid the Multi Shadow effect or both the shadow and glare.
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