Accessories

Elegant and anything but anonymous, Potty is the special cup - cup with which IVV, among the main and now very few Italian glassworks that still produce in the Country, celebrates in the kitchen or on the table the tradition of crafting glass. Contradicted by a refined and light-looking look, in transparent glass, the Mug Over Potty without handle is made with double wall to isolate the external surface from the one that contains the hot drink. This solution allows you not to burn and, at the same time, to maintain longer the temperature of the drink.

Delicate but absolutely expressive, Easter is the olive tree with IVV, among the main and now very few Italian glassware that still produce in the Country, evokes the plant world and its values. Thanks to the complete transparency of the whole surface, the'Oil Over Easter leaves always visible the branch of the pourer in the shape of an olive branch with its fruit and leaf that, according to the level of oil contained, is revealed or hidden in an amazing game.

Elegant and anything but anonymous, Over with Two Containers is the special lift with which IVV, among the main and now very few Italian glassworks that still produce in the Country, celebrates in the kitchen or on the table the tradition of crafting glass. Contradicted by a refined and light-looking look, in transparent glass, the'Over with Two Containers in addition to the shelf with sweets, bread or fruit door, it is equipped with two containers with which to serve in the table jams and sauces but also ideal as containers for flowers or candles.

Elegant and anything but anonymous, Peony is the special two-storey lift with which IVV, among the main and now very few Italian glassworks that still produce in the Country, celebrates in the kitchen or on the table the tradition of crafting glass. Contradicted by a refined and light-looking look, in transparent glass, the'Two Planets Over Peony in addition to the two floors brings sweets and bread, it is equipped with a bifida tube bears flowers to decorate not only the lift but the whole table.

Delicate but absolutely expressive, Bunny is the jar with which IVV, among the main and now very few Italian glassware that still produce in the Country, brings to the kitchen or on the table the silhouette of a rabbit. The Over Bunny jar it stands out in fact for the contours of two long ears on the lid that embellish this object in transparent borosilicate glass, ideal for storing to dry cookies or other delights.

Delicate but absolutely expressive, Pin oil is the olive tree with Marta Sansone and IVV, among the main and now very few Italian glassware that still produce in the Country, honour the tradition of the most famous wooden puppet in the world. Recalculating the typical traits of Pinocchio, including the long pointed nose, the'Oil tank Over Pine transparent glass is an icon between roots and avant-garde, ideal for an ironic touch on the table of great occasions or for that of everyday.

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a lift. And what if not'candy up in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a lift. And what if not'candy up in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The White Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera La Stanza dell' Scirocco Bianco stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruitpot The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centrepiece, or exposed on shelves and beliefs as simple decorative objects, baskets are entitled to the kitchen accessories necessary to create a coherent and refined environment. The Basket The Room Of White Scirocco stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centrepiece, or exposed on shelves and beliefs as simple decorative objects, baskets are entitled to the kitchen accessories necessary to create a coherent and refined environment. The Recycle Bin The Black Shoe Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centrepiece, or exposed on shelves and beliefs as simple decorative objects, baskets are entitled to the kitchen accessories necessary to create a coherent and refined environment. The Basket The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Double bowl Ø.25cm double wall stainless steel designed by D'Urbino - Lomazzi for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - is the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy tray #3 and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy n.11 Gold and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory. The gilding is manual and 24 carat gold.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy n.11 and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Centrepiece Joy n.1 Black and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy Centre #1 and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barkest White Ø.18cm by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barkest White Ø.18cm he dresses up a traffic jam that runs along the walls and recalls the typical texture of the bark of the trees. A poetic and functional object to bring in the table colors and aromas seasoned with a touch of elegance.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barkest Black Ø.18cm by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barkest Black Ø.18cm he dresses up a traffic jam that runs along the walls and recalls the typical texture of the bark of the trees. A poetic and functional object to bring in the table colors and aromas seasoned with a touch of elegance.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barkest Ø.18cmby Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barkest Ø.18cm he dresses up a traffic jam that runs along the walls and recalls the typical texture of the bark of the trees. A poetic and functional object to bring in the table colors and aromas seasoned with a touch of elegance.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barknest Black by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barknest Black dresses of a traffic jam that runs along the rounded walls that embrace the content as a cozy nest. A poetic and functional object suitable for both the use of container and the centerpiece.

Between the walls of the factory Alessi a Crusinallo di Omegna - with care and attention - takes life the Basket Barknest by Boucquillon & Maaoui for Alessi. Inspiring at home Boucquillon in Tuscany and the nature surrounding it, Basket Barknest dresses of a traffic jam that runs along the rounded walls that embrace the content as a cozy nest. A poetic and functional object suitable for both the use of container and the centerpiece.

Alessandro Mendini, the radical designer (often so defined by critics) honoring his friend and colleague Anna Gili, reinterpreted for Alessi a traditional table and kitchen accessory in an iconic character intended to ironically animate thousands of tables and dinners in the company: i'Anna Gong up. A refined three-course lift that once closed shows the characteristic sculptural portrait from the unmistakable helmet.

The omini-shaped perforation designed by Stefano Giovannoni and Guido Venturini, in King-Kong art, finds its application on everyday objects. The success of this decoration gave rise to an entire family of objects for the house and office: between these the simple and friendly Tray stainless steel Round, perfect on the table of every day but also on that of great occasions.

The omini-shaped perforation designed by Stefano Giovannoni and Guido Venturini, in King-Kong art, finds its application on everyday objects. The success of this decoration gave rise to an entire family of objects for the house and office: between these the simple and friendly Tray stainless steel Mini Round, perfect on the table of every day but also on that of great occasions.

The omini-shaped perforation designed by Stefano Giovannoni and Guido Venturini, in King-Kong art, finds its application on everyday objects. The success of this decoration gave rise to an entire family of objects for the house and office: between these the simple and friendly Portagrissini stainless steel Round, perfect on the table of every day but also on that of great occasions.