Accessories

Elegant and anything but anonymous, Over with Two Containers is the special lift with which IVV, among the main and now very few Italian glassworks that still produce in the Country, celebrates in the kitchen or on the table the tradition of crafting glass. Contradicted by a refined and light-looking look, in transparent glass, the'Over with Two Containers in addition to the shelf with sweets, bread or fruit door, it is equipped with two containers with which to serve in the table jams and sauces but also ideal as containers for flowers or candles.

Elegant and anything but anonymous, Peony is the special two-storey lift with which IVV, among the main and now very few Italian glassworks that still produce in the Country, celebrates in the kitchen or on the table the tradition of crafting glass. Contradicted by a refined and light-looking look, in transparent glass, the'Two Planets Over Peony in addition to the two floors brings sweets and bread, it is equipped with a bifida tube bears flowers to decorate not only the lift but the whole table.

Delicate but absolutely expressive, Bunny is the jar with which IVV, among the main and now very few Italian glassware that still produce in the Country, brings to the kitchen or on the table the silhouette of a rabbit. The Over Bunny jar it stands out in fact for the contours of two long ears on the lid that embellish this object in transparent borosilicate glass, ideal for storing to dry cookies or other delights.

Delicate but absolutely expressive, Pin oil is the olive tree with Marta Sansone and IVV, among the main and now very few Italian glassware that still produce in the Country, honour the tradition of the most famous wooden puppet in the world. Recalculating the typical traits of Pinocchio, including the long pointed nose, the'Oil tank Over Pine transparent glass is an icon between roots and avant-garde, ideal for an ironic touch on the table of great occasions or for that of everyday.

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a lift. And what if not'candy up in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a lift. And what if not'candy up in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

The put in place it's the identity card of dinner. It represents the creative ability to transform the dining room into a theater where conviviality and sociality do not use any script. Where to sit there is a moment of sharing that exceeds the taste of the courses, beauty turns from abstract to concrete. And so, eating in a pleasant setting is an attitude that sits together familiar, acquaintances, friends. Flowers, hamsters, cutlery and between tablecloths and dishes it becomes necessary to insert a nice underground. And what if not subtitles Candy in resin signed Bitossi?

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The White Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the centerpieces are right in the table accessories essential for creating a coherent and refined environment. The Centerpiece The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera La Stanza dell' Scirocco Bianco stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruitpot The Black Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centerpiece, or exposed on shelves and beliefs as simple decorative objects, the pot baskets fit into the kitchen accessories needed to create a coherent and refined environment. The Fruttiera The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centrepiece, or exposed on shelves and beliefs as simple decorative objects, baskets are entitled to the kitchen accessories necessary to create a coherent and refined environment. The Basket The Room Of White Scirocco stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centrepiece, or exposed on shelves and beliefs as simple decorative objects, baskets are entitled to the kitchen accessories necessary to create a coherent and refined environment. The Recycle Bin The Black Shoe Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a centrepiece, or exposed on shelves and beliefs as simple decorative objects, baskets are entitled to the kitchen accessories necessary to create a coherent and refined environment. The Basket The Scirocco Room stands out for the particular structure in which small dowels create games of lights and shadows; an iconic plot that has determined the success of the whole collection created by Mario Trimarchi for Alessi. 

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Double bowl Ø.25cm double wall stainless steel designed by D'Urbino - Lomazzi for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - is the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy tray #3 and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy n.11 Gold and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory. The gilding is manual and 24 carat gold.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Joy n.11 and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.

Used during lunches and dinners as a table centre, or exposed on shelves and beliefs as simple decorative objects, the potholder baskets are right in the kitchen accessories needed to create a coherent and refined environment. The Centrepiece Joy n.1 Black and its bright reflections conceived by Claudia Raimondo for Alessi - the famous brand made in Italy whose design objects have always an exciting and surprising connotation, often countercurrent and iconic - that's why the perfect accessory.